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Arranging for the Concert Band and the separately available workbook are intended to introduce students to basic techniques of arranging for the concert band. Arranging can be divided into two separate processes. The first deals with scoring and transcribing. Scoring is concerned with such things as voicing, doubling, balance and color. The term scoring also means the actual writing of notes on the score paper. Transcribing is scoring music written for one kind of musical instrument or group -- say a piano or orchestra -- for a different kind of group. This text deals with those matters. The second part of arranging is the more creative process of writing introductions, modulations, endings, background figures and so on.
Each composer addresses the following topics: Biographical information, The creative process ... how a composer works, Orchestration, Views from the composer to the conductor, Commissioning new works, The teaching of composition, Influential individuals, Ten works all band conductors at all levels should study, Ten composers whose music speaks in especially meaningful ways, The future of the wind band, Other facets of everyday life, Comprehensive list of works for band.
User-friendly book takes the reader step-by-step through the process of writing effective marching arrangements.
Beyond the skill involved in playing an instrument, getting musicians to play together well is an art form in itself. The secrets of how a guitarist, bassist, vocalist, drummer, keyboard player, and more can come together to create a unified sound usually reveal themselves only after years of stage and studio experience. This book explores every aspect of playing with other musicians, including the equipment, hardware, and software used in today's increasingly complex technological world, and the principles of sound every musician needs to know to work at the level of a professional band. So if you're ready to take your band beyond countless rehearsals and fast-forward to a professional sound, How to Make Your Band Sound Great is the guide you need to get you there. Complete with a 60-minute instructional DVD, How to Make Your Band Sound Great supplies instant access to producer and engineer Bobby Owsinski's years of real-life professional experience with bands of all types as a player, recording engineer, and record producer. The book-and-DVD package provides all you need to know to get your band on the way to sounding great using the techniques of veteran professional performing acts in the studio and on the stage.
(Jazz Instruction). Renowned educator and writer Paris Rutherford has adapted the text he used for over 30 years in teaching university-level arranging at one of the nation's most illustrious jazz schools. For anyone wanting to enter the exciting world of jazz arranging, this book is a must-have resource! Useful as a classroom teaching tool for beginning arrangers or as a self-study book, this clearly written and engaging text will get you off to a great start that will have players and audiences alike enjoying your music! Includes Rutherford's original compositions and small group charts, along with audio that features both full performances and rhythm-section-only tracks for personal or group practice.
This practical guide is designed for aspiring amateur and professional musicians. The book covers every aspect of jazz, rock and pop arranging, from a basic lead sheet to scoring for full ensemble with voices. The book includes tips and hints, presented in an easy-to-use format.
Dobbins uses a selection of his own works and arrangements of works by Peter Erskine to discuss principles of writing for big band. Complete scores are presented with running commentary. The CD contains recordings of the music in the book. With an introduction and appendix.
Markworth, former director of bands at Centerville High School in Centerville, Ohio, offers tried-and-true suggestions and information on the exciting world of contemporary high school marching band. (Music)
(Instructional). Instrumental Jazz Arranging consists of a systematic presentation of the essential techniques and materials of jazz arranging. Authors Mike Tomaro and John Wilson draw upon 50+ years of combined teaching experience to bring you a book that addresses all of the basic needs for beginning arrangers. Topics include counterpoint/linear writing, jazz harmony, compositional techniques, and orchestration. All topics serve to address issues concerned with true arranging in great detail. The book may be used in both individual and classroom instructional situations. The accompanying CDs 170 tracks in all! include many of the examples in the book, plus templates for assignments formatted for Finale .