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Genre: Comedy Characters: 8 males, 4 females Scenery: 2 Interiors This delightful 1920s drawing room comedy was revived on Broadway and in London's West End with Rex Harrison and Claudette Colbert. Jeremy Brett, Lynn Redgrave and George Rose also starred in the Broadway production. It is a brilliant and sophisticated play concerned with the sympathetic and natural foibles of a very human set of people. "Lonsdale's works fall somewhere between Wilde and Coward... an expert craftsman as well as a witty writer... Should prove not only instructive to theatre goers interested in this genre, but decidedly entertaining too." - New York Daily News
A helpful volume for clergy or lay people participating in interfaith worship, and for those who want to be able to write meaningful public prayers of their own. The first three sections focus on addressing the holy, creating sacred space with prayer, and closing a prayer, along with suggestions from many sources on how to craft prayers. Includes nearly 80 prayers by Foerster and others, grouped into helpful sections for easy reference: Unity and Diversity, Peace and Justice, Healing and Remembrance, Gratitude and Praise, Dedications and Ordinations.
New memoir from George M. Johnson, the New York Times bestselling author of All Boys Aren't Blue—a "deeply impactful" (Nic Stone), "striking and joyful" (Laurie Halse Anderson), and "stunning read" (Publishers Weekly, starred) that celebrates Black boyhood and brotherhood in all its glory! This is the vibrant story of George, Garrett, Rall, and Rasul -- four children raised by Nanny, their fiercely devoted grandmother. The boys hold each other close through early brushes with racism, memorable experiences at the family barbershop, and first loves and losses. And with Nanny at their center, they are never broken. George M. Johnson captures the unique experience of growing up as a Black boy in America through rich family stories that explore themes of vulnerability, sacrifice, and culture. Complete with touching letters from the grandchildren to their beloved matriarch and a full color photo insert, this heartwarming and heartbreaking memoir is destined to become a modern classic of emerging adulthood.
In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson's All Boys Aren't Blue explores their childhood, adolescence, and college years in New Jersey and Virginia. A New York Times Bestseller! Good Morning America, NBC Nightly News, Today Show, and MSNBC feature stories From the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys. Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren't Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy. Johnson's emotionally frank style of writing will appeal directly to young adults. (Johnson used he/him pronouns at the time of publication.) Velshi Banned Book Club Indie Bestseller Teen Vogue Recommended Read Buzzfeed Recommended Read People Magazine Best Book of the Summer A New York Library Best Book of 2020 A Chicago Public Library Best Book of 2020 ... and more!
'Michael Hughes writes like a brilliant cross between David Mitchell and Hilary Mantel' Toby Litt In 1999 a programmer is trying to fix the millennium bug, but can't shake the sense he's been chosen for something. In 1888 five women are brutally murdered in the East End by a troubled young man in thrall to a mysterious master. In 1777 an apprentice engraver called William Blake has a defining spiritual experience; thirteen years later this vision returns. And in 1666 poet and revolutionary John Milton completes the epic for which he will be remembered centuries later. But where does the feeling come from that the world is about to end?
We Are Not All the Same is a children's picture book that uses bold, colorful illustrations to celebrate the uniqueness and differences of people in our world. It teaches us to embrace and appreciate these differences as well as to look for the similarities that we all share. These qualities should unite us rather than divide us.
'Every day, thousands of women enter acting classes where most of them will receive some variation on the Stanislavsky-based training that has now been taught in the U.S. for nearly ninety years. Yet relatively little feminist consideration has been given to the experience of the student actress: What happens to women in Method actor training?' An Actress Prepares is the first book to interrogate Method acting from a specifically feminist perspective. Rose Malague addresses "the Method" not only with much-needed critical distance, but also the crucial insider's view of a trained actor. Case studies examine the preeminent American teachers who popularized and transformed elements of Stanislavsky’s System within the U.S.—Strasberg, Adler, Meisner, and Hagen— by analyzing and comparing their related but distinctly different approaches. This book confronts the sexism that still exists in actor training and exposes the gender biases embedded within the Method itself. Its in-depth examination of these Stanislavskian techniques seeks to reclaim Method acting from its patriarchal practices and to empower women who act. 'I've been waiting for someone to write this book for years: a thorough-going analysis and reconsideration of American approaches to Stanislavsky from a feminist perspective ... lively, intelligent, and engaging.' – Phillip Zarrilli, University of Exeter 'Theatre people of any gender will be transformed by Rose Malague’s eye-opening study An Actress Prepares... This book will be useful to all scholars and practitioners determined to make gender equity central to how they hone their craft and their thinking.' – Jill Dolan, Princeton University
Learn the Words. Get the blood. Rule the world. The Ustari Cycle starts here. From the "exhilarating, powerful, and entertaining" (Guardian) storyteller of the Avery Cates series comes a gritty supernatural thriller featuring a pair of unlikely heroes caught up in the underground world of blood magic. Magicians: they are not good people. The ethics in a world of blood are gray—and an underground strata of blood magicians has been engineering disasters for centuries in order to acquire enough fuel for their spells. Although in the modern world these mages stay in the shadows, their exploits have become no less bloody. Still, some practitioners use the Words and a swipe of the blade to cast simpler spells, such as Charms and Cantrips to gas up $1 bills so they appear to be $20s. Lem Vonnegan and his sidekick Mags fall into this level of mage, hustlers and con men all. Lem tries to be ethical by using only his own blood, by not using Bleeders or "volunteers." But it makes life hard. Soon they might have to get honest work. When the pair encounter a girl who's been kidnapped and marked up with magic runes for a ritual spell, it's clear they're in over their heads. Turning to Lem's estranged Master for help, they are told that not only is the girl's life all but forfeit, but that the world's preeminent mage, Mika Renar, has earth-shattering plans for her—and Lem just got in the way. With the fate of the world on the line, and Lem both spooked and intrigued by the mysterious girl, the other nominate him to become the huckleberry who'll take down Renar. But even if he, Mags, and the simpletons who follow him prevail, they're dealing with the kind of power that doesn't understand defeat, or mercy. (The first portion of We Are Not Good People was originally published in an altered form as Trickster by Pocket Books).
A GOOD MORNING AMERICA BOOK CLUB PICK Named a Best Book Pick of 2021 by Harper’s Bazaar and Real Simple Named a Most Anticipated Book of Fall by People, Essence, New York Post, PopSugar, New York Newsday, Entertainment Weekly, Town & Country, Bustle, Fortune, and Book Riot Told from alternating perspectives, this “propulsive, deeply felt tale of race and friendship” (People) follows two women, one Black and one white, whose friendship is indelibly altered by a tragic event. Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia. But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend. Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them takes “us to uncomfortable places—in the best possible way—while capturing so much of what we are all thinking and feeling about race. A sharp, timely, and soul-satisfying novel” (Emily Giffin, New York Times bestselling author) that is both a powerful conversation starter and a celebration of the enduring power of friendship.
Never in history have so many people been displaced by political and military conflicts at home—more than 65 million globally. Unsparing, outspoken, vital, We Are Not Refugees tells the stories of many of these displaced, who have not been given asylum. For over a decade, human rights journalist Agus Morales has journeyed to the sites of the world's most brutal conflicts and spoken to the victims of violence and displacement. To Syria, Afghanistan, Pakistan, and the Central African Republic. To Central America, the Congo, and the refugee camps of Jordan. To the Tibetan Parliament in exile in northern India. We are living in a time of massive global change, when negative images of refugees undermine the truth of their humiliation and suffering. By bringing us stories that reveal the individual pain and the global scope of the crisis, Morales reminds us of the truth and appeals to our conscience. "With the keen eye and sharp pen of a reporter, Agus takes us around the world to meet mothers, fathers, [and] children displaced from their homes. Now, more than ever, this is a book that needed to be written and needs to be read." —Ali Noraani, Executive Director of the National Immigration Forum and author of There Goes the Neighborhood: How Communities Overcome Prejudice and Meet the Challenge of American Immigration "Morales notes [that] those who live on the margins are not even refugees, often seeking survival without the UNHCR, internally displaced people whose stories we need to hear, whose lives we need to remember. . . a must read." —Dr. Westy Egmont, Professor, Director of the Immigrant Integration Lab, Boston College School of Social Work