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This book frames the fascinating life and influential works of the Hungarian Orientalist, Arminius Vambéry (1832–1913), within the context of nineteenth century identity politics and contemporary criticisms of Orientalism. Based on extensive research, the book authoritatively presents a comprehensive narrative of Arminius Vambéry’s multiple identities as represented in Hungary and in Great Britain. The author traces Vambéry’s development from a marginalized Jewish child to a recognized authority on Hungarian ethnogenesis as well as on Central Asian and Turkish geopolitical developments. Throughout the book, the reader meets Vambéry as the Hungarian traveler to Central Asia, the British and Ottoman secret agent, the mostly self-taught professor of Oriental languages, the political pundit, and the highly sought after guest lecturer in Great Britain known for his fierce Russophobe pronouncements. The author devotes special attention to the period that transformed Vambéry from a linguistically talented but penniless Hungarian Jewish youth into a pioneering traveler in the double-disguise of a Turkish effendi masquerading as a dervish to Central Asia in 1863–64. He does so because Vambéry’s published observations of an arena still closed to Europeans facilitated his emergence as a colorful personality and a significant authority on Central Asia and Turkey in Great Britain for the next fifty years. In addition, the book also devotes significant space to Vambéry’s dynamic relationship to his most famous student, Ignác Goldziher (1850–1921), who is considered to be one of the founders of modern Islamic Studies. Lastly, Vambéry’s impact on Bram Stoker, the author of Dracula, is also explored. Original Language: English
The studies presented in the collected volume Comparative Hungarian Cultural Studies— edited by Steven Totosy de Zepetnek and Louise O. Vasvari—are intended as an addition to scholarship in (comparative) cultural studies. More specifically, the articles represent scholarship about Central and East European culture with special attention to Hungarian culture, literature, cinema, new media, and other areas of cultural expression. On the landscape of scholarship in Central and East Europe (including Hungary), cultural studies has acquired at best spotty interest and studies in the volume aim at forging interest in the field. The volume's articles are in five parts: part one, "History Theory and Methodology of Comparative Hungarian Cultural Studies," include studies on the prehistory of multicultural and multilingual Central Europe, where vernacular literatures were first institutionalized for developing a sense of national identity. Part two, "Comparative Hungarian Cultural Studies and Literature and Culture" is about the re-evaluation of canonical works, as well as Jewish studies which has been explored inadequately in Central European scholarship. Part three, "Comparative Hungarian Cultural Studies and Other Arts," includes articles on race, jazz, operetta, and art, fin-de-siecle architecture, communist-era female fashion, and cinema. In part four, "Comparative Hungarian Cultural Studies and Gender," articles are about aspects of gender and sex(uality) with examples from fin-de-siecle transvestism, current media depictions of heterodox sexualities, and gendered language in the workplace. The volume's last section, part five, "Comparative Hungarian Cultural Studies of Contemporary Hungary," includes articles about post-1989 issues of race and ethnic relations, citizenship and public life, and new media.
Descriptions Of His Travels And Adventures In Asia Minor, Middle East And Central Asia In The Latter Half Of The 19Th Century With An Appreciation By Max Nordau.