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Arlene Shechet: Meissen Recast is an exploration of the acclaimed sculptor's recent residency at the world-renowned German porcelain factory. The first porcelain manufacturers in Europe, the Meissen Porcelain Manufactory has attracted artists and artisans from around the world since its establishment in the early 1700s. During her residency, Shechet gained access to all areas of the factory's production, learning their techniques, using their tools and familiarizing herself with their traditions. The astounding body of work that emerged from her time at Meissen, including adaptations and combinations of the original molds, both celebrates this history and subverts our very ideas of craftsmanship in porcelain. Meissen Recast stunningly captures a groundbreaking project. This book will change the way you view the traditions and future possibilities of decorative arts and their intersection with the realms of contemporary art.
Almine Rech Gallery is pleased to announce its representation of the estate of Vivian Springford as well as its inaugural exhibition of the artist's work. The presentation will feature an extensive collection of paintings accompanied by Springford's first-ever monographic catalog published by Almine Rech Gallery Editions. Following her inclusion in the Denver Art Museum's exhibition catalogue, Women of Abstract Expressionism (Joan Marter 2016), the time is right for a critical revision and appreciation of Springford's abundant talent and tireless persistence--a story that mirrors those of so many women artists, past and present.
Monster Roster: Existentialist Art in Postwar Chicago (on view at the Smart Museum in winter/spring 2016) will be accompanied by a comprehensive publication--the first of its kind--that includes an introductory essay by critic and collector Dennis Adrian; an overview of the Monster Roster by John Corbett; an essay about the historical context out of which the Monster Roster emerged by historian Thomas Dyja; a discussion of Monster Roster prints by art historian and curator Marc Pascale; an in depth look at Leon Golub's early work by art historian Jon Bird; and a personal response to the Monster Roster's work by contemporary artist Arlene Shechet. There will also be historic reprints of key texts including Franz Schulze's 1972 essay "Chicago: The Setting and the Group" from Fantastic Images: Chicago Art Since 1945 as well as Jean Dubuffet's lecture "Anticultural Positions" given at the Arts Club of Chicago in 1951. The publication will also contain full-color reproductions of all work on view in Monster Roster, a detailed chronology and exhibition history, and reproductions of ephemera and historical photographs.
The most comprehensive book yet on this inspired, inventive chronicler of the African-American experience Alabama-born, Chicago-based Kerry James Marshall is one of the most exciting artists working today. Critically and commercially acclaimed, the painter is known for his representation of the history of African-American identity in Western art. Conversant with a wide typology of styles, subjects, and techniques, from abstraction to realism and comics, Marshall synthesizes different traditions and genres in his work while seeking to counter stereotypical depictions of black people in society. This is the most comprehensive overview available of his remarkable career.
Catalogue published for the exhibition organized by the Guggenheim Museum Bilbao and the Râeunion des Musâees Nationaux-Grand Palais, with the participation of the Niki Charitable Art Foundation, Santee. Held at the Grand Palais, Galeries Nationales, Paris, France, September 17, 2014-February 2, 2015 and Guggenheim Museum, Bilbao, Spain, February 27-June 11, 2015.
Before Projection: Video Sculpture 1974-1995 shines a spotlight on a historical moment and a body of work in the history of media art that has been largely overlooked since its inception. The exhibition explores the connections between our current moment and the point at which video art was transformed dramatically with the entry of large-scale, cinematic installation into the gallery space. This exhibition will present a re-evaluation of monitor-based sculpture since the 1970’s and serve as a tightly focused survey of works that have been rarely seen in the last twenty years. Artists featured in the exhibition are Dara Birnbaum, Ernst Caramelle, Takahiko Iimura, Shigeko Kubota, Mary Lucier, Muntadas, Tony Oursler, Nam June Paik, Friederike Pezold, Adrian Piper, Diana Thater, and Maria Vedder.--Gallery website.
The most exciting rising stars in contemporary art - who's who and what's next - featuring 107 artists born since 1980, as chosen by a new generation of art experts and leaders This stunningly illustrated survey brings together more than 100 of the most innovative and interesting contemporary artists working across all media and spanning the globe. These are tomorrow's art superstars as chosen by the future leaders of the art world: the curators, writers, and academics with their fingers on the pulse of contemporary art and culture. Artists featured include: Lawrence Abu Hamdan; Farah Al Qasimi; Korakrit Arunanondchai; Firelei Báez; Meriem Bennani; Amoako Boafo; Danielle Brathwaite-Shirley; Jordan Casteel; Jesse Darling; Jadé Fadojutimi; Louis Fratino; Lauren Halsey; Kudzanai-Violet Hwami; Joy Labinjo; Lina Lapelyte; Carolyn Lazard; Ad Minoliti; Tyler Mitchell; Toyin Ojih Odutola; Ima-Abasi Okon; Thao Nguyen Phan; Christina Quarles; Tschabalala Self; Paul Mpagi Sepuya; Shen Xin; Avery Singer; Martine Syms; Salman Toor; Zadie Xa The 100+ nominators originate from institutions including: Baltimore Museum of Art; Bellas Artes Projects (Manila); ESPAC (Mexico City); The Factory Contemporary Arts Centre (Ho Chi Minh City); KW Institute for Contemporary Art (Berlin); MoMA (New York); Museo de Arte Moderno (Medellín); Museums Victoria (Melbourne); RAW Material Company (Dakar); Sharjah Art Foundation; Studio Museum in Harlem (New York); Tai Kwun Contemporary (Hong Kong); Tate Modern (London); Whitechapel Gallery (London); Whitney Museum of American Art (New York); and X Museum (Beijing)
Foreword by Claudia Gould. Text by Ingrid Schaffner, Jenelle Porter, Glenn Adamson.
A revolutionary reexamination of trauma’s role in the life journey, opening the door to growth and healing Trauma does not just happen to a few unlucky people; it is the bedrock of our psychology. Death and illness touch us all, but even the everyday sufferings of loneliness and fear are traumatic. In The Trauma of Everyday Life renowned psychiatrist and author of Thoughts Without a Thinker Mark Epstein uncovers the transformational potential of trauma, revealing how it can be used for the mind’s own development. Western psychology teaches that if we understand the cause of trauma, we might move past it while many drawn to Eastern practices see meditation as a means of rising above, or distancing themselves from, their most difficult emotions. Both, Epstein argues, fail to recognize that trauma is an indivisible part of life and can be used as a lever for growth and an ever deeper understanding of change. When we regard trauma with this perspective, understanding that suffering is universal and without logic, our pain connects us to the world on a more fundamental level. The way out of pain is through it. Epstein’s discovery begins in his analysis of the life of Buddha, looking to how the death of his mother informed his path and teachings. The Buddha’s spiritual journey can be read as an expression of primitive agony grounded in childhood trauma. Yet the Buddha’s story is only one of many in The Trauma of Everyday Life. Here, Epstein looks to his own experience, that of his patients, and of the many fellow sojourners and teachers he encounters as a psychiatrist and Buddhist. They are alike only in that they share in trauma, large and small, as all of us do. Epstein finds throughout that trauma, if it doesn’t destroy us, wakes us up to both our minds’ own capacity and to the suffering of others. It makes us more human, caring, and wise. It can be our greatest teacher, our freedom itself, and it is available to all of us. Check out Epstein's latest book, Advice Not Given: A Guide to Getting Over Yourself.
Despite the steady rise in adaptations of Samuel Beckett’s work across the world following the author’s death in 1989, Beckett’s afterlives is the first book-length study dedicated to this creative phenomenon. The collection employs interrelated concepts of adaptation, remediation and appropriation to reflect on Beckett’s own evolving approach to crossing genre boundaries and to analyse the ways in which contemporary artists across different media and diverse cultural contexts – including the UK, Europe, the USA and Latin America – continue to engage with Beckett. The book offers fresh insights into how his work has kept inspiring both practitioners and audiences in the twenty-first century, operating through methodologies and approaches that aim to facilitate and establish the study of modern-day adaptations, not just of Beckett but other (multimedia) authors as well.