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This is a new release of the original 1941 edition.
Everywhere England go to play Test cricket, the Barmy Army follows, giving them unstinting support and always searching for the best songs, chants and banter to help their team overcome the opposition. This hilarious book collects the best and funniest songs and chants from almost 20 years of enthusiastic backing. The book not only reveals how the chants were created, but also how the players responded to hearing their names being sung and how much it meant to them. There are also revealing interviews with some of the Barmy Army's leading songwriters, who provide a fascinating insight into what makes for a truly great chant. Sometimes, of course, the Barmy Army targeted the opposition, and 'The Mitchell Johnson Song' helped England on their way to a famous Ashes triumph in 2010-11. From the classic 'Ball and Chain' to the more recent 'Swann Will Tear You Apart', this book is an ideal way to get into the true Barmy spirit.
Wearing thick glasses, speaking in her thick Icelandic accent, and, well, seeming a touch thick, Bjork stormed the public consciousness in 2000 as an unlikely heroine in the experimental musical film Dancer In the Dark. Army of She is an in-depth look at the woman who first took the public stage twenty-three years ago, analyzing her rise from child prodigy to punk anarchist to New Wave novelty (as member of the Sugarcubes) to hit soloist to film star.
This inspiring collection of Salvation Army music features classic hymns and marches that have been sung and played by generations of Salvationists around the world. With its uplifting melodies and powerful messages of faith, it's a testament to the enduring power of music to transform lives. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In a nightmarish, post-holocaust world, an ancient evil roams a devastated America, gathering the forces of human greed and madness, searching for a child named Swan who possesses the gift of life.
Zilphia Horton was a pioneer of cultural organizing, an activist and musician who taught people how to use the arts as a tool for social change, and a catalyst for anthems of empowerment such as “We Shall Overcome” and “We Shall Not Be Moved.” Her contributions to the Highlander Folk School, a pivotal center of the labor and civil rights movements in the mid-twentieth century, and her work creating the songbook of the labor movement influenced countless figures, from Woody Guthrie to Eleanor Roosevelt to Rosa Parks. Despite her outsized impact, Horton’s story is little known. A Singing Army introduces this overlooked figure to the world. Drawing on extensive archival and oral history research, as well as numerous interviews with Horton's family and friends, Kim Ruehl chronicles her life from her childhood in Arkansas coal country, through her formative travels and friendship with radical Presbyterian minister Claude C. Williams, and into her instrumental work in desegregation and fostering the music of the civil rights era. Revealing these experiences—as well as her unconventional marriage and controversial death by poisoning—A Singing Army tells the story of an all-but-forgotten woman who inspired thousands of working-class people to stand up and sing for freedom and equality.
She is Elaine of Ascolat, the Lady of Shalott. At sixteen, Elaine is beautiful and brave, with a temperament as fiery as her long red hair. She lives on Arthur's army base with her father and brothers, the sole girl in a militaristic world of men. As she mends torn battle garments and heals wounds, Elaine often slips into daydreams, wishing the handsome Lancelot would see her as more than a tomboy. Then a new girl arrives, and Elaine is thrilled-- until Gwynivere proves to be cold and cruel. But when the two of them are thrown into a situation of gravest danger, they must band together in order to survive. Can Elaine find the strength to fight for the kingdom she has always believed in? This highly acclaimed novel is a beautiful contribution to the Camelot canon.
Conjuring Freedom: Music and Masculinity in the Civil War's "Gospel Army" analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout. In this study, acknowledging the importance of conjure as a religious, political, and epistemological practice, Johari Jabir demonstrates how the musical performance allowed troop members to embody new identities in relation to national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-optive state antiracism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. Reflecting the structure of the ring shout--the counterclockwise song, dance, drum, and story in African American history and culture--Conjuring Freedom offers three new concepts to cultural studies in order to describe the practices, techniques, and implications of the troop's performance: (1) Black Communal Conservatories, borrowing from Robert Farris Thompson's "invisible academies" to describe the structural but spontaneous quality of black music-making, (2) Listening Hermeneutics, which accounts for the generative and material affects of sound on meaning-making, and (3) Sonic Politics, which points to the political implications of music's use in contemporary representations of race and history.