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Identifies a new genre—misdirection films—and explains its appeal to contemporary producers and audiences. Are You Watching Closely? is the first book to explore the recent spate of “misdirection films,” a previously unidentified Hollywood genre characterized by narratives that inspire viewers to reinterpret them retrospectively. Since 1990, Hollywood has backed more of these films than ever before, many of which, including The Sixth Sense (1999), A Beautiful Mind (2001), and Inception (2010), were both commercial and critical successes. Seth Friedman examines this genre in its sociocultural, industrial, and technological contexts to explain why it has become more attractive to producers and audiences. The recent popularity of misdirection films, Friedman argues, is linked to new technologies that enable repeat viewings and online discussion, which makes it enticing to an industry that depends increasingly on the aftermarket, as well as to historically specific cultural developments. That is, in addition to being well suited for shifting industrial and technological conditions, these films are appealing because they suggest that it remains possible to know what “actually” occurred and who was “really” responsible for events at a time when it is also becoming increasingly recognized that “truth” is relative. Are You Watching Closely? shows how Hollywood’s effective strategies for these changing circumstances put it at the forefront of a storytelling trend that has increasingly become important across media. Through close analyses of how misdirection films have been designed, marketed, and received in relation to their contexts, Friedman demonstrates the ways in which they epitomize a kind of narrative experimentation that has become a crucial facet of twenty-first-century audiovisual storytelling.
Are You Watching Closely? is the first book to explore the recent spate of "misdirection films," a previously unidentified Hollywood genre characterized by narratives that inspire viewers to reinterpret them retrospectively. Since 1990, Hollywood has backed more of these films than ever before, many of which, including The Sixth Sense (1999), A Beautiful Mind (2001), and Inception (2010), were both commercial and critical successes. Seth Friedman examines this genre in its sociocultural, industrial, and technological contexts to explain why it has become more attractive to producers and audiences. The recent popularity of misdirection films, Friedman argues, is linked to new technologies that enable repeat viewings and online discussion, which makes it enticing to an industry that depends increasingly on the aftermarket, as well as to historically specific cultural developments. That is, in addition to being well suited for shifting industrial and technological conditions, these films are appealing because they suggest that it remains possible to know what "actually" occurred and who was "really" responsible for events at a time when it is also becoming increasingly recognized that "truth" is relative. Are You Watching Closely? shows how Hollywood's effective strategies for these changing circumstances put it at the forefront of a storytelling trend that has increasingly become important across media. Through close analyses of how misdirection films have been designed, marketed, and received in relation to their contexts, Friedman demonstrates the ways in which they epitomize a kind of narrative experimentation that has become a crucial facet of twenty-first-century audiovisual storytelling.
Watching Closely provides a practical, interactive guide for improving one's powers of observation, synthesizing data, and tapping into more visual elements of observation, such as photography and sketching, encouraging both a more creative and more scientific approach to fieldwork. Geared towards ethnographic field work, the book includes nine exercises for practicing and strengthening observational skills. Watching Closely will appeal to students and scholars of the social and behavioral sciences, as well as designers, architects, and anyone engaged in fieldwork.
In 1878, two young stage magicians clash in a darkened salon during the course of a fraudulent séance, and from this moment they try to expose and outwit each other at every turn.
An engrossing guide to seeing—and communicating—more clearly from the groundbreaking course that helps FBI agents, cops, CEOs, ER docs, and others save money, reputations, and lives. How could looking at Monet’s water lily paintings help save your company millions? How can checking out people’s footwear foil a terrorist attack? How can your choice of adjective win an argument, calm your kid, or catch a thief? In her celebrated seminar, the Art of Perception, art historian Amy Herman has trained experts from many fields how to perceive and communicate better. By showing people how to look closely at images, she helps them hone their “visual intelligence,” a set of skills we all possess but few of us know how to use properly. She has spent more than a decade teaching doctors to observe patients instead of their charts, helping police officers separate facts from opinions when investigating a crime, and training professionals from the FBI, the State Department, Fortune 500 companies, and the military to recognize the most pertinent and useful information. Her lessons highlight far more than the physical objects you may be missing; they teach you how to recognize the talents, opportunities, and dangers that surround you every day. Whether you want to be more effective on the job, more empathetic toward your loved ones, or more alert to the trove of possibilities and threats all around us, this book will show you how to see what matters most to you more clearly than ever before. Please note: this ebook contains full-color art reproductions and photographs, and color is at times essential to the observation and analysis skills discussed in the text. For the best reading experience, this ebook should be viewed on a color device.
Ethnographers rely on three related activities to conduct research in the field: observation, conversation, and participation. Observing others in their environments and using this data to inform and share conclusions is an essential part of any fieldworker's toolkit. However, many ethnographers' observational muscles tend to be their weakest. Fortunately, Christena Nippert-Eng's Watching Closely: A Guide to Ethnographic Observation provides a practical, interactive guide for improving one's powers of observation. The book includes nine exercises for practicing observational skills, including a preparatory briefing and post-exercise discussion. Nippert-Eng also offers a weblink (global.oup.com/us/watchingclosely) to sample responses from her previous students, providing an additional resource beyond the text itself. Beyond the traditional tenets of field work, Watching Closely encourages readers to pursue more creative ways of collecting and analyzing data, such as sketching, diagramming, and photography, as well as developing more concrete expectations for the potential uses and meanings of ethnographic data. Engaging and accessible, Watching Closely offers a guide for readers to not only strengthen their core skills and mindset as fieldworkers, but also to produce research that is more scientifically rigorous and persuasive. From social and behavioral scientists to user-centered designers and architects, undergraduate students to experienced fieldworkers, a vast array of readers will reap the benefits of learning more about how we observe.
This poetry collection sums up the basic human emotions and often things every one is too scared to admit. Typed out on a typewriter and nights spent alone, this journey takes you into the life of a young man that cannot come to grips with love, lust and loss. It is truly magical.
Screening #MeToo offers an important and timely discussion of the pervasive nature of rape culture in Hollywood. Essays in the collection examine films released from the 1960s onward, a broad period that coincides with the end of the Motion Picture Production Code in Hollywood, which resulted in more frequent and increasingly graphic images of sex and violence being included in mainstream movies. Focusing on narratives in which surveillance and sexual violence feature prominently, contributors from North America and Europe examine a variety of film genres, including spy films, teen comedies, kitchen sink dramas, coming-of-age stories, rape/revenge films, and horror films. Reflecting the increasing social and academic awareness of sexual violence in Hollywood film and its transmission and cultivation of rape culture in the United States and abroad, they are concerned not only with the content of the films under scrutiny but also with the clear relationship between the stories, how they are being told, and the culture that produced them. Screening #MeToo challenges readers to look at mainstream Hollywood films differently, in light of attitudes about art and power, sexuality and consent, and the pleasures and frustrations of criticizing "entertainment" films from these perspectives.
In this groundbreaking book, Theodore and Nancy Sizer insist that students learn not just from their classes but from their school's routines and rituals, especially about matters of character. They convince us once again of what we may have forgotten: that we need to create schools that constantly demonstrate a belief in their students.
It's easy to make you disappear, she says. And the figure is gone. Just like that. In Vegas, a magician performs a final disappearing act. The end of the world is a magic trick – are you watching closely? Ghosts of the Near Future is a cowboy-noir fever dream about extinction. Colliding music, storytelling, and live micro-cinema, it is a hallucinatory road-trip through a vanishing landscape, a haunting collage of miracles and misdirection. It takes us to the brink of disaster and asks whether we're ready for what comes next. This edition was published to coincide with the production at Summerhall, Edinburgh, in August 2022.