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The Keyboard Music of J.S. Bach provides an introduction to and comprehensive discussion of all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685-1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world. Intended as both a practical guide and an interpretive study, the book consists of three introductory chapters on general matters of historical context, style, and performance practice, followed by fifteen chapters on the individual works, treated in roughly chronological order. The works discussed include all of Bach's individual keyboard compositions as well as those comprising his famous collections, such as the Well-Tempered Clavier, the English and French Suites, and the Art of Fugue.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new.
Beautiful, sparkling, lyrical harp solos on 40 Christmas songs and carols gathered from around the world. The arrangements are wonderfully scored and may be played by non-pedal or pedal harp.
Proving fruitful in various applications throughout its two millennia of predominance, the rhetorical téchne appears to have entertained a particularly symbiotic interrelation with drama. With contributions from (among others) a Classicist, historical, linguistic, musicological, operatic, cultural and literary studies perspective, this publication offers interdisciplinary assessments of specific reciprocities between the system of rhetoric and dramatic works: tracing the longue durée of this nexus—highlighting its Ancient foundations, its various Early Modern formations, as well as certain configurations enduring to this day—enables describing shifting degrees of rhetoricity; approaching it from an interdisciplinary viewpoint facilitates focusing on the often sidelined rhetorical phenomena located beyond the textual plane, specifically memoria and actio; tackling this interchange from various viewpoints and with diverse emphases, a long-lasting and highly prolific cross-fertilization between drama and rhetoric is rendered visible. In tendering a balanced panorama of both detailed case studies and descriptive overviews, this volume also points toward terrain yet to be charted in the scholarship to come. The volume was prepared in co-operation with the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet).
(Easy Piano Songbook). A great collection of 50 must-know classics for all pianists, including: Arabesque, Op. 100, No. 2 * Ave Maria * Can Can * Canon in D * Clair de Lune * Eine Kleine Nachtmusik * Fur Elise * Hallelujah Chorus * Hungarian Dance No. 5 * La Fille Aux Cheveux De Lin (The Girl with the Flaxen Hair) * Largo from Symphony No. 9 ("New World") * Meditation * Minuet in G * Ode to Joy * Pavane Pour Une Infante Defunte * Pomp and Circumstance * Sonata No. 11 in a Major, K 331, Third Movement ("Rondo Alla Turca") * The Surprise Symphony * Waltz in a Minor * William Tell Overture * and more. Each arrangement is simple and streamlined, yet still captures the essence of the tune!
(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.
Originally compiled and edited by Louis Kí_hler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions.
(Piano Collection). A comprehensive collection of sonatinas for piano by ten composers: Bartok, Beethoven, Clementi, Diabelli, Dussek, Kuhlau, Lichner, Mozart, Reinecke, and Spindler. Includes Clementi's famous Six Sonatinas, Op. 36. Early intermediate to intermediate level. CONTENTS: BELA BARTOK: Sonatina, Sz. 55 * LUDWIG VAN BEETHOVEN: Sonatina in G Major, Anh. 5, No. 1 * Sonatina in F Major, Anh. 5, No. 2 * MUZIO CLEMENTI: Sonatina in C Major, Op. 36, No. 1 * Sonatina in G Major, Op. 36, No. 2 * Sonatina in C Major, Op. 36, No. 3 * Sonatina in F Major, Op. 36, No. 4 * Sonatina in G Major, Op. 36, No. 5 * Sonatina in D Major, Op. 36, No. 6 * ANTON DIABELLI: Sonatina in G Major, Op. 151, No. 1 * Sonatina in C Major, Op. 151, No. 4 * Sonatina in C Major, Op. 168, No. 3 * Sonatina in A minor, Op. 168, No. 7 * JAN LADISLAV DUSSEK: Sonatina in G Major, Op. 20, No. 1 * Sonatina in F Major, Op. 20, No. 3 * Sonatina in E-flat Major, Op. 20, No. 6 * FRIEDRICH KUHLAU: Sonatina in C Major, Op. 20, No. 1 * Sonatina in G Major, Op. 20, No. 2 * Sonatina in C Major, Op. 55, No. 1 * Sonatina in G Major, Op. 55, No. 2 * Sonatina in C Major, Op. 55, No. 3 * HEINRICH LICHNER: Sonatina in C Major, Op. 4, No. 1 * Sonatina in C Major, Op. 66, No. 1 * Sonatina in F Major, Op. 66, No. 2 * Sonatina in G Major, Op. 66, No. 3 * WOLFGANG AMADEUS MOZART: Six Viennese Sonatas: Sonatina No. 1 in C Major * Sonatina No. 2 in A Major * Sonatina No. 3 in D Major * Sonatina No. 4 in B-flat Major * Sonatina No. 5 in F Major * Sonatina No. 6 in C Major * CARL REINECKE: Sonatina in C Major, Op. 136, No. 1 * Sonatina in G Major, Op. 136, No. 2 * FRITZ SPINDLER: Sonatina in C Major, Op. 157, No. 4 * Sonatina in G Major, Op. 157, No. 8