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Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
A twelfth-century poem by the creator of the Arthurian romance describes the courageous exploits and triumphs of a brave lord who tries to win back his deserted wife's love
'Not tonight, darling, I've got a headache...' An estimated one in three couples suffer from problems associated with one partner having a higher libido than the other. Marriage therapist Michele Weiner Davis has written THE SEX-STARVED MARRIAGE to help couples come to terms with this problem. Weiner Davis shows you how to address pyschological factors like depression, poor body image and communication problems that affect sexual desire. With separate chapters for the spouse that's ready for action and the spouse that's ready for sleep, THE SEX-STARVED MARRIAGE will help you re-spark your passion and stop you fighting about sex. Weiner Davis is renowned for her straight-talking style and here she puts it to great use to let you know you're not alone in having marital sex problems. Bitterness or complacency about ho-hum sex can ruin a marriage, breaking the emotional tie of good sex.
Reprint of the original, first published in 1842.
First published in 1895, this book recounts the author's 1893 expedition to the Tafilet oasis in Morocco, one of the largest oases in the world. Previously largely inaccessible (before the invention of the motor car it was at least 10 days' journey south of Fez across the Atlas mountains and the Sahara), Harris took advantage of the Sultan of Morocco Mulai el Hassen's decision to pay a visit to the oasis during the autumn of that year. Throughout the book the author describes in great detail the places he visited and the people he met along the way. There are detailed descriptions of Marrakesh and the villages of the Atlas Mountains, as well as ruminations on the differences between the Arabs and the Berber tribes, and the situation of the Jews. Crossing the desert, Harris reached the Sultan's camp at the edge of the oasis, and there follows a detailed description of the activities of the Sultan and his retinue, their dealings with the troublesome tribes of the area, and accounts of the history, geography and people of Tafilet. The book concludes with the author's return journey to the north, and an account of the events following the Sultan's own return from the oasis and his subsequent death. Painting as it does a vivid picture of the state of Morocco at the very end of the 19th century, Walter B. Harris's Tafilet is sure to be of great interest to all those fascinated by the history of this unique and diverse North African country.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Reproduction of the original: The Acharnians by Aristophanes