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This publication features furniture designed by Arne Jacobsen, including his famous Egg and Swan chairs. Also included are ashtrays, tables, desk and ceiling lights, clocks, glassware, cutlery and curtains.
This book is organized in thematic chapters, broken down into three sections, which each examine room 606 as a microcosm of the SAS House; reconstruct the original building; and trace the connections between Jacobsen's masterpiece and his other works, from buildings to household objects.
Arne Jacobsen's furniture, such as his classic Ant Chair and Egg Chair, have become world-famous exemplars of Danish modern design. This book includes some of his most significant work, with an overview from established design writers.
- Presentation of the little known pioneering work of Arne Jacobsen in the field of architecture - Accompanies the exhibitions at six places of work of Jacobsen and Weitling throughout Germany - Scandinavian design meets German efficiency The architecture by Arne Jacobsen and Otto Weitling is of outstanding importance for post-war modernism in Germany. The calibre of their projects, however, has been forgotten. Gesamtkunstkwerke closes this gap in the appreciation of their work with a comprehensive presentation of seven out of eight German projects by the Danish master architects. Jacobsen and Weitling's Scandinavian functionalism is a reflection of the visions of the former FRG - designs and commissions grounded in democracy, prestige and efficiency. The publication also takes stock of how the legacy of late modernism is being handled. The journey through the architects' locales leads us to the sea, to model towns and to the intricacies of modernism, prompting a debate in accordance with Otto Weitling: 'Pros and cons would be a positive sign because a building that isn't talked about is usually not worth talking about.' Text in English and German.
This series was the winner of the American Institute of Architects' prestigious "Award for Excellence in International Book Publishing". Each volume in this series is introduced with an essay on the architect, and a chronological or stylistic presentation of their most outstanding buildings and projects. No other series provides such a complete and concise summary of the world's leading architects' works. The volumes are fully illustrated in black-and-white with photos and project renderings.
An unprecedented homage to modernist architecture from the 1920s up to the present day Ornament Is Crime is a celebration and a thought-provoking reappraisal of modernist architecture. The book proposes that modernism need no longer be confined by traditional definitions, and can be seen in both the iconic works of the modernist canon by Le Corbusier, Mies van der Rohe, and Walter Gropius, as well as in the work of some of the best contemporary architects of the twenty-first century. This book is a visual manifesto and a celebration of the most important architectural movement in modern history.
"Finn Juhl was part of the ... movement known as Danish Modern, which lasted from around 1930 until the end of the 1960s ... One of the first to achieve international success, [he] paved the way for Danish Modern to become an international 'brand' for Danish furniture design. This book shines a spotlight not only on Finn Juhl's house but also on Juhl as a modernist and man of the world ... It focuses on the period from [his] first experimental furniture in the 1930s through the golden age in the 1940s and 1950s to today, when the furniture has experienced a renaissance as design classics and collector's items"--Publisher's description.
A revealing new look at modernist architecture, emphasizing its diversity, complexity, and broad inventiveness Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. The Other Modern Movement profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton's account offers new insights into iconic buildings like Eileen Gray's E-1027 House in France and Richard Neutra's Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond's Tokyo Golf Club and Alejandro de la Sota's Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.
A scholarly review of the prominent designers and designs from 1910-1960 covering the Organic Design Movement, methods and materials of construction and in-depth measurements with hundreds of archival photographs.