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He lives on the 13th floor of New YorkÕs Carney Hall Building, crammed into a tiny room filled with memorabilia. He makes a living scamming tourists at three-card monte and chess and makes his friends among the denizens of Washington Square Park and the Lower East Side. HeÕs ARION THE IMMORTAL, once the most powerful sorcerer of them all, not to mention the king of the world. But now heÕs just another old man in the streets of the city, taking his pleasure in the company of young Amanda and delighting in shortchanging his archnemesis, the Lord of Chaos, now a deli owner on the Lower East Side. Yep, the ImmortalÕs life was pretty quiet and complete...until Darkworld fell asleep again, to dream the Dream that gave birth to Atlantean magic, forcing the Immortal to leave the quiet of his present existence and take up the mantle of the old days.
“IT WAS A DARK(WORLD) AND STORMY NIGHT…” As the cast assembles in Darkworld, Arion must prevent the Earth from reverting to the ancient ways of Atlantean magic.
Arion’s granddaughter Power Girl guest-stars in this climactic issue! Arion battles at the heart of Darkworld against the magical forces threatening to return Earth to the ways of the ancient Atlantean magic.
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BATMAN: LEGENDS OF THE DARK KNIGHT presents the new, original adventures of Batman from the acclaimed digital-first series by an all-star lineup of comics’ finest talents including Damon Lindelof (Lost, Prometheus), Steve Niles (30 Days of Night), Jeff Lemire (ANIMAL MAN) and more! Discover startling sides of The Dark Knight that span from his earliest days in the cowl to his never-ending battles against Gotham’s greatest enemies, including the Joker and Two-Face. Collecting issues #1-5 of BATMAN: LEGENDS OF THE DARK KNIGHT!
An examination of the aesthetic qualities of the Homeric simile
Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism. Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints upon epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past. Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, as well as for students and scholars in the fields of classics, literary theory and literary history, and intellectual history.
According to Roger Caillois, play is an occasion of pure waste. In spite of this - or because of it - play constitutes an essential element of human social and spiritual development. In this study, the author defines play as a free and voluntary activity that occurs in a pure space, isolated and protected from the rest of life.
Back in print for the first time in decades, Auden’s National Book Award–winning poetry collection, in a critical edition that introduces it to a new generation of readers The Shield of Achilles, which won the National Book Award in 1956, may well be W. H. Auden’s most important, intricately designed, and unified book of poetry. In addition to its famous title poem, which reimagines Achilles’s shield for the modern age, when war and heroism have changed beyond recognition, the book also includes two sequences—“Bucolics” and “Horae Canonicae”—that Auden believed to be among his most significant work. Featuring an authoritative text and an introduction and notes by Alan Jacobs, this volume brings Auden’s collection back into print for the first time in decades and offers the only critical edition of the work. As Jacobs writes in the introduction, Auden’s collection “is the boldest and most intellectually assured work of his career, an achievement that has not been sufficiently acknowledged.” Describing the book’s formal qualities and careful structure, Jacobs shows why The Shield of Achilles should be seen as one of Auden’s most central poetic statements—a richly imaginative, beautifully envisioned account of what it means to live, as human beings do, simultaneously in nature and in history.
TheyÕ're galactic pariahsÑ - the rejected and downtrodden scum of the universe: , hated and despised by all. TheyÕ're the legion of illegitimate children of Lobo...and theyÕ're none too fond of dear old Ddaddy. But when Su, one of his daughters, unites a hundred spawn of Lobo to get revenge on their marauding pop, she must choose their plan of attack carefully, making sure that Lobo is in a certain place at a certain time...so she arranges to have Lobo drafted!