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The discussion of architecture, with all the visibility of its objects, tends to downplay the invisible flows of money that sustain its production. It is as if the dependency on economic forces is too much to face up to; better then to celebrate the catalytic genius of the architectural hero and then the glorious outputs, and try to ignore everything else that goes on in between. This issue intends to probe the in-between space of the operations of architecture, examining the intersection of the projects of architecture with economies, and with it their associated social and political contexts and implications. It is only through a better understanding of the way that contemporary economics cut across architectural operations that one can learn to deal with these dominant forces in a resistive and transformational manner.
In Urban Land Rent, Anne Haila uses Singapore as a case study to develop an original theory of urban land rent with important implications for urban studies and urban theory. Provides a comprehensive analysis of land, rent theory, and the modern city Examines the question of land from a variety of perspectives: as a resource, ideologies, interventions in the land market, actors in the land market, the global scope of land markets, and investments in land Details the Asian development state model, historical and contemporary land regimes, public housing models, and the development industry for Singapore and several other cities Incorporates discussion of the modern real estate market, with reference to real estate investment trusts, sovereign wealth funds investing in real estate, and the fusion between sophisticated financial instruments and real estate
In the age of post-digital architecture and digital materiality, This Thing Called Theory explores current practices of architectural theory, their critical and productive role. The book is organized in sections which explore theory as an open issue in architecture, as it relates to and borrows from other disciplines, thus opening up architecture itself and showing how architecture is inextricably connected to other social and theoretical practices. The sections move gradually from the specifics of architectural thought – its history, theory, and criticism – and their ongoing relation with philosophy, to the critical positions formulated through architecture’s specific forms of expression, and onto more recent forms of architecture’s engagement and self-definition. The book’s thematic sessions are concluded by and interspersed with a series of shorter critical position texts, which, together, propose a new vision of the contemporary role of theory in architecture. What emerges, overall, is a critical and productive role for theory in architecture today: theory as a proposition, theory as task and as a ‘risk’ of architecture.
Reforms in Myanmar (formerly Burma) have eased restrictions on citizens' political activities. Yet for most Burmese, Ardeth Maung Thawnghmung shows, eking out a living from day to day leaves little time for civic engagement. Citizens have coped with extreme hardship through great resourcefulness. But by making bad situations more tolerable in the short term, these coping strategies may hinder the emergence of the democratic values needed to sustain the country's transition to a more open political environment. Thawnghmung conducted in-depth interviews and surveys of 372 individuals from all walks of life and across geographical locations in Myanmar between 2008 and 2015. To frame her analysis, she provides context from countries with comparable political and economic situations. Her findings will be welcomed by political scientists and policy analysts, as well by journalists and humanitarian activists looking for substantive, reliable information about everyday life in a country that remains largely in the shadows.
Directly confronting the nature of contemporary architectural work, this book is the first to address a void at the heart of architectural discourse and thinking. For too long, architects have avoided questioning how the central aspects of architectural “practice” (professionalism, profit, technology, design, craft, and building) combine to characterize the work performed in the architectural office. Nor has there been a deeper evaluation of the unspoken and historically-determined myths that assign cultural, symbolic, and economic value to architectural labor. The Architect as Worker presents a range of essays exploring the issues central to architectural labor. These include questions about the nature of design work; immaterial and creative labor and how it gets categorized, spatialized, and monetized within architecture; the connection between parametrics and BIM and labor; theories of architectural work; architectural design as a cultural and economic condition; entrepreneurialism; and the possibility of ethical and rewarding architectural practice. The book is a call-to-arms, and its ultimate goal is to change the practice of architecture. It will strike a chord with architects, who will recognize the struggle of their profession; with students trying to understand the connections between work, value, and creative pleasure; and with academics and cultural theorists seeking to understand what grounds the discipline.
Can collective urban practices contribute to peace processes in divided cities? How can they be used in a targeted manner as part of urban policy, to challenge dominant divisive narratives and offer alternatives to segregating urban reconstruction approaches? The book is dedicated to this role of architecture and urban planning as a political instrument for transforming ethnic conflicts into urban controversies towards the city's commons. The town of Famagusta in Cyprus serves as an example, a town characterized by polarizing narratives and burdened by memories loaded with conflict. In order to transform the contested territories into areas of common interest and action, the "Hands-on Famagusta" project team developed methods for urban transformation. The guide brings together practical examples of this project and international articles from relevant literature, thereby communicating strategies and tactics for the formation and spatial organization of the collective. It actively encourages deeply contested societies to invest in common urban imaginaries.
Architecture and Capitalism tells a story of the relationship between the economy and architectural design. Eleven historians each discuss in brand new essays the time period they know best, looking at cultural and economic issues, which in light of current economic crises you will find have dealt with diverse but surprisingly familiar economic issues. Told through case studies, the narrative begins in the mid-nineteenth century and ends with 2011, with introductions by Editor Peggy Deamer to pull the main themes together so that you can see how other architects in different times and in different countries have dealt with similar economic conditions. By focussing on what previous architects experienced, you have the opportunity to avoid repeating the past. With new essays by Pier Vittorio Aureli, Ellen Dunham-Jones, Keller Easterling, Lauren Kogod, Robert Hewison, Joanna Merwood-Salisbury, Robin Schuldenfrei, Deborah Gans, Simon Sadler, Nathan Rich, and Micahel Sorkin.
Vampire horror from the author of A Terrible Beauty. “Riveting . . . her compromised heroine . . . is a strikingly drawn and hauntingly memorable figure.” —USA Today Dependable grad student Ardeth Alexander finds herself trapped in a nightmare as the unwilling blood source for a captive vampire named Dimitri Rozokov. “Baker’s engrossing debut alternates the present-day story with the 1898 diary of obsessed businessman Ambrose Dale, who drove Rozokov into hiding and a 100-year sleep . . . Learning his story, Ardeth gradually loses her horror of Rozokov and begins to see their human jailers as the real monsters. Their only hope of salvation is to trace the links to Rozokov’s Victorian nemesis and discover the person behind his 20th-century captivity . . . In prose studded with passages of dark luster, Baker offers a truly original scenario” (Publishers Weekly). “It’s almost impossible not to finish The Night Inside in one frenzied, chocolate donut munching sitting. It’s also impossible not [to] root for its feisty, feminist vampiress heroine.” —Charles Busch, author of Vampire Lesbians of Sodom “Terrific . . . The unrelenting tension between the monstrous and the human propels this unique tale of gripping suspense.” —Katherine Ramsland, author of The Vampire Companion “The metamorphosis is achieved in a highly charged ritual as sensuous as any written: this is consummation as bloodbath, as mutual blood-letting and blood-sucking . . . breathless, lingering, erotic . . .” —The Globe and Mail (Toronto) “Baker has obviously thought about what surrendering to the dark side means that lifts this book up above the vast . . . morass of romantic vampire fiction.” —Quill & Quire
Myanmar is going through a period of profound - and contested - transition. The country has experienced widespread if sometimes uneven reforms, including the start of a peace process between the government and Myanmar Army, and some two dozen ethnic armed organizations, which had long been fighting for greater autonomy from the militarized and Burman-dominated state. This book brings together chapters by Burmese and foreign experts, and contributions from community and political leaders, who discuss the meaning of citizenship in Myanmar/Burma. The book explores citizenship in relation to three broad categories: issues of identity and conflict; debates around concepts and practices of citizenship; and inter- and intra-community issues, including Buddhist-Muslim relations. This is the first volume to address these issues, understanding and resolving which will be central to Myanmar's continued transition away from violence and authoritarianism.
Coryn, Earl of Ardeth, has spent an eternity in Hell. Fed up, he gambles with the Devil and wins a second chance: if he can find his heart, his soul, and his hourglass in six months, he can return to life. Then he meets Genie, a disgraced water-girl at the Battle of Waterloo. Now, her only hope is this crazy stranger-and she's half-terrified of and half-in-love with the eccentric earl. Together they have to find his humanity, her social acceptance, and overcome someone bent on destroying their lives.