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One of the earliest domestic tragedies, Arden of Faversham is a powerful Elizabethan drama based on the real-life murder of Thomas Arden. This Critical Reader presents the first collection of essays specifically focused upon Arden of Faversham. It highlights the way in which this important play from the early 1590s stands at several different critical intersections. Focused research chapters propose new directions for exploring the play in the light of ecocriticism, genre studies, critical race studies and narratives of dispossession. It also looks forward to Arden of Faversham's role and status in a less author-centred critical climate. Chapters explore how this anonymous and canonically marginal play has been approached in the past by scholars and theatre-makers and the frameworks that have offered productive insight into its unique features. The volume includes chapters covering a wide range of critical discourses and resources available for its study, as well as offering practical approaches to the play in the classroom.
Distinguished historians and literary scholars explore the overlap, interplay, and interaction between history and fiction.
"On This Day in Tudor History" gives a day-by-day look at events from the Tudor era, including births, deaths, baptisms, marriages, battles, arrests, executions and more. This must-have book for Tudor history lovers is perfect for: - Dipping into daily over your morning coffee - Using in the classroom - Trivia nights and quizzes - Finding out what happened on your birthday or special day - Wowing friends and family with your Tudor history knowledge - Researching the Tudor period Written by best-selling Tudor history author Claire Ridgway, "On This Day in Tudor History" contains a wealth of information about your favourite Tudor monarchs, their subjects and the times they lived in. Did you know: on 17th January 1569 Agnes Bowker gave birth to a cat?
In this volume, 8 lively, original essays by eminent scholars trace the kaleidoscopically shifting dramatic forms, performance contexts, and social implications of tragedy throughout the period and across geographic, political, and social references. They attend not only to the familiar cultural lenses of English and mainstream Continental dramas but also to less familiar European exempla from Croatia and Hungary. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.