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A photo essay examining the design, construction, and uses of hand weapons and armor from a Stone Age axe to the revolvers and rifles of the Wild West.
Tracing the development of the weapons of the Indian warrior, from the earliest to modern times, this text also provides illustrations of a wide variety of the arms and armour discussed.
DK Eyewitness Arms and Armor is an original and exciting look at the history of weapons and armor through the ages. Stunning real-life photographs reveal the design, construction, and workings of armor, offering a unique "eyewitness" view of how methods of warfare have changed. Show your child the very first weapons ever made, the armor worn by medieval knights, the battledress of a Japanese samurai, and the guns used by the frontiersmen and outlaws of the Wild West. They'll also discover the weapons that were carried by the first police officers, how sword and pistol duels were fought and much more!
This lavishly illustrated volume details the armies of western and central European states and their client kingdoms in the Middle East in over three centuries of military development and almost continuous warfare -- a decisive period when Christendom, Islam, and the Mongol world came into violent and sustained conflict, this definitive study pinpoints the evolving military sciences, technologies, and practices in an era of revolutionary change.
As soon as the armed man realized that iron and steel were the best defences for his body, he would naturally insist that some sort of a guarantee should be given him of the efficacy of the goods supplied by his armourer. This system of proving armour would be effected by using those weapons commonly in use, and these, in the early times, were the sword, the axe, the lance, the bow, and the crossbow. The latter seems to have been the more common forms of proof, though as late as the seventeenth century we have evidence that armour was proved with the "estramaon" or sword blow. -from "The Proof of Armour" Not a history of defensive armor but rather a guide to the actual making of armor, as well as the regulations that governed the artisans who made it, this is a fascinating-and practical-handbook on the production, selling, and wearing metal traditional medieval body armor. First published in 1912, this classic book-by British historian and author CHARLES JOHN FFOULKES (1868-1947), curator of London's Royal Armouries-draws on records of the time to detail the tools and appliances of the trade, the decoration and cleaning of armor, the use of leather and fabrics, and much more to offer a complete reference for readers of period fiction and history, wargamers, costumers, and anyone fascinated by the craft of the armorer. This replica of the 1912 edition is complete with all of the original diagrams, illustrations, and photos.
This volume brings together papers written by curators, conservators and scientists who have worked very closely with European and Oriental arms and armour from some of the world's finest collections. The pieces, which have been examined in detail, include not only those made for royalty, such as the helmet of the Black Prince, the armours of King Henry VIII and the jewel-encrusted dagger of Shah Jahan, but also the apparently more mundane and those created to deceive. Through careful study and hands-on experience, each of the authors provides an eye-opening insight into the history, science and interpretation of these important objects.The essays in this title were written in honour of David Edge.Published by Archetype Publications Ltd in association with the Arms and Armour Society
The idea of late medieval arms and armour often conjures up images of lumbering warriors, clad in heavy plate armour, hacking away at with each other with enormous weapons - depictions perpetuated in both bad literature and bad movies. In this introductory guide, replete with fabulous photography and marvellous anecdotes, internationally-renowned edged weapons expert Robert Woosnam-Savage describes the brutal reality of personal protection and attack in the so-called 'age of chivalry'. From Bannockburn to Bosworth, Poitiers to Pavia, this book is an indispensable introduction to an iconic era.
Through the exceptional permanent collection at the Philadelphia Museum of Art, this book looks at arms and armor as art--from warfare to war games, from hunting to the pursuit of glory The Philadelphia Museum of Art's holdings of arms and armor are among the finest of their kind in the world. Presenting nearly 100 masterpieces from the collection, this lavishly illustrated volume includes complete armors and armor elements, swords, firearms and crossbows, staff weapons, horse equipment, and related accessories. Drawn for the most part from the princely armories of Europe, these objects represent the epitome of the armorer's art, and many are published here in color for the first time. The engaging text by Dirk H. Breiding summarizes the latest scholarship and discusses how the museum's collection--the core of which consists of a 1977 bequest by the distinguished connoisseur and scholar Carl Otto Kretzschmar von Kienbusch (1884-1976)--has evolved over the years. This volume reveals how arms and armor--uniting art, fashion, design, politics, and technology--can be seen as unique expressions of human creativity.
Written by arms and armor specialist Walter J. Karcheski, Jr., the text delves into a world where feudalism and the institution of knighthood prevailed and where arms and armor played a crucial role. Karcheski traces the development and craftsmanship of these magnificent suits and weapons throughout the centuries and discusses the armor developed for use in battle as well as that made specifically for tournaments, hunting, and pageantry. Additionally, he explores the craftsmen's guilds and the production and decoration of armor.
"Royal Armouries, arms and armour series"--Cover.