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"Aristocrat" and "The Community" are dialogues that take place among friends through the course of a night. "Aristocrat" is concerned with what it means to want to rule, with the comparison of aristocracy to democracy, and with duty. The friends begin by touching upon excellence, aristocracy's traditional claim to rule. They soon come to question whether there are in fact but two true claims to rule - force, or a system of belief. In addition they ponder their commitment to "the cause," a potentially transpolitical cause. "Aristocrat" attempts to answer several "whats" - what is "the cause," what does it involve, and what does it mean to serve. "The Community" attempts to demonstrate a "how" - how to create the new city, a new city determined to set itself apart from the outside world. Discussions of the degree to which quality can be controlled from above, and debates over the degree of control versus freedom that would make the city an ideal place to live, are interwoven with a concern for viability - represented by the Bank, whose interests it seems must always be taken into account. Is the creation of an ideal community an effort that is doomed to be utopian?
A “brilliant” (The Washington Post), “clear-eyed and incisive” (The New Republic) analysis of how the wealthiest group in American society is making life miserable for everyone—including themselves. In 21st-century America, the top 0.1% of the wealth distribution have walked away with the big prizes even while the bottom 90% have lost ground. What’s left of the American Dream has taken refuge in the 9.9% that lies just below the tip of extreme wealth. Collectively, the members of this group control more than half of the wealth in the country—and they are doing whatever it takes to hang on to their piece of the action in an increasingly unjust system. They log insane hours at the office and then turn their leisure time into an excuse for more career-building, even as they rely on an underpaid servant class to power their economic success and satisfy their personal needs. They have segregated themselves into zip codes designed to exclude as many people as possible. They have made fitness a national obsession even as swaths of the population lose healthcare and grow sicker. They have created an unprecedented demand for admission to elite schools and helped to fuel the dramatic cost of higher education. They channel their political energy into symbolic conflicts over identity in order to avoid acknowledging the economic roots of their privilege. And they have created an ethos of “merit” to justify their advantages. They are all around us. In fact, they are us—or what we are supposed to want to be. In this “captivating account” (Robert D. Putnam, author of Bowling Alone), Matthew Stewart argues that a new aristocracy is emerging in American society and it is repeating the mistakes of history. It is entrenching inequality, warping our culture, eroding democracy, and transforming an abundant economy into a source of misery. He calls for a regrounding of American culture and politics on a foundation closer to the original promise of America.
Following the American Revolution, it was a cliche that the new republic's future depended on widespread, informed citizenship. However, instead of immediately creating the common schools--accessible, elementary education--that seemed necessary to create such a citizenry, the Federalists in power founded one of the most ubiquitous but forgotten institutions of early American life: academies, privately run but state-chartered secondary schools that offered European-style education primarily for elites. By 1800, academies had become the most widely incorporated institutions besides churches and transportation projects in nearly every state. In this book, Mark Boonshoft shows how many Americans saw the academy as a caricature of aristocratic European education and how their political reaction against the academy led to a first era of school reform in the United States, helping transform education from a tool of elite privilege into a key component of self-government. And yet the very anti-aristocratic critique that propelled democratic education was conspicuously silent on the persistence of racial and gender inequality in public schooling. By tracing the history of academies in the revolutionary era, Boonshoft offers a new understanding of political power and the origins of public education and segregation in the United States.
The Narrative Forms of Southern Community contains close readings of five narratives - Augustus Baldwin Longstreet's Georgia Scenes, John Pendleton Kennedy's Swallow Barn, Thomas Nelson Page's In Ole Virginia, William Alexander Percy's Lanterns on the Levee, and William Faulkner's Light in August - that attempt to mediate or negotiate the social tensions inherent in the stratified world they represent."--BOOK JACKET.
This study of gender and power in Victorian Britain is the first book to examine the contribution made by women to the public culture of the British aristocracy in the 19th century. Based on a wide range of archival sources, it explores the roles of aristocratic women in public life, from their country estates to the salons of Westminster and the royal court. Reynolds also shows that a partnership of authority between men and women was integral to aristocratic life, thus making an important contribution to the "separate spheres" debate. Moreover, she reveals in full the crucial role that these women played at all levels of political activity--from local communities to the national electoral process. The book is both a lively portrait of women's experiences in modern Britain and a corrective to the view of the upper-class Victorian woman as a passive social butterfly.
This book, written by the author of the celebrated volume Six Guns and Society, explains why the myth of the Wild West is popular around the world. It shows how the cultural icon of the Wild West speaks to deep desires of individualism and liberty and offers a vision of social contract theory in which a free and equal individual (the cowboy) emerges from the state of nature (the wilderness) to build a civil society (the frontier community). The metaphor of the Wild West retained a commitment to some limited government (law and order) but rejected the notion of the fully codified state as too oppressive (the corrupt sheriff). Compelling and magnificently suggestive, the book unpacks one of the core icons of our time.
From New York Times bestselling author Penelope Ward, comes a new standalone novel. The one that got away. Every girl has one, right? Mine was a charming, British aristocrat who turned my world upside down one summer. From the moment I first spotted Leo in the distance through my binoculars, I’d been captivated. I certainly never expected to find a man showering outside of the property across the bay in his birthday suit. Then I noticed his housemate staring back at me with binoculars of his own—watching me watching Leo. That made for an interesting conversation starter when I inevitably ran into them. Turned out, the handsome Brits were only renting that house for the summer in my seaside town. Leo and I formed an instant connection, even though we were technically opposites by all appearances. I taught him how to dig for clams, and he taught me that not all wealthy and powerful guys are pretentious. Despite knowing he was totally wrong for me, I couldn’t seem to stay away. It was a wild and crazy few months. And before I knew it, we’d fallen in love. We both had one wish: more time together. But Leo had obligations back home. He lived a life I’d never fit into. And I was going to law school. So, we decided to end it and never look back. A part of me always felt like I’d let my soulmate walk away. I believed our story was over. Until five years later when he sent me a letter that shook me to my core. I’d thought my world was turned upside down that first summer? Well, I knew nothing yet.
This book depicts the long rich life and wide ranging work of Count Athanasius Raczyński (1788–1874). By exploring his complex personality, his processes of thought and his accomplishments, it reveals a man at once a wealthy aristocrat, a Pole in the Prussian diplomatic service, an active participant in and perceptive observer and critical commentator on political life, a connoisseur and art collector of European renown, and the author of ground breaking studies on German and Portuguese art – in short a distinguished and fascinating nineteenth century figure.
Revisiting over fifty years of post-structuralist, post-modernist, and Existentialist readings of Nietzsche, this study offers an incisive, scholarly deconstruction and critique of apolitical and individualist readings and interpretations of Nietzsche’s philosophical corpus. Specifically, it views the German thinker as partaking of a larger intellectual tradition: the 19th century Western European reactionary, conservative, and counter-revolutionary tradition. The work combines genealogical and historical investigation with analysis of Nietzsche’s life-long philosophical and ideological struggle against the forces of modernity, as embodied by feminism, socialism, nationalism, and democratic liberalism, beginning with his implicit critique of the Paris Commune in his first work, The Birth of Tragedy, all the way to his scathing critiques of progress and socialism in his last works, and his incipient formulation of a new, anti-revolutionary politics. A synthesis and development of the few scholars of the past decade who have also seen Nietzsche as a conservative and deeply political thinker, is also provided here, whilst the book simultaneously argues for the revolutionary and anti-Eurocentric implications of the German thinker’s critique of historicism and of inevitable historical progress. It is an excellent resource for both scholars and lay readers alike who want to learn something new about Nietzsche, and who are also critical of the apolitical conception of the great thinker that has prevailed in academia since the Second World War.