Download Free Arguing With Aseneth Book in PDF and EPUB Free Download. You can read online Arguing With Aseneth and write the review.

Arguing with Aseneth shows how the ancient Jewish romance known as Joseph and Aseneth moves a minor character in Genesis from obscurity to renown, weaving a new story whose main purpose was to intervene in ancient Jewish debates surrounding gentile access to Israel's God. Written in Greco-Roman Egypt around the turn of the era, Joseph and Aseneth combines the genre of the ancient Greek novel with scriptural characters from the story of Joseph as it retells Israel's mythic past to negotiate communal boundaries in its own present. With attention to the ways in which Aseneth's tale "remixes" Genesis, wrestles with Deuteronomic theology, and adopts prophetic visions of the future, Arguing with Aseneth demonstrates that this ancient novel inscribes into Israel's sacred narrative a precedent for gentile inclusion in the people belonging to Israel's God. Aseneth is transformed from material mother of the sons of Joseph to a mediator of God's mercy and life to future penitents, Jew and gentile alike. Yet not all Jewish thinkers in antiquity drew boundary lines the same way or in the same place. Arguing with Aseneth traces, then, not only the way in which Joseph and Aseneth affirms the possibility of gentile incorporation but also ways in which other ancient Jewish thinkers, including the apostle Paul, would have argued back, contesting Joseph and Aseneth's very conclusions or offering alternative, competing strategies of inclusion. With its use of a female protagonist, Joseph and Aseneth offers a distinctive model of gentile incorporation--one that eschews lines of patrilineal descent and undermines ethnicity and genealogy as necessary markers of belonging. Such a reading of this narrative shows us that we need to rethink our accounts of how ancient Jewish thinkers, including our earliest example from the Jesus Movement, negotiated who was in and who was out when it came to the people of Israel's God.
An exploration of Aseneth's beginnings In Aseneth of Egypt: The Composition of a Jewish Narrative, Patricia D. Ahearne-Kroll challenges reliance on reconstructed texts in previous scholarship on the book of Joseph and Aseneth. After outlining the problems with previous prototypes of the Hellenistic narrative, she proposes a way to talk about the story in its initial setting without ignoring the manuscript evidence. Her thorough analysis of the evidence reveals how Joseph and Aseneth reflects the literary impulse of Greek-speaking Jewish writers to redescribe their identity in Egypt and Judean connections to the land of Egypt, while incorporating Ptolemaic strategies of legitimation of power. In the end, Ahearne-Kroll concludes that the base storyline preserved in all the copies of this story demonstrates that it was written for Jewish communities living in Hellenistic Egypt. Features: A focus on Hellenistic stories of heroic ancestors A discussion of the possible lives of Jews in Hellenistic Egypt drawn from the narrative of Aseneth An examination of the complexities involved in dating the composition of literary texts
Waiting to be rediscovered in the British Library is an ancient manuscript of the early Church, copied by an anonymous monk. The manuscript is at least 1,450 years old, possibly dating to the first century. And now, The Lost Gospel provides the first ever translation from Syriac into English of this unique document that tells the inside story of Jesus’ social, family, and political life.The Lost Gospel takes the reader on an unparalleled historical adventure through a paradigm shifting manuscript. What the authors eventually discover is as astounding as it is surprising: the confirmation of Jesus’ marriage to Mary Magdalene; the names of their two children; the towering presence of Mary Magdalene; a previously unknown plot on Jesus’ life (thirteen years prior to the crucifixion); an assassination attempt against Mary Magdalene and their children; Jesus’ connection to political figures at the highest level of the Roman Empire; and a religious movement that antedates that of Paul—the Church of Mary Magdalene.Part historical detective story, part modern adventure, The Lost Gospel reveals secrets that have been hiding in plain sight for millennia.
Is the Bible the unembellished Word of God or the product of human agency? There are different answers to that question. And they lie at the heart of this book's powerful exploration of the fraught ways in which money, race and power shape the story of Christianity in American public life. The authors' subject is the Museum of the Bible in Washington, DC: arguably the latest example of a long line of white evangelical institutions aiming to amplify and promote a religious, political, and moral agenda of their own. In their careful and compelling investigation, Jill Hicks-Keeton and Cavan Concannon disclose the ways in which the Museum's exhibits reinforce a particularized and partial interpretation of the Bible's meaning. Bringing to light the Museum's implicit messaging about scriptural provenance and audience, the authors reveal how the MOTB produces a version of the Bible that in essence authorizes a certain sort of white evangelical privilege; promotes a view of history aligned with that same evangelical aspiration; and above all protects a cohort of white evangelicals from critique. They show too how the Museum collapses vital conceptual distinctions between its own conservative vision of the Bible and 'The Bible' as a cultural icon. This revelatory volume above all confirms that scripture – for all the claims made for it that it speaks only divine truth – can in the end never be separated from human politics.
Bringing together nationally and internationally-known scholars, The Museum of the Bible: A Critical Introduction analyzes the Museum of the Bible in Washington, D.C., from a variety of perspectives and disciplinary positions, including biblical studies, history, archaeology, Judaic studies, and religion and public life. The Museum of the Bible is poised to wield unparalleled influence on the national popular imagination of the Bible’s contents, history, and uses through time. This volume provides critical tools by which a broad public of scholars and students alike can assess the Museum of the Bible’s presentation of its vast collection and wrestle with the thorny interpretive issues and complex histories that are at risk of being obscured when private funds put a major museum near the National Mall.
This volume is a comprehensive but accessible guide to the major questions raised by the Hellenistic Jewish work, Joseph and Aseneth. Joseph and Aseneth is an excellent example of the controverted issues of text, dating and Sitz im Leben, when such decisions must be largely based on internal evidence. It provides an entre into the vexed question of genre, given the numerous literary links that have been suggested for it. Its mysterious but engaging plot, and its female protagonist, evoke ongoing sociological and feminist debate. It is thus strongly commended for careful study to students and scholars of Judaism, New Testament, sociology and narratology. Intended as a sound basis for such exploration, this guide also offers a fresh narrative reading in which the revelatory character of Joseph and Aseneth is brought to the forefront.
The past two decades have witnessed a proliferation of scholarship on dress in the ancient world. These recent studies have established the extent to which Greece and Rome were vestimentary cultures, and they have demonstrated the critical role dress played in communicating individuals’ identities, status, and authority. Despite this emerging interest in ancient dress, little work has been done to understand religious aspects and uses of dress. This volume aims to fill this gap by examining a diverse range of religious sources, including literature, art, performance, coinage, economic markets, and memories. Employing theoretical frames from a range of disciplines, contributors to the volume demonstrate how dress developed as a topos within Judean and Christian rhetoric, symbolism, and performance from the first century BCE to the fifth century CE. Specifically, they demonstrate how religious meanings were entangled with other social logics, revealing the many layers of meaning attached to ancient dress, as well as the extent to which dress was implicated in numerous domains of ancient religious life.
USA Today Bestseller Christianity Today 2022 Book Award Finalist (History & Biography) "A powerful work of skillful research and personal insight."--Publishers Weekly Biblical womanhood--the belief that God designed women to be submissive wives, virtuous mothers, and joyful homemakers--pervades North American Christianity. From choices about careers to roles in local churches to relationship dynamics, this belief shapes the everyday lives of evangelical women. Yet biblical womanhood isn't biblical, says Baylor University historian Beth Allison Barr. It arose from a series of clearly definable historical moments. This book moves the conversation about biblical womanhood beyond Greek grammar and into the realm of church history--ancient, medieval, and modern--to show that this belief is not divinely ordained but a product of human civilization that continues to creep into the church. Barr's historical insights provide context for contemporary teachings about women's roles in the church and help move the conversation forward. Interweaving her story as a Baptist pastor's wife, Barr sheds light on the #ChurchToo movement and abuse scandals in Southern Baptist circles and the broader evangelical world, helping readers understand why biblical womanhood is more about human power structures than the message of Christ.
Some of the world's earliest large-form fictional narratives--what would today be called novels-are found in ancient Greece. Dating back to the first century CE, these narratives contain many of the elements common to the novelistic genre, for instance, the joining, separation, and reunion of two lovers. These ancient works have often been heralded as the ancestors of the modern novel; but what can we say of the origins of the Greek novel itself? This book argues that whereas much of Greek literature was committed to a form of cultural purism, presenting itself as part of a continuous tradition reaching back to the founding fathers within the tradition, the novel reveled in cultural hybridity. The earliest Greek novelistic literature combined Greek and non-Greek traditions. More than this, however, it also often self-consciously explored its own hybridity by focusing on stories of cultural hybridization, or what we would now call "mixed-race" relations. This book is thus not a conventional account of the origins of the Greek novel: it is not an attempt to pinpoint the moment of invention, and to trace its subsequent development in a straight line. Rather, it makes a virtue of the murkiness, or "dirtiness," of the origins of the novel: there is no single point of creation, no pure tradition, only transgression and transformation. The novel thus emerges as an outlier within the Greek literary corpus: a form of literature written in Greek, but not always committing to Greek cultural identity. Dirty Love focuses particularly on the relationship between Persian, Egyptian, Jewish and Greek literature, and explores such texts as Ctesias' Persica, Joseph and Aseneth, the Alexander Romance, and the tale of Ninus and Semiramis. It will appeal not only to those interested in Greek literary history, but also to readers of near eastern and biblical literature.
Generically, theologically, and concerning content, Mark and Joseph and Aseneth are quite different. The former is a product of the nascent Jesus movement and influenced by the Greco-Roman Bioi (“Lives”). It details the life, ministry, death, and resurrection of a wandering Galilean. The latter is a Hellenistic Jewish narrative influenced by Greek romances and Jewish novellas. It expands the laconic account of Joseph's marriage to Aseneth in Genesis 41 into a full-fledged love and adventure story. Despite these differences, Elder finds remarkable similarities that the texts share. Elder uses both texts to examine media and modes of composition in antiquity, arguing that they were both composed via dictation from their antecedent oral traditions. Elder's volume offers a fresh approach to the composition of both Joseph and Aseneth and Mark as well as to many of their respective interpretive debates.