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There’s no rest for the weary treasure hunter, but that’s how Indiana Jones likes it. Fresh from spying for the Allies in the thick of World War II Germany, the globe-trotting archaeologist doesn’t need much persuading to join his cohort “Mac” McHale in searching for one of the most coveted of artifacts: the fabled black pearl known as the Heart of Darkness. But the partners in adventure are not alone on their foray into the mysterious jungles of Haiti. German and Japanese agents are in hot pursuit, determined to possess the ebony artifact–and its secrets–for their own sinister purposes. And shadowing them all is an infamous voodoo priest, with powers of both diabolical science and black magic at his command. On a treacherous odyssey across the Island of the Dead, where the legend of the zombi looms large, spiders, snakes, and booby traps will prove the least of Indy’s challenges. And capturing the prize will be child’s play compared to confronting an enemy unlike any other, whose numbers are legion and nearly impossible to kill–because they’re already dead. . . .
The government has plans to clean up the environment by closing down motorways, returning the roads to nature - and unleashing an apocalypse of the dead. With few clues and little hope, Scott and his friends face certain death unless they can find someone to help seal the Dead Ways once and for all.
HITLER IS GONE. PLAN Z IS DEFEATED. BUT THE DEAD STILL WALK. Jun is a deadhunter—and a damn good one. For her, patrolling Northern Italy with Sergeant Josiah and his elite squad, eradicating zombies and searching for survivors is nothing new. When the squad encounters a group of refugees being relentlessly pursued by the Dead, they uncover a new threat: a secret Alpine Redoubt stuffed with SS and Hitler Youth, who have seemingly gained control over the Dead. The race is on: neutralise the Nazi menace, destroy the secret base, and stem the tide of Dead—or lose Europe to an unstoppable zombie army. World War Two is over, but the Dead War is just beginning...
Step into a world filled with racist teenagers, masked assassins, cannibals, a telekinetic hitman, 100 warped Uncle Sams, automobiles with razor-sharp teeth, living graffiti, cartoons that walk and talk, a steroid-addicted pro-athlete, an angry black chic, a washed-up Barbara Walters clone, the threat of a war to end all wars, and a pissed-off zombie bitch out for revenge. When the police finally capture the number one suspect in the Bloody Mary Murders, a single-mother named Natasha Armstrong, nobody believes her story about her twelve-year search for the real killer, a murderous walking corpse who has no eyes but can still see, who moves like a bad stop-motion incarnation, but does so with ethereal grace. Nobody believes her when she tells them about all the bodies, or the people they used as game for the military-style obstacle courses that Bloody Mary and her soldiers, a ragtag group made up mostly of runaways, would build wherever they'd settle in any given town to recruit more soldiers and prepare for the end of civilization as we know it.
Massive armies are poised to invade the three main countries of the mainland. The Khadorans, Sakovans, and Fakarans are badly outnumbered as a thousand huge warships set sail from the Island of Darkness to exterminate all life on the mainland. Led by an ageless mage, the forces of evil appeared assured of success. The Torak, the Star of Sakova, and the Astor rally their forces to meet the onslaught and preserve humanity, but can their outnumbered forces stave off the murderous rampage that is about to descend upon them? Army of the dead is the exciting conclusion to the epic fantasy series, Forgotten legacy by Richard S. Tuttle.
In the past 31 years, there has been a lot of ink—actual and virtual—spilled on the subject of the Necronomicon. Some have derided it as a clumsy hoax; others have praised it as a powerful grimoire. As the decades have passed, more information has come to light both on the book's origins and discovery, and on the information contained within its pages. The Necronomicon has been found to contain formula for spiritual trans-formation, consistent with some of the most ancient mystical processes in the world, processes that were not public knowledge when the book was first published, processes that involve communion with the stars. In spite of all the controversy, the first edition sold out before it was published. And it has never been out of print since then. This year, the original designer of the 1977 edition and the original editor have joined forces to present a new, deluxe hardcover edition of the most feared, most reviled, and most desired occult book on the planet.
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.
"The grisly procession of dead had grown alarmingly...men who had endured the terrible ordeal of Bataan, who were 10,000 miles from home, and who then died in the most miserable conditions. For me, as a doctor, the most distressing thought was that they could have been saved, almost without exception, by proper diet and medical care." Imprisoned by the Japanese in 1942, Lieutenant John Bumgarner, U.S. Army Medical Corps, attempted to care for the survivors of the Bataan Death March. A lack of medical supplies, coupled with poor diet and unsanitary living conditions, made the task virtually impossible. Dr. Bumgarner was imprisoned until the Japanese surrender in 1945, all the while attending to his fellow prisoners of war who often had little chance of survival. His powerful story is a strong reminder of the brutality of war and captivity.
When the government close down motorways in an effort to clean up the environment an evil power is released from the Dead Ways which lie beneath the roads.
What happens to members of the United States Armed Forces after they die? Why do soldiers endanger their lives to recover the remains of their comrades? Why does the military spend enormous resources and risk further fatalities to recover the bodies of the fallen, even decades after the cessation of hostilities? Soldier Dead is the first book to fully address the complicated physical, social, religious, economic, and political issues concerning the remains of men and women who die while serving their country. In doing so, Michael Sledge reveals the meanings of the war dead for families, soldiers, and the nation as a whole. Why does recovering the remains of servicepeople matter? Soldier Dead examines this question and provides a thorough analysis of the processes of recovery, identification, return, burial, and remembrance of the dead. Sledge traces the ways in which the handling of our Soldier Dead has evolved over time and how these changes have reflected not only advances in technology and capabilities but also the shifting attitudes of the public, government, and military. He also considers the emotional stress experienced by those who handle the dead; the continuing efforts to retrieve bodies from Korea and elsewhere; and how unresolved issues regarding the treatment of enemy dead continue to affect U.S. foreign relations. Skillfully incorporating excerpts from interviews, personal correspondence and diaries, military records, and journalistic accounts-as well as never-before-published photographs and his own reflections-Michael Sledge presents a clear, concise, and compassionate story about what the dead mean to the living. Throughout Soldier Dead, the voices of the fallen are heard, as are those of family members and military personnel responsible for the dead before final disposition. At times disturbing and at other times encouraging, they are always powerful as they speak of danger, duty, courage, commitment, and care.