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Taken prisoner by the Prussians, Fletcher seeks an ally as the Blood Emperor’s forces plan and the Black Baron strikes.
The new KURT BUSIEK era at Image begins here, as he and superstar artist CARLOS PACHECO (Fantastic Four, Avengers Forever, Final Crisis, X-Men, Superman) bring you the much-anticipated return of ARROWSMITH! It’s World War I—but a war of wizards and dragons as much as bullets and barbed wire. Young airman Fletcher Arrowsmith plunges back into the heat of war—and finds himself behind enemy lines, facing a threat that could doom the Allied Powers. The first issue in a new ARROWSMITH-universe miniseries! And don’t miss the remastered hardcover of the original series in February!
In a world where World War One is fought with magic and dragons as much as bullets and trenches, young Fletcher Arrowsmith of the Overseas Aero Corps is sent on a secret mission into enemy territory, to find a mysterious ally and stop a deadly plan that could destroy all of Europe. Along the way, he’ll deal with dangerous enemy sorcerers, werewolves, and trolls…and learn the true secrets behind magic and the war itself. Superstar creators KURT BUSIEK (ASTRO CITY, Marvels) & CARLOS PACHECO (X-Men, Avengers Forever, Superman) deliver a war, and a world, like none other. Collects ARROWSMITH: BEHIND ENEMY LINES #1-6
Fletcher learns the truth about his mission and his mysterious ally as they try to elude the Black Baron's dangerous wolven agents.
Fletcher and Guy find shelter (and more) within a mountain trollhome. Plus: the truth about the Peace of Charlemagne, which brought about this modern world of magic and folklore.
Fletcher takes part in a dangerous and dramatic jailbreak, engages in a pursuit through the borderlands of magic, and meets enigmatic new allies.
Examining a wide array of ancient writings, Brent Nongbri dispels the commonly held idea that there is such a thing as ancient religion. Nongbri shows how misleading it is to speak as though religion was a concept native to pre-modern cultures.
The invention of mass marketing led to cigarettes being emblazoned in advertising and film, deeply tied to modern notions of glamour and sex appeal. It is hard to find a photo of Humphrey Bogart or Lauren Bacall without a cigarette. No product has been so heavily promoted or has become so deeply entrenched in American consciousness. And no product has received such sustained scientific scrutiny. The development of new medical knowledge demonstrating the dire harms of smoking ultimately shaped the evolution of evidence-based medicine. In response, the tobacco industry engineered a campaign of scientific disinformation seeking to delay, disrupt, and suppress these studies. Using a massive archive of previously secret documents, historian Allan Brandt shows how the industry pioneered these campaigns, particularly using special interest lobbying and largesse to elude regulation. But even as the cultural dominance of the cigarette has waned and consumption has fallen dramatically in the U.S., Big Tobacco remains securely positioned to expand into new global markets. The implications for the future are vast: 100 million people died of smoking-related diseases in the 20th century; in the next 100 years, we expect 1 billion deaths worldwide.
A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and cotnrol the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions.
Previously published in hardcover: New York: Free Press, 2012.