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This book explores and comparatively assesses how Armenians as minorities have been represented in modern Turkey from the twentieth century through to the present day, with a particular focus on the period since the first electoral victory of the AKP (Justice and Development Party) in 2002. It examines how social movements led by intellectuals and activists have challenged the Turkish state and called for democratization, and explores key issues related to Armenian identity. Drawing on new social movements theory, this book sheds light on the dynamics of minority identity politics in contemporary Turkey and highlights the importance of political protest.
This book analyzes Armenian civil society in the context of post-communist democratization. It explores persistent challenges to civic engagement under Armenia’s semi-authoritarian regime, and also highlights success stories of public mobilization and social impact. Drawing on a broad range of methods and empirical sources, the book provides a comprehensive overview of the re-emerging diversity of Armenian civil society: from formal organizations to spontaneous activism. It combines a country-level analysis of broad patterns in the country’s political culture with the life stories of individual agents of change, contrasting public apathy with young activists’ enthusiasm. By exploring mobilization strategies and narratives in Armenian civil society, the book provides valuable new insights into the roots of the mass public uprising in spring 2018.
For almost nine decades, since their mass-resettlement to the Levant in the wake of the Genocide and First World War, the Armenian communities of Lebanon and Syria appear to have successfully maintained a distinct identity as an ethno-culturally diverse group, in spite of representing a small non-Arab and Christian minority within a very different, mostly Arab and Muslim environment. The author shows that, while in Lebanon the state has facilitated the development of an extensive and effective system of Armenian ethno-cultural preservation, in Syria the emergence of centralizing, authoritarian regimes in the 1950s and 1960s has severely damaged the autonomy and cultural diversity of the Armenian community. Since 1970, the coming to power of the Asad family has contributed to a partial recovery of Armenian ethno-cultural diversity, as the community seems to have developed some form of tacit arrangement with the regime. In Lebanon, on the other hand, the Armenian community suffered the consequences of the recurrent breakdown of the consociational arrangement that regulates public life. In both cases the survival of Armenian cultural distinctiveness seems to be connected, rather incidentally, with the continuing 'search for legitimacy' of the state.
Available in English for the first time, Modern Armenian Drama presents seven classic works from the Armenian stage. Spanning over a century (1871–1992), the plays explore such diverse themes science and religion, socioeconomic injustice, women's emancipation, and political reform through the medium of all the major European dramatic genres. Nishan Parlakian and S. Peter Cowe provide a comprehensive introduction to the history of Armenian drama, giving a valuable overview of its importance and development in Armenia, as well as a brief biography for each playwright. A preface to each play helps in placing the work within the context of historical and cultural issues of the time. Like the plays of Ibsen and O'Neill, the plays presented in this anthology are considered modern classics. They have an enduring quality and appeal to audiences who see them today. The editors have collected translations of the best examples of Armenian theater from its renaissance in the mid-nineteenth century to the present.
The studies contained in this volume demonstrate that despite the economic crisis, there still is much potential in this region and that the measures that need to be taken to realise that potential are feasible and affordable.
Dadrian, a former professor at SUNY, Geneseo, currently directs a genocide study project supported by the Guggenheim Foundation. The present study analyzes the devastating wartime destruction of the Armenian population of the Ottoman Empire as the cataclysmic culmination of a historical process involving the progressive Turkish decimation of the Armenians through intermittent and incremental massacres. In addition to the excellent general bibliography there is an annotated bibliography of selected books used in the study. Annotation copyright by Book News, Inc., Portland, OR
Elie Wiesel called the genocide of the Armenians during the First World War ‘the Holocaust before the Holocaust’. Around one and a half million Armenians - men, women and children – were slaughtered at the time of the First World War. This book outlines some of the historical facts and consequences of the massacres but sees it as its main objective to present the Armenians to the foreign reader, their history but also their lives and achievements in the present that finds most Armenians dispersed throughout the world. 3000 years after their appearance in history, 1700 years after adopting Christianity and almost 90 years after the greatest catastrophe in their history, these 50 ‘biographical sketches of intellectuals, artists, journalists, and others...produce a complicated kaleidoscope of a divided but lively people that is trying once again, to rediscover its ethnic coherence. Armenian civilization does not consist solely of stories about a far-off past, but also of traditions and a national conscience suggestive of a future that will transcend the present.’ [from the Preface]