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The great powers of medieval Europe fought continuously in the Italian peninsula between the 12th and 14th centuries as they sought to expand their territory. Invading armies from Germany – the Holy Roman Empire – saw the creation of the defensive Lombard League of northern Italian city-states. These struggles resulted in conflicts between rival confederacies, which in turn proved to be the catalysts for developments in organisation and tactics. Italian urban militias became better organised and equipped, the Imperial armies went from being mostly German to multi-national forces, and both sides became reliant on mercenary forces to prosecute their wars. After the 1260s, France, relying mainly on armoured cavalry, and Spain, with their innovative light infantry, vied for control of southern Italy. On the seas, the great naval powers of Genoa, Pisa and Venice became fierce rivals, as they created great trading empires, bringing the treasures of the east into feudal Europe. Using detailed colour plates, this beautifully illustrated book describes the myriad of armies and navies that fought for control of Italy in the Middle Ages.
Originally contracted by wealthy Italian city states to protect their assets during a time of ceaseless warring, many condottieri of the Italian peninsula became famous for their wealth, venality and amorality during the 14th and 15th centuries. Some even came to rule cities themselves. Lavishly illustrated with contemporary depictions and original artwork, this title examines the complex military organization, recruitment, training and weaponry of the Condottieri. With insight into their origins and motivations, the author, Dr David Murphy, brings together the social, political and military history of these powerful and unscrupulous men who managed to influence Italian society and warfare for over two centuries.
Medieval Italy was characterized by regular warfare among its numerous city-states, as well as internal strife within comunes as aristocratic factions fought each other for domination of the cities' governments. In this context, Italian warfare developed quickly, with the crossbow playing a key role in improving the armour technology of the Italian city militias that used them. This book traces the evolution of the Italian militiaman, providing a comprehensive view of all aspects of the late medieval Italian city militias, from the weaponry, attitudes and social backgrounds of their members, to the political context that made such formations necessary.
The Italian Renaissance marked a period of political and military turmoil. Many regional wars were fought between the states ruled by Milan, Venice, Genoa, Florence, the Papacy, Siena and Naples. For more than 50 years starting in 1494, major foreign powers also exploited these divisions to invade Italy; both France and Spain made temporary alliances with city states to further their ambitions, and early in the 16th century the Emperor Charles V sent armies from his German realms to support the Spanish. These wars coincided with the growth of disciplined infantry – carrying not only polearms and crossbows but also handguns – which proved capable of challenging the previously dominant armoured knights. The widespread use of mercenaries ushered in the early development of the 'pike and shot' era that succeeded the 'High Middle Ages'. During this period costumes, armour and weapons varied greatly due to their national origins and to the evolution of tactics and technology. This masterfully illustrated study offers a fascinating insight into the many armies which fought in Italy during this turbulent period, explaining not only their arms and equipment, but also their structure and successes and failures on the battlefield.
Covering the period from the fall of the Roman Empire through to the beginnings of the Renaissance, this is an indispensable volume which brings the complex and colourful history of the Middle Ages to life. Key features: * geographical coverage extends to the broadest definition of Europe from the Atlantic coast to the Russian steppes * each map approaches a separate issue or series of events in Medieval history, whilst a commentary locates it in its broader context * as a body, the maps provide a vivid representation of the development of nations, peoples and social structures. With over 140 maps, expert commentaries and an extensive bibliography, this is the essential reference for those who are striving to understand the fundamental issues of this period.
By the 11th century the French King had lost control of border regions, while local warfare had grown alarmingly frequent. In fact the energies of the French military élite were now focused on petty internal squabbles and external adventures like the Norman conquest of England. Nevertheless, the population and economy both expanded, although it was not until the 12th century that the crown rebuilt its power-base. Despite its slow start when compared with neighbours like England, the Kingdom of France had, by the 13th century, risen to become the most powerful state in Western Europe. This title describes the organisation, history and tactics of French medieval armies.
The battle of Castagnaro, fought on 11 March 1387 between the Veronese and the Paduans, is one of the most famous Italian medieval conflicts in the English-speaking world. This is thanks in no small part to the exploits of the renowned English mercenary (or condottiero) captain, Sir John Hawkwood. Commanding the Paduan army, he led them to a stunning victory. This new study challenges the conventional story of the battle, relocating it to the other side of the Adige River, and showing that Hawkwood was no mere disciple of his previous commander, the Black Prince–he was a highly talented and intelligent general in his own right. Using specially commissioned full-colour artwork, this fascinating book shows how Hawkwood used his own acumen, and the training, skills, and discipline of his very experienced condottieri, to defeat his opponents at Castagnaro.
Sean McFate lays bare the opaque world of private military contractors, explaining the economic structure of the industry and showing in detail how firms operate on the ground. As a former paratrooper and private military contractor, McFate provides an unparalleled perspective into the nuts and bolts of the industry, as well as a sobering prognosis for the future of war.
In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.
Deftly written and beautifully illustrated, The Worlds of Medieval Europe, Second Edition, presents a distinctive and nuanced portrayal of a western world that was sharply divided between its northern and southern aspects. By integrating the histories of the Islamic and Byzantine worlds into the main narrative, author Clifford R. Backman offers an insightful, detailed, and often witty look at the continuum of interaction--social, cultural, intellectual, and commercial--that existed among all three societies. Filled with relevant primary documents, this compelling volume surpasses traditional textbook representations of the Middle Ages by balancing the conventional focus on political affairs, especially those of northern Europe, with equally detailed attention to medieval society as it developed in the Mediterranean. In addition, Backman describes the ways in which the medieval Latin West attempted to understand the unified and rational structure of the human cosmos, which they believed existed beneath the observable diversity and disorder of the world. This effort to re-create a human ordering of "unity through diversity" provides an essential key to understanding medieval Europe and the ways in which it regarded and reacted to the worlds around it. Thoroughly updated and redesigned, the second edition features an inviting and accessible layout and integrates captivating new illustrations--nearly twice as many as in the previous edition--to stimulate students' engagement with the material. Moreover, it offers a sophisticated analysis of gender, along with an intriguing examination of the tumultuous relationship between the Mediterranean and Islam. An invaluable resource for both students and instructors, The Worlds of Medieval Europe, Second Edition, is ideal for undergraduate courses in medieval history, Western civilization, the history of Christianity, and Muslim-Christian relations. It also serves as an excellent supplement on the history of a specific country in the medieval period, the history of medieval art, or the history of the European economy.