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“A beautifully written novel . . . which captures life in occupied France during the Second World War” from the author of Magnolia House (That Thing She Reads). One woman’s struggle to protect the ones she loves . . . When Arlette Blaise sees a German plane fly over the family farm in 1940, she’s comforted by the fact that the occupying forces are far away in the north of the country. Surely the war will not reach her family in the idyllic French countryside near the small town of Oradour-sur-Glane? But then Saul Epstein, a young Jewish man driven from his home by the Nazis, arrives at the farm and Arlette begins to realize that her peaceful existence might be gone for good . . . “Absolutely gorgeous . . . an excellent book that really brings home just how horrific [WWII] must have been.”—Donna’s Book Blog
Pete Sawyer is a private eye of a different kind. The son of a World War II American pilot and a brave French resistance fighter, he grew up on both sides of the Atlantic -- though he prefers his sun-dappled villa on the Riviera to most other places. He takes pleasure in a fine wine...and a good gun. His French name is Pierre-Ange, and it suits him. In English, it means Stone Angel. When gutsy Arlette Alfani, a brilliant and beautiful Monaco lawyer, asks Pete for help, it's no cry in the dark. A former client of hers, the notorious killer and jewel thief, Andre Colin, has escaped from jail and the police think she arranged it. Pete puts himself on the case, scouring the discos and streetlife of Paris and the hills of Monaco, chasing every clue to a million-dollar scam in stolen gems and a missing mob boss. What he discovers in an insidious connection to a secret society called the Midnight Sister and a lone brutalized woman he must protect from Colin's revenge. If only Pete can keep her healthy enough, long enough, and keep himself that way, too...
Working at the forefront of cosmetic surgery at the turn of the twentieth century, Dr Suzanne Noël was both a pioneer in her medical field and a firm believer in the advancement of women. Today her views on the benefits of aesthetic surgery to women may seem at odds with her feminist principles, but by placing Noël in the context of turn-of-the-century French culture, this book is able to demonstrate how these two worldviews were reconciled. Noël was able to combine her intense convictions for gender equality and anti-ageism in the workforce with her underlying compassion and concern for her female patients, during a time when there were no laws in place to protect women from workplace discrimination. She was also responsible for several advances in cosmetic surgery, a thriving industry, and is today best known for her development of the mini facelift. This book, therefore, sheds much valuable light on advances in aesthetic surgery, twentieth-century beauty culture, women and the public sphere, and the ’new woman’.
A series of suspicious suicides may be the work of a crafty serial killer in this debut thriller novel featuring New Hampshire cop Dean Matheson. When the body of an unidentified woman is found hanging from a tree in the woods of Maple Valley, New Hampshire, it looks like a clear case of suicide. But Officer Dean Matheson is unconvinced. Maybe he’s just looking for that big case that will help him make detective. Maybe he’s just trying to avoid his rocky marriage. Or maybe he’s really on to something. Because the closer Matheson looks at the facts of the case, the less they add up. Then more apparent suicides start cropping up. The victims are all women living on the fringes of society—addicts and criminals nobody would miss. Does anyone really care if they die? Matheson is making it his business to care, and that’s about to make him a target . . .
A wealthy land developer suddenly converts to evangelical Christianity, which flummoxes his wife, a heavy drinking socialite, and daughter, an outstanding high school tennis player, and sends them into a series of unexpected events with an agnostic tennis coach, a closet Algerian Muslim tennis player, and underworld figures threatening to bankrupt the land developer. The often profane and comic novel is not moralistic or cautionary but offers a realistic glimpse into events when strong religious feelings engulf a family and send them on a journey no one expects.
DIVArlette Farge’s Le Goût de l’archive is widely regarded as a historiographical classic. While combing through two-hundred-year-old judicial records from the Archives of the Bastille, historian Farge was struck by the extraordinarily intimate portrayal they provided of the lives of the poor in pre-Revolutionary France, especially women. She was seduced by the sensuality of old manuscripts and by the revelatory power of voices otherwise lost. In The Allure of the Archives, she conveys the exhilaration of uncovering hidden secrets and the thrill of venturing into new dimensions of the past. Originally published in 1989, Farge’s classic work communicates the tactile, interpretive, and emotional experience of archival research while sharing astonishing details about life under the Old Regime in France. At once a practical guide to research methodology and an elegant literary reflection on the challenges of writing history, this uniquely rich volume demonstrates how surrendering to the archive’s allure can forever change how we understand the past./div
The enfranchisement of women in Charles de Gaulle's France in 1944 is considered a potent element in the nation's self-crafted, triumphant World War Two narrative: the French, conquered by the Germans, valiantly resisted until they rescued themselves and built a new democracy, honoring France's longstanding liberal traditions. Kelly Ricciardi Colvin's Gender and French Identity after the Second World War, 1944-1954 calls that potent element into question. By analyzing a range of sources, including women's magazines, trials, memoirs, and spy novels, this book explores the ways in which culture was used to limit the power of the female vote. It exposes a wide network of constructed behavioral norms that supported a conservative vision of French identity. Taken together, they depicted men as virile Resistors for French democracy and history, and women as solely domestic support. Indeed Colvin shows that women's access to the vote emerged alongside an explosion of cultural messages that encouraged them to retreat into the home, to find mates, to have 'millions of beautiful babies', in the words of de Gaulle, and not to challenge patriarchy in any way. This is a vital study for understanding the nature of postwar France and women's history in 20th-century Europe.
For forty years V. S. Naipaul has been traveling and, through his writing, creating one of the most wide-ranging and sustained meditations on our world. Now, for the first time, his finest shorter pieces of reflection and reportage -- nearly all of them heretofore out of print -- are collected in one volume. With an abiding faith in the redemptive power of modernity balanced by a sense of wonder about the past, Naipaul has explored an astonishing variety of societies and peoples through the many-sided prism of his own experience. Whether writing about the Muslim invasions of India, Mobutu’s mad reign in Zaire, or the New York mayoral elections, he has demonstrated again and again that no one has a shrewder intuition of the ways in which power works, of the universal relation of the exploiter and the exploited. And no one has put forth a more consistently eloquent defense of the dignity of the individual and the value of civilization. Infused with a deeply felt humanism, The Writer and the World attests powerfully not only to Naipaul’s status as the great English prose stylist of our time but also to his keen, often prophetic, understanding.
Two former female spies, bound together by their past, risk everything to hunt down an infamous Nazi doctor in the aftermath of World War II--in a pulse-pounding novel inspired by true events from the New York Times bestselling author of Lilac Girls. American Josie Anderson and Parisian Arlette LaRue are heroes of the French resistance, stealing so many Nazi secrets that they become known as the Golden Doves, renowned across France and hunted by the Gestapo. Their courage will cost them everything. When they are arrested and taken to the Ravensbrück concentration camp, along with their loved ones, a shadowy Nazi doctor does unspeakable things to Josie's mother, a celebrated Jewish singer who had joined her daughter in Paris when the world seemed bright. And Arlette's son is stolen from her, seemingly never to be seen again. A decade later the Doves fall headlong into a dangerous dual mission: Josie is working for U.S. Army Intelligence and accepts an assignment to hunt down the infamous doctor, while a mysterious man tells Arlette that he may have found her son. The Golden Doves embark on a quest across Europe and ultimately to French Guiana, discovering a web of terrible secrets, and must put themselves in grave danger to finally secure justice and protect the ones they love. Martha Hall Kelly has garnered acclaim for her stunning combination of empathy and research into the stories of women throughout history and for exploring the terrors of Ravensbrück. With The Golden Doves, she has crafted an unforgettable story about the fates of Nazi fugitives in the wake of World War II--and the unsung female spies who risked it all to bring them to justice.
From the author of Arlette’s Story: A new novel about a London woman rebuilding her life after loss—and filling her home with new friends . . . Rowan Forrester has it all: the happy marriage, the adorable dog, the good friends, the promising business—and even the dream home, after she and her husband Tom win a stunning but slightly dilapidated Georgian townhouse at an auction. But in the blink of an eye, Rowan’s picture-perfect life comes tragically crashing down around her, and she is faced with the prospect of having to start again. To make ends meet she begins a search for housemates to fill her now-empty dream home—and in doing so opens the door to new friends and new beginnings. But could she be opening the door to new heartbreak too?