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A flurry of activity takes over the Intensive Care Unit as medical staff go about their tasks preparing the room for a critically ill patient. The doors of the ICU burst open and a gurney is pushed to the side of the bed. Doctors and nurses take their positions either side of the gurney and expertly transfer the patient to the bed. Fortunately, Arnold Leadbetter is unaware of what is going on, his comatose state shielding him from the circumstances that he now finds himself in. Unfortunately, not every disease is curable and Arnold’s prognosis is a life hooked up to a Life Support machine, his body paralysed and in a coma. A decision is made to switch off the machine. In this comedy horror, that could be described as “An American Werewolf In London” meets “Weekend At Bernie’s”, Arnold finds that death is definitely not what he expected it to be, as he is pitched into a world of soft-porn movie-makers, zombies, vampires, and werewolves.
WHAT LURKS OUT THERE IN THE FOG? WHAT WAS THAT EERIE SOUND IN THE DEAD OF NIGHT? WHAT FLITTED BY AT THE END OF THE STREET, JUST BEYOND THE FARTHEST LAMP? ....From earliest times, tales of the restless dead and their fellow travellers have terrified mankind. Whether around a remote campfire or in the middle of a bustling city, the unquiet spirits and attendant creatures that have tormented men since the prehistoric darkness haven't gone away; they still have the power to strike fear in our hearts. Encyclopedia of the Undead traces those shadowy shapes that lurk just outside the range of human vision and inhabit our most potent and frightening tales - vampires, werewolves, ghouls, and monsters, every one of them the stuff of nightmares. Drawing on a wide range of belief and literature, it traces these horrors from their earliest recorded inceptions and charts their impact upon the human mind. You'll find detailed descriptions of terrors from all over the world - from the mist shrouded mountains of Eastern Europe to the sweltering jungles of the Caribbean islands; from the dark, stone-lined tombs of the uncoffined dead beneath the remote New England hills to the dark magic that lurks beneath the thriving, colourful surface of a city such as New Orleans. Encyclopedia of the Undead also details some of the things that gnaw at the edges of men's minds - Incubi and Succubi, the Mara, and the dark legends that have influenced writers such as H.P. Lovecraft. This is a book for all those who are interested in the darker side of the human mind, one that examines the beliefs and imaginings that form the basis of our worst fears. Within its pages, history and terror mix to create the things that lurk in the darkest corners of our perceptions.
The academy and pop culture alike recognize the great symbolic and teaching value of the undead, whether vampires, zombies, or other undead or living-dead creatures. This has been explored variously from critiques of consumerism and racism, through explorations of gender and sexuality, to consideration of the breakdown of the nuclear family. Most academic examinations of the undead have been undertaken from the perspectives of philosophy and political theory, but another important avenue of exploration comes through theology. Through the vampire, the zombie, the Golem, and Cenobites, contributors address a variety of theological issues by way of critical reflection on the divine and the sacred in popular culture through film, television, graphic novels, and literature.
When they encounter an enemy known as "solitude" in the misty Thousand Valley, this tale of adventure that crawled out of the ashes will begin to weave a new act.
From Victor Halperin's White Zombie (1932) to George A. Romero's landmark Night of the Living Dead (1968) and AMC's hugely successful The Walking Dead (2010-), zombie mythology has become an integral part of popular culture. In a reversal of the typical pattern of adaptation, the zombie developed onscreen before appearing in short stories and comic books during the 20th century, and more recently as subjects of more traditional novels. This collection of new essays examines some of the most influential and inventive zombie literature, from the early stories to the most recent narratives, including some told from a zombie perspective.
Arnold Z. Ombee has escaped a secret government zombie project -- but now can he survive human elementary school? From the hilarious mind behind the Crimebiters series comes a new trilogy that fans of The Last Kids on Earth will love to pieces (literally). Arnold Z. Ombee has escaped a secret government lab that's developing zombies. Young, scared, and alone, he is found by the Kinders, a warmhearted couple who take him in. The Kinders decide Arnold will become part of their family. They help him disguise his undead appearance and teach him how to act like a human boy. After a lot of practice, he's ready for the ultimate test: Fifth grade!
Having overcome many trials and tribulations, Haruhiro and the others succeed in returning to Grimgar. However, though they have returned, they are a long way from the human sphere of influence. When Haruhiro and Yume go scouting, they're lucky enough to encounter members of another party in the Day Breakers clan, the Typhoon Rocks. However, they engaged in a battle against groups of orcs and undead in order to accomplish a certain goal, and Haruhiro and Yume, along with the other four who were left behind, are caught up in the fighting. In the world they've returned to, more comrades, encounters, and battles await. As the ashes dance, no one yet knows what lies waiting beyond the fantasy.
The Vampires prowl through the dark nights - hunting and baying for blood. And when they smell the human flesh nothing can stop them from transforming into mysterious, menacing and frightening creatures. Reawaken the fear, the dread and the obsession with the creatures of the night through the stories of the gruesome hunt and the hunted with this meticulously edited collection of the greatest vampire classics of all time:_x000D_ The Vampyre (John William Polidori)_x000D_ Dracula (Bram Stoker)_x000D_ Dracula's Guest (Bram Stoker)_x000D_ Clarimonde (Théophile Gautier)_x000D_ Carmilla (Sheridan Le Fanu)_x000D_ Vikram and the Vampire (Sir Richard Francis Burton)_x000D_ The Vampire (Jan Neruda) _x000D_ Varney the Vampire, or, the Feast of Blood (Thomas PeckettPrest and James Malcolm Rymer)_x000D_ The Vampire of Croglin Grange (Augustus Hare)_x000D_ Aylmer Vance and the Vampire (Alice and Claude Askew)_x000D_ The Vampire Maid (Hume Nisbet) _x000D_ The Room in the Tower (E. F. Benson)_x000D_ Mrs.Amworth (E. F. Benson)_x000D_ Vampires and Vampirism (Dudley Wright)_x000D_ I, the Vampire (Henry Kuttner)_x000D_ The House of the Vampire (George Sylvester Viereck)_x000D_ Vampires of Venus (Anthony Pelcher)_x000D_ Doom of the House of Duryea (Earl Peirce)_x000D_ Isle of the Undead (Lloyd Arthur Eshbach)_x000D_ Four Wooden Stakes (Victor Rowan) _x000D_ Each Man Kills (Victoria Glad)