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This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Arts.
A detail examination of the craftsmanship and lives of German woodcarvers from 1475 to 1525 discusses their artistic styles, techniques of carving, and place in society.
"The color photographs, specially commissioned for this project, are an essential feature of the book. Each altarpiece is illustrated in its entirety, with its wings both opened and closed, and in close-up views of its most important carvings and paintings - details that are not available to the average visitor to these sites."--BOOK JACKET.
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On the eve of the five hundredth anniversary of the discovery of the Americas, it bears remembering that in 1492, as Columbus was making his historic voyage, Europe was flourishing, at the very height of the Renaissance that transformed a continent. In art, politics, commerce, and society, the medieval world had given way to the modern era. But what was Europe really like then? What did London, Paris, Rome, and the other great centers of culture actually look like, and what was it like to travel from one to the other when the horse and the sailing ship were the most expeditious means available? How long would a typical journey take? Where would one stay and what could one eat along the way? And whom might one expect to meet? Both kings and pilgrims, to be sure. In Travel Guide to Europe 1492, the noted Italian historian Lorenzo Camusso offers modern-day readers and would-be adventurers ten itineraries for trips commonly taken in both the near and far reaches of fifteenth-century Europe. Whether Camusso's wayfarer is an ambitious young banker on the road From Florence to Bruges;the great painter Albrecht Rurer on his way from Nurember to Venice, a shipbuilder whose highly prized craft takes him from Seville to Antwerp via Barcelona, Beaune, and Paris; or a lonely pilgrim wandering from Vezelay to far-off Santiago de Compostela, he offers a vivid account of what such a journey would be like--the sights, sounds, perils, and pleasures--and in so doing he renders the very fabric of day-to-day life during this momentous ear in Europe's history.