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A novel-requiem based on real stories, heroes and monsters. This is the first fictional verbal portrayal of the galactic-scale events in Maidan, in the heart of Kyiv, Ukraine that have left their mark on world history. From this apocalyptic perspective, angels and demons in human flesh operate on the 21st century stage of Maidan, a sacral place of the Earth. The protagonist of the novel, Yarko, feels that he can no longer stay at home, as he watches the capital of his country being absorbed by the revolution on TV. He takes a leave of absence at the institute where he works as a researcher, and leaves his family, rushing at dawn to catch a train to Kyiv. Meanwhile, on the opposite end of the country, in Donetsk, a gang, which includes the current president of Ukraine, gathers for a meeting. In Maidan, Yarko serves as one of the architects of a set of barricades because the chances of the Republic of Liberty being attacked grow daily. Despite a severe frost, he lives in a tent, like tens of thousands of rebels. Before the climax of this conflict, a Heavenly Hundred of peaceful, unarmed protesters will have given their lives for the Revolution and thousands of others would suffer in their defense of freedom and the independence of Ukraine. The citizens of the Free World will feel as if they are at the brink of a bloody Armageddon when they hold this requiem book in their hands.
In this two-part study of a dysfunctional Italian, New York family and the dream-like series of vignettes, Lenny DellaRocca blends the hard-nosed with the atmospheric. In one world, he is a character in his own lower class, uneducated cast of sisters, brothers, parents, aunts and uncles, and in the other, an observer of fragmentary, dark and sometimes sinister stories set in imaginary towns and landscapes.
Follows the speaker as he comes of age in a broken American landscape complete with high school football heroics, hard labor, the resentment of first love, and the ties of friendship that bind forever. The poems are moments pinpointed because each is vital to the speaker’s concession that the “characters” in his life are not meant to serve his narrative. Nor is he meant to serve theirs. This acceptance is ultimately freeing, allowing the speaker to let go of what “should be” and accept “what is.”
A subtly linked series of stories that chronicle two generations of a family from the Depression to World War II to the Vietnam War to the present. Characters include a jazz trumpeter, a Ukrainian teenager taken by the Nazis for slave labor in Germany, soldiers from World War II and the Vietnam War, and a strange crew of college professors and their wives from a small college in the Midwest.
This collection of poems is a humorous and insightful glimpse into the lives of fifty early pioneers of the game of baseball. The subjects of this collection include players, executives and other contributors to the game which we now refer to as a national pastime.
When psychiatrist Duane Johnson reads his wife’s diary, he learns the disturbing fact that during a short break-up, just prior to getting married, his wife Zulema had sex with six men. One would think that as a psychiatrist he would be able to manage the emotions involved in learning something like this, but his emotional condition spirals out of control./ Things get worse for him when his very sexy and voluptuous sister-in-law Julisa comes into the picture. He reasons that he can create a balance in the relationship with his wife if he found six girls to sleep with of his own. The journey of the first five is wild enough, but when he becomes obsessed with Julisa having to be the sixth girl…his life takes a turn for the worst. For Duane, what seemed like a simple plan of vindication transforms into a crazy intrigue of sexual exploits, emotional imbalance, and even murder. Still, this does not compare to the ironic ending that sends Duane into a permanent state of emotional confusion. “Roger Rodriguez’s Six is a page turner to the highest degree. A cautionary tale of lust, obsession, and jealousy, where you can’t help but look to see just how far down the rabbit hole goes for our protagonist, or if he’ll ever be able to climb back out of those dark depths of the human psyche.” —Dylan Herin-Soule Director/Producer “An amazing story driven by passion. Not your average love story.” —Actor Bobby Hernandez “Not your typical romance. Excellent romantic thriller and a must read!” —Journalist/News Anchor Ann Hutyra
In 1961, twelve year-old Diego Miranda’s life changes drastically when his parents inform him that they are moving back to their homeland, Nicaragua. The boy, who has lived only in Los Angeles, hates the idea of leaving the city he loves, his friends, and his beloved Dodgers. In the middle of this crisis, he meets the writer Scott O’Dell, the novelist who has recently won the Newbery Medal for Island of the Blue Dolphins. In spite of their age difference, the two become close friends. As a result of this relationship, Diego’s teachers invite the writer to give a talk about the Spanish explorer Vasco Núñez de Balboa. O’Dell chooses to narrate the story of Balboa’s colonization efforts, his sighting of the Pacific Ocean, and his eventual beheading through the eyes of Anayansi—the Indian Princess with whom he shared his life. Told alongside each other, Diego’s and Anayansi’s lives intertwine to create a broad, stunning portrait—set four centuries apart—of the redemptive power of storytelling.
Chester Milosz, a very minor American poet who teaches at a very minor American college and aspires to win the Nobel, receives an invitation to a meeting of global high-flyers at the Otto Nabokov Foundation’s Ardor Haus estate in Caravaggio, Italy. The organizers are Dickey Lemon, a British billionaire who made his fortune in hamster bedding, and Joe Zsasz, an ex-communist functionary-turned-international consultant. The participants are a sundry collection of business people, policymakers, journalists, and academics involved in shady dealings with a corrupt Eastern European president who closely resembles Ukraine’s Viktor Yanukovych. Chester decides to go in the hope that a trip to northern Italy will help overcome his writer’s block. While at Ardor Haus, he experiences cultural misunderstandings, comic misadventures, near-encounters with inspiration, and three earthquakes. It eventually dawns on Chester that he’s been confused with the Nobel Prize winner, Czes?aw Mi?osz, and that the conference is an elaborate scam. After a major earthquake destroys Caravaggio, Chester finds his Muse on the rooftop of the Duomo in Milan.
The definitive and epic account of World War I in the Middle East. The Great War in the Middle East began with an invasion of the Garden of Eden, and ended with a momentous victory on the site of the biblical Armageddon. For the first time, the complete story of this epic, bloody war is now presented in a single, definitive volume. In this inspired new work of history, Roger Ford describes the conflict in its entirety: the war in Mesopotamia, which would end with the creation of the countries of Iran and Iraq; the desperate struggle in the Caucasus, where the Turks had long-standing territorial ambitions; the doomed attacks on the Gallipoli Peninsula that would lead to ignominious defeat; and the final act in Palestine, where the Ottoman Empire finally crumbled. Ford ends with a detailed description of the messy aftermath of the war, and the new conflicts that arose in a reshaped Middle East that would play such a huge part in shaping world affairs for generations to come.
Miscommunicating Social Change analyzes the discourses of three social movements and the alternative media associated with them, revealing that the Enlightenment narrative, though widely critiqued in academia, remains the dominant way of conceptualizing social change in the name of democratization in the post-Soviet terrain. The main argument of this book is that the “progressive” imaginary, which envisages progress in the unidirectional terms of catching up with the “more advanced” Western condition, is inherently anti-democratic and deeply antagonistic. Instead of fostering an inclusive democratic process in which all strata of populations holding different views are involved, it draws solid dividing frontiers between “progressive” and “retrograde” forces, deepening existing antagonisms and provoking new ones; it also naturalizes the hierarchies of the global neocolonial/neoliberal power of the West. Using case studies of the “White Ribbons” social movement for fair elections in Russia (2012), the Ukrainian Euromaidan (2013–2014), and anti-corruption protests in Russia organized by Alexei Navalny (2017) and drawing on the theories of Ernesto Laclau, Chantal Mouffe, and Nico Carpentier, this book shows how “progressive” articulations by the social movements under consideration ended up undermining the basis of the democratic public sphere through the closure of democratic space.