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Girls ages 3-7 will have fun under the sea with their favorite Disney Princess, Ariel! Featuring 96 pages and a foil and embossed cover, this coloring and activity book will be available in time for the Diamond Edition DVD and Blu-ray release of Disney's The Little Mermaid in October 2013!
What happens if we abandon the assumption that a person is a discrete, world-making agent who acts on and creates place? This, Monique Allewaert contends, is precisely what occurred on eighteenth-century American plantations, where labor practices and ecological particularities threatened the literal and conceptual boundaries that separated persons from the natural world. Integrating political philosophy and ecocriticism with literary analysis, Ariel’s Ecology explores the forms of personhood that developed out of New World plantations, from Georgia and Florida through Jamaica to Haiti and extending into colonial metropoles such as Philadelphia. Allewaert’s examination of the writings of naturalists, novelists, and poets; the oral stories of Africans in the diaspora; and Afro-American fetish artifacts shows that persons in American plantation spaces were pulled into a web of environmental stresses, ranging from humidity to the demand for sugar. This in turn gave rise to modes of personhood explicitly attuned to human beings’ interrelation with nonhuman forces in a process we might call ecological. Certainly the possibility that colonial life revokes human agency haunts works from Shakespeare’s Tempest and Montesquieu’s Spirit of the Laws to Spivak’s theories of subalternity. In Allewaert’s interpretation, the transformation of colonial subjectivity into ecological personhood is not a nightmare; it is, rather, a mode of existence until now only glimmering in Che Guevara’s dictum that postcolonial resistance is synonymous with “perfect knowledge of the ground.”
What if Ariel had never defeated Ursula? It's been five years since the infamous sea witch defeated the little mermaid... and took King Triton's life in the process. Ariel is now the voiceless queen of Atlantica, while Ursula runs Prince Eric's kingdom on land. But when Ariel discovers that her father might still be alive, she finds herself returning to a world--and a prince--she never imagined she would see again.
“Part post-apocalypse, part road-trip, part sword-and-sorcery . . . One of my favorite adventure novels of all time.” —Cory Doctorow At four-thirty one Saturday afternoon the laws of physics as we know them underwent a change. Electronic devices, cars, industries stopped. The lights went out. Any technology more complicated than a lever or pulley simply wouldn't work. A new set of rules took its place—laws that could only be called magic. Ninety-nine percent of humanity has simply vanished. Cities lie abandoned. Supernatural creatures wander the silenced achievements of a halted civilization. Pete Garey has survived the Change and its ensuing chaos. He wanders the southeastern United States, scavenging, lying low. Learning. One day he makes an unexpected friend: a smartassed unicorn with serious attitude. Pete names her Ariel and teaches her how to talk, how to read, and how to survive in a world in which a unicorn horn has become a highly prized commodity. When they learn that there is a price quite literally on Ariel's head, the two unlikely companions set out from Atlanta to Manhattan to confront the sorcerer who wants her horn. And so begins a haunting, epic, and surprisingly funny journey through the remnants of a halted civilization in a desolated world.
Ariel and Abbey are stuffed tigers sitting on the shelf in the toy shop waiting to be adopted. This is the first book in a series of adventures the toys have with a little girl with a big imagination.
Ariel doesn’t believe in herself or her powers anymore, and she forgot everything about getting in love. She doesn’t nurture any illusions that she will meet Prince Charming one day. She just goes through the motions, full of resentments, unfulfilled, and almost defeated. She wouldn’t have looked twice at Max on a regular day. On the few occasions they have been thrown together, she barely tolerated his presence. However, Max turns out to be the only one who can help her in her hour of need. Will Ariel see him in a new light? Will Max be the one to lift the curse haunting her from birth?
"This erudite critical study...breathes new life into Plath scholarship."—Publishers Weekly, starred review When Ted Hughes's Birthday Letters was published in 1998, it was greeted with astonishment and acclaim, immediately landing on the bestseller list. Few suspected that Hughes had been at work for a quarter of a century on this cycle of poems addressed to his first wife, Sylvia Plath. In Ariel's Gift, Erica Wagner explores the destructive relationship between these two poets through their lives and their writings. She provides a commentary to the poems in Birthday Letters, showing the events that shaped them and, crucially, showing how they draw upon Plath's own work. "Both narratively engaging and scholastically comprehensive."—Thomas Lynch, Los Angeles Times "Wagner has set the poems of Hughes's Birthday Letters in the context of his marriage to Plath with great delicacy."—Times Literary Supplement
Heidi Davis had a loving husband and five beautiful children, but also she loved to drink. She justified her alcohol dependency until it was too late, and she woke up to find herself lost and full of despair and loneliness. Then a light shone in the darkness. It was her teenage daughter Ariel, who pulled her back from the ledge and inspired Heidi to be the mother she had always wanted to be. But just seven months into her sobriety, tragedy struck and the unthinkable happened. Ariel's Light is the true story of Heidi's road to redemption amidst a mother's unimaginable heartbreak. This is not just another story about alcoholism, not just a testimonial, but an inspirational testament to the fact that truly anything is possible when you are willing to listen to the quiet yet powerful voice from within.
Sammi is a thirty-year-old homeless man that has led a life of complete purposeless and aimless mediocrity. He finds a glimmer of hope as a bartender, working in the heart of Seattle, until a chance meeting with a hyper-empowered and incredibly charismatic woman named Ariel up ends his world. This throws him into a world of violence and horror that challenges his own humanity and his personal moral limits. Two questions lie at the heart of Sammi’s story. How does a world full of ways to end our species keep turning with us on it? When life hides purpose from you, what are you willing to do to find one?