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In the 1840s, post-Napoleonic Italy was 'a geographical expression' – not a country, but a patchwork of states, divided between the Austrian-occupied north, and a Spanish-descended Bourbon monarchy, who ruled the south from Naples. Two decades later, it was a nation united under a single king and government, thanks largely to the efforts of the Kings of Sardinia and Piedmont, and the revolutionary Giuseppe Garibaldi. This book, the first of a two-part series on the armies that fought in the Italian Wars of Unification, examines the Piedmontese and Neapolitan armies that fought in the north and south of the peninsula. Illustrated with prints, early photos and detailed commissioned artwork, this book explores the history, organization, and appearance of the armies that fought to unite the Italian peninsula under one flag.
In the 1840s, Italy was a patchwork of states. The North was ruled by the Austrian Empire, the South by the Spanish-descended monarchy of the Two Sicilies. Over the next two decades, after wars led by Savoy/Piedmont and volunteers such as Garibaldi, an independent Kingdom of Italy emerged. These conflicts saw foreign interventions and shifting alliances among minor states, and attracted a variety of local and foreign volunteers. This second volume in a two part series covers the armies of the Papal States; the duchies of Tuscany, Parma, and Modena; the republics of Rome and San Marco (Venice) and the transitional Kingdom of Sicily; and the various volunteer movements. These varied armies and militias wore a wide variety of highly colourful uniforms which are brought to life in stunning, specially commissioned, full colour artwork from Giuseppe Rava.
In the 1840s, Italy was a patchwork of states. The North was ruled by the Austrian Empire, the South by the Spanish-descended monarchy of the Two Sicilies. Over the next two decades, after wars led by Savoy/Piedmont and volunteers such as Garibaldi, an independent Kingdom of Italy emerged. These conflicts saw foreign interventions and shifting alliances among minor states, and attracted a variety of local and foreign volunteers. This second volume in a two part series covers the armies of the Papal States; the duchies of Tuscany, Parma, and Modena; the republics of Rome and San Marco (Venice) and the transitional Kingdom of Sicily; and the various volunteer movements. These varied armies and militias wore a wide variety of highly colourful uniforms which are brought to life in stunning, specially commissioned, full colour artwork from Giuseppe Rava.
This title focuses on the "Risorgimento", the movement that led to the unification of Italy as a single kingdom. The Italian Wars of Independence were a sequence of three separate conflicts, taking place in 1848-49, 1859 and 1866. This volume examines the role of the major powers outside Italy in these conflicts, particularly France, Austria, Great Britain and Prussia, and in Italy the Italian states, the Catholic Church and the revolutionaries. It also examines the role of: Cavour's Piedmont, Mazzini's Young Italy and the Party of Action, Garibaldi's Red Shirts and Daniele Manin's National Society. It is based on original research, particularly in the Vatican archives and it should to be an invaluable text for all students of Italian and European History from 6th form to undergraduate level.
In the 1840s, post-Napoleonic Italy was 'a geographical expression' – not a country, but a patchwork of states, divided between the Austrian-occupied north, and a Spanish-descended Bourbon monarchy, who ruled the south from Naples. Two decades later, it was a nation united under a single king and government, thanks largely to the efforts of the Kings of Sardinia and Piedmont, and the revolutionary Giuseppe Garibaldi. This book, the first of a two-part series on the armies that fought in the Italian Wars of Unification, examines the Piedmontese and Neapolitan armies that fought in the north and south of the peninsula. Illustrated with prints, early photos and detailed commissioned artwork, this book explores the history, organization, and appearance of the armies that fought to unite the Italian peninsula under one flag.
In the early 1900s, the decaying Ottoman Turkish Empire had lost some of its Balkan territories, but still nominally ruled all of North Africa between British Egypt in the east and French Algeria in the west. Libya had fertile coastal territory, and was the last North African (almost, the last African) region not yet conquered by a European colonialist power. Italy was a young country, ambitious for colonies, but had been defeated in Ethiopia in the 1890s. The Italian government of Giovanni Giolitti was keen to overwrite the memory of that failure, and to gain a strategic grip over the central Mediterranean by seizing Libya, just across the narrows from Sicily. The Italian expeditionary force that landed in October 1911 easily defeated the Ottoman division based in the coastal cities, incurring few losses. However, the Libyan inland tribes reacted furiously to the Italian conquest, and their insurgency cost the Italians thousands of casualties, locking them into the coastal enclaves during a winter stalemate which diminished Italian public enthusiasm for the war. To retrieve Italian prestige the government launched a naval campaign in the Dardanelles and the Dodecanese – the last Turkish held archipelago in the Aegean – in April–May 1912, and landed troops to capture Rhodes. The army finally pushed inland in Libya in July– October (using systematic air reconnaissance, for the first time), and after brutal fighting the war ended in a treaty that brought Italy all it wanted, although though the Libyan tribes would not finally be quelled until after World War I. Containing accurate full-colour artwork and unrivalled detail, Armies of the Italian-Turkish War offers a vivid insight into the troops involved in this pivotal campaign, including the tribal insurgents and the navies of both sides.
The restoration of the Meiji Imperial dynasty in 1868, after 250 years of the Tokugawa Shogunate, decisively opened Japan to the outside world and the monarchy embraced modernization, including the creation of a new Westernized army. However, this modernization process was resisted by the traditional Samurai feudal nobility, leading to a series of battles. The first clash between the two cultures came swiftly. During the Boshin War of 1868–69, a French military adviser, Jules Brunet, changed sides to join the insurgents. They won several engagements before the final crushing of the rebel Ezo Republic. After this point, the Imperial Army continued to modernize along French lines, and social changes began to impoverish Samurai noblemen, who lost their social and political role and their associated privileges. During 1876, the powerful Satsuma Domain, around Kagoshima in south-west Kyushu, became a focus for discontent. Its leader Saigo Takamori effectively ignored the central government, and in January 1877, increasing unrest broke out into open rebellion. The Imperial forces were now much stronger, and the Navy could land troops and bombard Kagoshima. The bitter Satsuma siege and attempted capture of Kumamoto Castle finally failed in April, and the Samurai made a last stand at Shiroyama on 24 September, choosing to go down fighting. This marked the final defeat and displacement of the Samurai class. This fully illustrated title explores the fall of the Samurai in detail, examining the arms, tactics, key figures of both sides, and charting the increasing Westernization of the Imperial forces.
The War of the Triple Alliance is the largest single conflict in the history of South America. Drawing Argentina, Brazil, Uruguay and Paraguay into conflict the war was characterized by extraordinarily high casualty rates, and was to shape the future of an entire continent – depopulating Paraguay and establishing Brazil as the predominant military power. Despite the importance of the war, little information is available in English about the armies that fought it. This book analyzes the combatants of the four nations caught up in the war, telling the story of the men who fought on each side, illustrated with contemporary paintings, prints, and early photographs.
The great powers of medieval Europe fought continuously in the Italian peninsula between the 12th and 14th centuries as they sought to expand their territory. Invading armies from Germany – the Holy Roman Empire – saw the creation of the defensive Lombard League of northern Italian city-states. These struggles resulted in conflicts between rival confederacies, which in turn proved to be the catalysts for developments in organisation and tactics. Italian urban militias became better organised and equipped, the Imperial armies went from being mostly German to multi-national forces, and both sides became reliant on mercenary forces to prosecute their wars. After the 1260s, France, relying mainly on armoured cavalry, and Spain, with their innovative light infantry, vied for control of southern Italy. On the seas, the great naval powers of Genoa, Pisa and Venice became fierce rivals, as they created great trading empires, bringing the treasures of the east into feudal Europe. Using detailed colour plates, this beautifully illustrated book describes the myriad of armies and navies that fought for control of Italy in the Middle Ages.
Warriors: Fighting men and their uniforms is a journey through the whole span of military history using illustrations of the uniforms of warriors from ancient times to the present day. From ancient times to the present day, the world's finest warriors have been marked out by a stunning variety of dress, tactics and equipment. This splendid collection of artwork and commentaries illustrates famous combatants from all the ages of military history, bringing them to life in incredible colour and detail. From the gleaming plate armour of the medieval knight to the sleek camouflage gear of modern special ops forces, from the distinctive attire of the Japanese samurai to the ballistic armour and modern electronics of Russia's elite Spetsnaz, this is an unmissable tour of history's most impressive fighting men.