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The Art of Poetry
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Of all the writings on theory and aesthetics - ancient, medieval, or modern - the most important is indisputably Aristotle's "Poetics", the first philosophical treatise to propound a theory of literature. The author offers a fresh interpretation of the lost second book of Aristotle's "Poetics".
Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.
The Art of Poetry
The Preface to Aristotle's Art of Poetry by André Dacier is well known as Potique d'Aristote Traduite en François avec des Remarques. Contrary to common perception, Aristotle of Dacier did not introduce a new critical theory to England. Actually, it barely provides enough details for a substantial footnote on how criticism changed throughout the course of the Augustan era. Only now is Dacier acknowledged as one of the historically prominent poetics interpreters—or misinterpreters. Influence can only last as long as it follows the rules. But since other circumstances largely shaped the course of such research in the century that followed, he was the last Aristotelian formalist to have an influence on British critical theory.