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The Acharnians/The Clouds/Lysistrata 'We women have the salvation of Greece in our hands' Writing at a time of political and social crisis in Athens, the ancient Greek comic playwright Aristophanes was an eloquent, yet bawdy, challenger to the demagogue and the sophist. In Lysistrata and The Acharnians, two pleas for an end to the long war between Athens and Sparta, a band of women on a sex strike and a lone peasant respectively defeat the political establishment. The darker comedy of The Clouds satirizes Athenian philosophers, Socrates in particular, and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged. Translated with an Introduction and Notes by Alan H. Sommerstein
DigiCat Publishing presents to you this special edition of "Lysistrata" by Aristophanes. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Lysistrata by Aristophanes is a comedic masterpiece set against the backdrop of the Peloponnesian War. In a bold attempt to end the war, the women of Greece withhold their affections from their men until peace is achieved. With Aristophanes' sharp wit and satirical approach, Lysistrata offers a humorous critique of war and gender roles. It's a classic that still rings true, challenging societal norms and expectations with its timeless humor. Dive into the world of Lysistrata and discover why it has been a staple of comedic literature for over two millennia. Experience the wit and wisdom of Aristophanes in a play that continues to resonate with modern audiences. So why read Lysistrata? Because it's a comedic masterpiece that offers a poignant commentary on war and gender roles, using humor to spark thoughtful discussions. Order your copy today.
Brimming with lively humor and satirical plot devices, this timeless comedy concerns the outrageous activities of a penniless scoundrel and religious pretender as he wreaks havoc among members of his benefactor's household.
Capturing the antic outrageousness and lyrical brilliance of antiquity’s greatest comedies, Aaron Poochigian’s Aristophanes: Four Plays brings these classic dramas to vivid life for a twenty-first century audience. The citizens of ancient Athens enjoyed a freedom of speech as broad as our own. This freedom, parrhesia, the right to say what one pleased, how and when one pleased, and to whom, had no more fervent champion than the brilliant fifth-century comic playwright Aristophanes. His plays, immensely popular with the Athenian public, were frequently crude, even obscene. He ridiculed the great and the good of the city, showing up their hypocrisy and arrogance in ways that went far beyond the standards of good taste, securing the ire (and sometimes the retaliation) of his powerful targets. He showed his contemporaries, and he teaches us now, that when those in power act obscenely, patriotic obscenity is a fitting response. Aristophanes’s satirical masterpieces were also surpassingly virtuosic works of poetry. The metrical variety of his plays has always thrilled readers who can access the original Greek, but until now, English translations have failed to capture their lyrical genius. Aaron Poochigian, the first poet-classicist to tackle these plays in a generation, brings back to life four of Aristophanes’s most entertaining, wickedly crude, and frequently beautiful lyric comedies—the pinnacle of his comic art: · Clouds, a play famous for its caricature of antiquity’s greatest philosopher, Socrates; · Lysistrata, in which a woman convinces her female compatriots to withhold sex from their warmongering lovers unless they negotiate peace; · Birds, in which feathered creatures build a great city and become like gods; · and Women of the Assembly, Aristophones’s most revolutionary play, which inverts the norms of gender and power. Poochigian’s new rendering of these comic masterpieces finally gives contemporary readers a sense of the subversive pleasure Aristophones’s original audiences felt when they were first performed on the Athenian stage.
In Aristophanes' Lysistrata, the women of Athens, fed up with the war against Sparta, go on a sex strike and barricade themselves into the acropolis to persuade their husbands to vote against the war. It is the most often performed of all Aristophanes' comedies. It is also, perhaps, the most misunderstood. This collection of essays by eight leading academics - written for sixth-form students and the general public alike - sets the play firmly in its historical and social context, while exploring Aristophanes' purpose in writing it and considering the responses of modern audiences and directors. The collection has been assembled and edited by David Stuttard, whose energetic new performing version of the play is included in this volume. Contributors include: Alan Beale; Edith Hall; Lorna Hardwick; James Morwood; Martin Revermann; James Robson; Alan H. Sommerstein; Michael Walton.
Bryn Mawr Commentaries provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient Greek and Latin literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation.
A Classic Available Again Aristophanes was the greatest writer of ancient Athenian "old comedy," known for its satires of contemporary life and for its broad, often obscene humor. "Lysistrata" was first produced in 411 BC, when the Peloponnesian War had been devastating Greece for 20 years. Most people know the plot: Lysistrata assembles women from all of Greece, and they agree that they will not have sex until the men make peace. Aubrey Beardsley was the greatest and the most controversial Art Nouveau illustrator in England, famous for his illustrations of Mallory's "Morte d'Arthur," Oscar Wilde's "Salome," Pope's "The Rape of the Lock," and for several magazines. Because he was associated with Oscar Wilde, Beardsley lost his job as art editor of a magazine named "The Yellow Book" in 1895, soon after Wilde was arrested for homosexuality. He was approached by Leonard Smithers, a publisher of erotic books, who asked him to illustrate "Lysistrata." His illustrations are very much in the spirit of Aristophanes, as funny as they are obscene. Beardsley converted to Catholicism in 1897, and soon after, he asked Smithers to "destroy all copies of "Lysistrata"" with its "obscene drawings," but Smithers refused. Beardsley died of tuberculosis in 1898, at the age of 26. Smithers initially published "Lysistrata" in a limited edition of one hundred copies. It was reprinted in the 1960s and 1970s, but copies have long been scarce and expensive. Though some may find it offensive, we believe it is valuable to reprint this book, so all the books illustrated by this great artist are readily available.