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There, U.N. negotiators shuttled between the temporary residences of President Aristide and General Cedras in order to produce the agreement that contained inexplicable concessions to the junta but was nevertheless ignored by the junta for a full year after the date set for surrender of power.
Looks at globalization, colonialism, education, and women's status through the eyes of the Haitian people.
According to the national mythology, the United States has long opened its doors to people from across the globe, providing a port in a storm and opportunity for any who seek it. Yet the history of immigration to the United States is far different. Even before the xenophobic reaction against European and Asian immigrants in the late nineteenth century, social and economic interest groups worked to manipulate immigration policy to serve their needs. In A Nation by Design, Aristide Zolberg explores American immigration policy from the colonial period to the present, discussing how it has been used as a tool of nation building. A Nation by Design argues that the engineering of immigration policy has been prevalent since early American history. However, it has gone largely unnoticed since it took place primarily on the local and state levels, owing to constitutional limits on federal power during the slavery era. Zolberg profiles the vacillating currents of opinion on immigration throughout American history, examining separately the roles played by business interests, labor unions, ethnic lobbies, and nativist ideologues in shaping policy. He then examines how three different types of migration--legal migration, illegal migration to fill low-wage jobs, and asylum-seeking--are shaping contemporary arguments over immigration to the United States. A Nation by Design is a thorough, authoritative account of American immigration history and the political and social factors that brought it about. With rich detail and impeccable scholarship, Zolberg's book shows how America has struggled to shape the immigration process to construct the kind of population it desires.
In Haiti - Haitii Jean-Bertrand Aristide combines the artistry of Swahili with the poetic incisiveness of his native Kreyol to produce an eloquent critique of colonialism and an affirmation of humanist principles. Aristide uses poetry, prose and proverbs to tell the epic story of Haiti, the world's first independent Black republic. He chronicles the brutality of the colonisers and the ways in which they attempted to dehumanise Haitians. Aristide illustrates how Haitians' 300-year journey to freedom has been guided by the African philosophy of Ubuntu, a world view that emphasises human solidarity. Today, Aristide writes, it is this same philosophy that can empower a new generation of Africans to resist neo-colonialism. This book is the inspiring inside story of the country which has both suffered in unimaginable ways and dared to dream of freedom. It will be essential reading for all those interested in the past, present and future of Haiti and the prospects for national liberation across the world in the 21st century.
Long before a devastating earthquake hit in January 2010, Haiti was one of the most impoverished and oppressed countries in the world. However, in the late 1980s a remarkable popular mobilization known as Lavalas ("the flood") sought to liberate the island from decades of US-backed dictatorial rule. Damming the Flood analyzes how and why the Lavalas governments led by President Jean-Bertrand Aristide were overthrown, in 1991 and again in 2004, by the enemies of democracy in Haiti and abroad. The elaborate campaign to suppress Lavalas was perhaps the most successful act of imperial sabotage since the end of the Cold War. It has left the people of Haiti at the mercy of some of the most rapacious political and economic forces on the planet. Updated with a substantial new afterword that addresses the international response to the earthquake, Damming the Flood is both an invaluable account of recent Haitian history and an illuminating analysis of twenty-first-century imperialism.
Ateliers have produced the greatest artists of all time—and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book—and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of works of Old Masters and today’ s most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.
A crisis in the making
The U.S. has done it--again!