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From the 'old world' to the 'new' and back again, this transnational history of the performance and reception of Bizet's Carmen – whose subject has become a modern myth and its heroine a symbol – provides new understanding of the opera's enduring yet ever-evolving and resituated presence and popularity. This book examines three stages of cultural transfer: the opera's establishment in the repertoire; its performance, translation, adaptation and appropriation in Europe, the Americas and Australia; its cultural 'work' in Soviet Russia, in Japan in the era of Westernisation, in southern, regionalist France and in Carmen's 'homeland', Spain. As the volume reveals the ways in which Bizet's opera swiftly travelled the globe from its Parisian premiere, readers will understand how the story, the music, the staging and the singers appealed to audiences in diverse geographical, artistic and political contexts.
Ils m'ont violee est un recit poignant qui ne laisse pas le lecteur indifferent. Face a un drame qui dure depuis des annees, Masumbuko Mununguri nous offre une fiction cathartique qui demeure neanmoins une invitation a l'action. Comment peut-on rester les bras croises face a tous ces morts ? C'est la question a laquelle le lecteur est oblige de repondre en refermant ce livre. Un temoignage au nom de ceux qui sont morts et qui ne pourront pas parler. Masumbuko se veut le porte-parole de ceux-la. Il tire sa legitimite de sa connaissance de la region dont sa famille est originaire et qu'il visite regulierement voila deja vint ans; vingt ans que l'on tue dans l'indifference generale.
Includes proceedings and reports of International Congress of Historical Sciences for years 1928, 1933 and 1938; and other international congresses and meetings.
Waterloo, the plain where Napoleon's Empire was dealt its final blow after a titanic fight, is not only a name on the map. La Haye-Sainte, Hougoumont, Plancenoit, are real places where men struggled, suffered and died. In this book, the authors retrace the phases of the famous battle. But moreover, they lead the reader deep into history by showing the artifacts, weapons, uniforms and pieces of equipment that have survived after more than two centuries. From Napoleon's hat to Wellington's pad, from a simple uniform button to a rusted bayonet found on the very ground of the battlefield, these fabulous relics help us revisit the day of June 18th 1815. Packed with dozens of color images of uniforms and equipment.
A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet's Carmen from 1875 to 1945. This volume explores how Bizet's opera swiftly travelled the globe, and how the story, the music, the staging and the singers appealed to audiences in diverse contexts.
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.