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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
First published in 1963. Matthew Arnold grew up under the personal as well as literary influence of Wordsworth, when Keats, Shelley, and Byron were dominant poetic forces and Coleridge a seminal thinker on social and religious problems. However, the great Romantics were not always positive influences. This study attempts to provide an examination of Arnold by exploring and evaluating the full range of Arnold’s reactions to the major Romantic poets over his whole career. This title will be of interest to students of literature.
Arnold is among the most inaccessible of 19th-century poets, a fact of which he himself was well aware. Asking a great deal of his readers, he expected them to share his remote excitements and to follow his complicated intellectual processes. This study of Arnold's major poetic ideas defines their philosophical backgrounds through close and sustained reading of many individual poems. Professor Stange finds that Arnold organized his examination of life around these central ideas: poetry, nature, self, and love. He also considers Arnold’s work in relation to the philosophical and literary events and traditions of the continent, particularly Goethe’s lyrics and classical humanism. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.