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This book frames the fascinating life and influential works of the Hungarian Orientalist, Arminius Vambéry (1832–1913), within the context of nineteenth century identity politics and contemporary criticisms of Orientalism. Based on extensive research, the book authoritatively presents a comprehensive narrative of Arminius Vambéry’s multiple identities as represented in Hungary and in Great Britain. The author traces Vambéry’s development from a marginalized Jewish child to a recognized authority on Hungarian ethnogenesis as well as on Central Asian and Turkish geopolitical developments. Throughout the book, the reader meets Vambéry as the Hungarian traveler to Central Asia, the British and Ottoman secret agent, the mostly self-taught professor of Oriental languages, the political pundit, and the highly sought after guest lecturer in Great Britain known for his fierce Russophobe pronouncements. The author devotes special attention to the period that transformed Vambéry from a linguistically talented but penniless Hungarian Jewish youth into a pioneering traveler in the double-disguise of a Turkish effendi masquerading as a dervish to Central Asia in 1863–64. He does so because Vambéry’s published observations of an arena still closed to Europeans facilitated his emergence as a colorful personality and a significant authority on Central Asia and Turkey in Great Britain for the next fifty years. In addition, the book also devotes significant space to Vambéry’s dynamic relationship to his most famous student, Ignác Goldziher (1850–1921), who is considered to be one of the founders of modern Islamic Studies. Lastly, Vambéry’s impact on Bram Stoker, the author of Dracula, is also explored. Original Language: English
The studies presented in the collected volume Comparative Hungarian Cultural Studies— edited by Steven Totosy de Zepetnek and Louise O. Vasvari—are intended as an addition to scholarship in (comparative) cultural studies. More specifically, the articles represent scholarship about Central and East European culture with special attention to Hungarian culture, literature, cinema, new media, and other areas of cultural expression. On the landscape of scholarship in Central and East Europe (including Hungary), cultural studies has acquired at best spotty interest and studies in the volume aim at forging interest in the field. The volume's articles are in five parts: part one, "History Theory and Methodology of Comparative Hungarian Cultural Studies," include studies on the prehistory of multicultural and multilingual Central Europe, where vernacular literatures were first institutionalized for developing a sense of national identity. Part two, "Comparative Hungarian Cultural Studies and Literature and Culture" is about the re-evaluation of canonical works, as well as Jewish studies which has been explored inadequately in Central European scholarship. Part three, "Comparative Hungarian Cultural Studies and Other Arts," includes articles on race, jazz, operetta, and art, fin-de-siecle architecture, communist-era female fashion, and cinema. In part four, "Comparative Hungarian Cultural Studies and Gender," articles are about aspects of gender and sex(uality) with examples from fin-de-siecle transvestism, current media depictions of heterodox sexualities, and gendered language in the workplace. The volume's last section, part five, "Comparative Hungarian Cultural Studies of Contemporary Hungary," includes articles about post-1989 issues of race and ethnic relations, citizenship and public life, and new media.
An estimated one million Armenians were killed in the dying days of the Ottoman Empire in 1915. Against the backdrop of World War I, reports of massacre, atrocity, genocide and exile sparked the largest global humanitarian response up to that date. Britain and its empire - the most powerful internationalist institutional force at the time - played a key role in determining the global response to these events. This book considers the first attempt to intervene on behalf of the victims of the massacres and to prosecute those responsible for 'crimes against humanity' using newly uncovered archival material. It looks at those who attempted to stop the violence and to prosecute the Ottoman perpetrators of the atrocities. In the process it explores why the Armenian question emerged as one of the most popular humanitarian causes in British society, capturing the imagination of philanthropists, politicians and the press. For liberals, it was seen as the embodiment of the humanitarian ideals espoused by their former leader (and four-time Prime Minister), W.E. Gladstone. For conservatives, as articulated most clearly by Winston Churchill, it proved a test case for British imperial power. In looking at the British response to the events in Anatolia, Michelle Tusan provides a new perspective on the genocide and sheds light on one of the first ever international humanitarian campaigns.
Japan on the Silk Road provides for the first time the historical background indispensable for understanding Japan's current perspectives and policies in the vast area of Eurasia across the Middle East and Central Asia. Japanese diplomats, military officers, archaeologists, and linguists traversed the Silk Road, involving Japan in the Great Game and exploring ancient civilizations.The book exposes the entanglements of pre-war Japanese Pan-Asianism with Pan-Islamism, Turkic nationalism and Mongolian independence as a global history of imperialism. Japanese connections to Ottoman Turkey, India, Egypt, Iran, Afghanistan, and China at the same time reveal a discrete global narrative of cosmopolitanism and transnationality. The global team of scholars brings to light Japan’s intellectual and political encounters with the peoples and cultures of Asia, in particular Turks and Persians, Hindus and Muslims of India, Mongolians and the Uyghur of Inner Asia, and Muslims in China. Contributors include: Ian Nish, Christopher Szpilman, Sven Saaler, Selcuk Esenbel, Li Narangoa, Komatsu Hisao, Brij Tankha, Erdal Küçükyalcın, A. Merthan Dündar, Katayama Akio, Miyuki Aoki Girardelli, Klaus Röhborn, Mehmet Ölmez, Banu Kaygusuz, Oğuz Baykara, and Satō Masako.
For more than two centuries, Hungarians believed they shared an ethnic link with people of Japanese, Bulgarian, Estonian, Finnish, and Turkic descent. Known as "Turanism," this ideology impacts Hungarian politics, science, and cultural and ethnic identity even today. In Go East!: A History of Hungarian Turanism, Balázs Ablonczy examines the rise of Hungarian Turanism and its lasting effect on the country's history. Turanism arose from the collapse of the Kingdom of Hungary, when the nation's intellectuals began to question Hungary's place in the Western world. The influence of this ideology reached its peak during World War I, when Turanian societies funded research, economic missions, and geographical expeditions. Ablonczy traces Turanism from its foundations through its radicalization in the interwar period, its survival in emigrant circles, and its resurgence during the economic crisis of 2008. Turanian notions can be seen today in the rise of the extreme right-wing party Jobbik and in Hungarian prime minister Viktor Orbán's party Fidesz. Go East! provides fresh insight into Turanism's key political and artistic influences in Hungary and illuminates the mark it has left on history.
Cover -- Title -- Copyright -- Contents -- Introduction to Comparative Hungarian Cultural Studies -- Part One: History, Theory, and Methodology for Comparative Hungarian Cultural Studies -- The Study of Hungarian Culture as Comparative Central European Cultural Studies -- Literacy, Culture, and History in the Work of Thienemann and Hajnal -- Vámbéry, Victorian Culture, and Stoker's Dracula -- Memory and Modernity in Fodor's Geographical Work on Hungary -- The Fragmented (Cultural) Body in Polcz's Asszony a fronton (A Woman on the Front) -- Part Two: Comparative Hungarian Cultural Studies of Literature and Culture -- Contemporary Hungarian Literary Criticism and the Memory of the Socialist Past -- The Absurd as a Form of Realism in Hungarian Literature -- On the German and English Versions of Márai's A gyertyák csonkig égnek (Die Glut and Embers) -- Exile, Homeland, and Milieu in the Oral Lore of Carpatho-Rusyn Jews -- Part Three: Comparative Hungarian Cultural Studies and the Other Arts -- Nation, Gender, and Race in the Ragtime Culture of Millennial Budapest -- Jewish (Over)tones in Viennese and Budapest Operetta -- Curtiz, Hungarian Cinema, and Hollywood -- Lost Dreams and Sacred Visions in the Art of Ámos -- Art Nouveau and Hungarian Cultural Nationalism -- Part Four: Comparative Hungarian Cultural Studies and Gender Studies -- Hungarian Political Posters, Clinton, and the (Im)possibility of Political Drag -- The Cold War, Fashion, and Resistance in 1950s Hungary -- Sándor/Sarolta Vay, a Gender Bender in Fin-de-Siècle Hungary -- Women Managers Communicating Gender in Hungary -- Part Five: Comparative Hungarian Cultural Studies of Contemporary Hungary -- Commemoration and Contestation of the 1956 Revolution in Hungary -- About the Jewish Renaissance in Post-1989 Hungary -- Aspects of Contemporary Hungarian Literature and Cinema.
String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
This book is about the principal writings that shaped the perception of Turkey for informed readers in English, from Edward Gibbon’s positing of imperial Decline and Fall to the proclamation of the Turkish Republic (1923), illustrating how Turkey has always been a part of the modern British and European experience. It is a great sweep of a story: from Gibbon as standard textbook, through Lord Bryon the pro-Turkish poet, and Benjamin Disraeli the Romantic novelist of all things Eastern, followed by John Buchan's Greenmantle First World War espionage fantasies, and then Manchester Guardian reporter Arnold Toynbee narrating the fight for Turkish independence.