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Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.
Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.
Following in the tradition of the Southern Women series, Arkansas Women highlights prominent Arkansas women, exploring women’s experiences across time and space from the state’s earliest frontier years to the late twentieth century. In doing so, this collection of fifteen biographical essays productively complicates Arkansas history by providing a multidimensional focus on women, with a particular appreciation for how gendered issues influenced the historical moment in which they lived. Diverse in nature, Arkansas Women contains stories about women on the Arkansas frontier, including the narratives of indigenous women and their interactions with European men and of bondwomen of African descent who were forcibly moved to Arkansas from the seaboard South to labor on cotton plantations. There are also essays about twentieth-century women who were agents of change in their communities, such as Hilda Kahlert Cornish and the Arkansas birth control movement, Adolphine Fletcher Terry’s antisegregationist social activism, and Sue Cowan Morris’s Little Rock classroom teachers’ salary equalization suit. Collectively, these inspirational essays work to acknowledge women’s accomplishments and to further discussions about their contributions to Arkansas’s rich cultural heritage. Contributors: Michael Dougan on Mary Sybil Kidd Maynard Lewis Gary T. Edwards on Amanda Trulock Dianna Fraley on Adolphine Fletcher Terry Sarah Wilkerson Freeman on Senator Hattie Caraway Rebecca Howard on Women of the Ozarks in the Civil War Elizabeth Jacoway on Daisy Lee Gatson Bates Kelly Houston Jones on Bondwomen on Arkansas’s Cotton Frontier John Kirk on Sue Cowan Morris Marianne Leung on Hilda Kahlert Cornish Rachel Reynolds Luster on Mary Celestia Parler Loretta N. McGregor on Dr. Mamie Katherine Phipps Clark Michael Pierce on Freda Hogan Debra A. Reid on Mary L. Ray Yulonda Eadie Sano on Edith Mae Irby Jones Sonia Toudji on Women in Early Frontier Arkansas
Your round-trip ticket to the wildest, wackiest, most outrageous people, places, and things the Natural State has to offer!
“It was one of those periods that you got through, as opposed to enjoyed. It wasn’t an environment that . . . was nurturing, so you shut it out. You just got through it. You just took it a day at a time. You excelled if you could. You did your best. You felt as though the eyes of the community were on you.”—Glenda Wilson, East Side Junior High Much has been written about the historical desegregation of Little Rock Central High School by nine African American students in 1957. History has been silent, however, about the students who desegregated Little Rock’s five public junior high schools—East Side, Forest Heights, Pulaski Heights, Southwest, and West Side—in 1961 and 1962. The First Twenty-Five gathers the personal stories of these students some fifty years later. They recall what it was like to break down long-standing racial barriers while in their early teens—a developmental stage that often brings emotional vulnerability. In their own words, these individuals share what they saw, heard, and felt as children on the front lines of the civil rights movement, providing insight about this important time in Little Rock, and how these often painful events from their childhoods affected the rest of their lives.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
The story of Congressman John Lewis¿ earliest days as a young man is at the center of the new graphic novel March Book One. Like the calm at the eye of a hurricane, a whirlwind of stories, people, violence, and history changing action spins around the heart, mind, and soul of the man at its center.
-- 1993 Award of Merit, American Association for State and Local History