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Spurred Spurred by the impending completion of the Svarlbard Global Seed Vault, Archiving Eden explores the role of seed banks and their preservation efforts in the face of climate c hange, the extinction of natural species, and decreased agricultural diversity. Serving as a global botanical backup system, these privately and publicly funded institutions assure the opportunity for the reintroduction of species should a catastrophic event or civil strife affect a key ecosystem somewhere in the world. Since 2008, Dornith Doherty has worked in collaboration with renowned biologists at the most comprehensive international seed banks in the world: the United States D epartment of Agriculture, Agricultural Research Service's National Center for Genetic Resources Preservation in Colorado, USA, the Millennium Seed Bank, Royal Botanic Gardens, Kew in the UK.; and PlantBank, Threatened Flora Centre, and Kings Park Botanic G ardens in Australia. Utilising the archives' on - site X - ray equipment that is routinely used for viability assessments of accessioned seeds, Doherty documents and subsequently collages the seeds and tissue samples stored in these crucial collections. The am azing visual power of magnified X - ray images, which springs from the technology's ability to record what is invisible to the human eye, illuminates her considerations not only of the complex philosophical, anthropological, and ecological issues surrounding the role of science and human agency in relation to gene banking, but also of the poetic questions about life and time on a macro and micro scale. Doherty is struck by the power of these tiny plantlets and seeds (many are the size of a grain of sand) to g enerate life and to endure the time span central to the process of seed banking, which seeks to make these sparks last for two hundred years or more. Use of the colour delft/indigo blue evokes references not only to the process of cryogenic preservation, c entral to the methodology of saving seeds, but also to the intersection of East and West, trade, cultural exchange, and migration. This tension between stillness and change reflects her focus on the elusive goal of stopping time in relation to living mater ials, which at some moment, we may all want to do.
Spurred Spurred by the impending completion of the Svarlbard Global Seed Vault, Archiving Eden explores the role of seed banks and their preservation efforts in the face of climate c hange, the extinction of natural species, and decreased agricultural diversity. Serving as a global botanical backup system, these privately and publicly funded institutions assure the opportunity for the reintroduction of species should a catastrophic event or civil strife affect a key ecosystem somewhere in the world. Since 2008, Dornith Doherty has worked in collaboration with renowned biologists at the most comprehensive international seed banks in the world: the United States D epartment of Agriculture, Agricultural Research Service's National Center for Genetic Resources Preservation in Colorado, USA, the Millennium Seed Bank, Royal Botanic Gardens, Kew in the UK.; and PlantBank, Threatened Flora Centre, and Kings Park Botanic G ardens in Australia. Utilising the archives' on - site X - ray equipment that is routinely used for viability assessments of accessioned seeds, Doherty documents and subsequently collages the seeds and tissue samples stored in these crucial collections. The am azing visual power of magnified X - ray images, which springs from the technology's ability to record what is invisible to the human eye, illuminates her considerations not only of the complex philosophical, anthropological, and ecological issues surrounding the role of science and human agency in relation to gene banking, but also of the poetic questions about life and time on a macro and micro scale. Doherty is struck by the power of these tiny plantlets and seeds (many are the size of a grain of sand) to g enerate life and to endure the time span central to the process of seed banking, which seeks to make these sparks last for two hundred years or more. Use of the colour delft/indigo blue evokes references not only to the process of cryogenic preservation, c entral to the methodology of saving seeds, but also to the intersection of East and West, trade, cultural exchange, and migration. This tension between stillness and change reflects her focus on the elusive goal of stopping time in relation to living mater ials, which at some moment, we may all want to do.
"...set[s] forth his method of natural self healing based on herbs, a diet that used no meat, dairy products, or eggs, and a life in harmony with the laws of health and nature. He opposed the use of sugar, spices, pepper, mustard, vinegar, and fermented foods. He recommended the use of soymilk in numerous healing diets and considered it far better than cow's milk. " -- www.SoyinfoCenter.com.
Since 1971 Birute Galdikas has lived and worked in the forests of Borneo, documenting the lives of the orangutans. This text describes her groundbreaking scientific and conservation work that has been recorded in more than a dozen television documentaries
This pioneering volume explores the Arctic as an important and highly endangered archive of knowledge about natural as well as human history of the anthropocene. Focusing on the Arctic as an archive means to investigate it not only as a place of human history and memory - of Arctic exploring, ›conquering‹ and colonizing -, but to take into account also the specific environmental conditions of the circumpolar region: ice and permafrost. These have allowed a huge natural archive to emerge, offering rich sources for natural scientists and historians alike. Examining the debate on the notion of (›natural‹) archive, the cultural semantics and historicity of the meaning of concepts like ›warm‹, ›cold‹, ›freezing‹ and ›melting‹ as well as various works of literature, art and science on Arctic topics, this volume brings together literary scholars, historians of knowledge and philosophy, art historians, media theorists and archivologists.
On the alien, sunless planet they call Eden, the 532 members of the Family shelter beneath the light and warmth of the Forest’s lantern trees. Beyond the Forest lie the mountains of the Snowy Dark and a cold so bitter and a night so profound that no man has ever crossed it. The Oldest among the Family recount legends of a world where light came from the sky, where men and women made boats that could cross the stars. These ships brought us here, the Oldest say—and the Family must only wait for the travelers to return. But young John Redlantern will break the laws of Eden, shatter the Family and change history. He will abandon the old ways, venture into the Dark…and discover the truth about their world. Already remarkably acclaimed in the UK, Dark Eden is science fiction as literature; part parable, part powerful coming-of-age story, set in a truly original alien world of dark, sinister beauty--rendered in prose that is at once strikingly simple and stunningly inventive.
A provocative new interpretation of the Adam and Eve story from an expert in Biblical literature. The Garden of Eden story, one of the most famous narratives in Western history, is typically read as an ancient account of original sin and humanity’s fall from divine grace. In this highly innovative study, Ziony Zevit argues that this is not how ancient Israelites understood the early biblical text. Drawing on such diverse disciplines as biblical studies, geography, archaeology, mythology, anthropology, biology, poetics, law, linguistics, and literary theory, he clarifies the worldview of the ancient Israelite readers during the First Temple period and elucidates what the story likely meant in its original context. Most provocatively, he contends that our ideas about original sin are based upon misconceptions originating in the Second Temple period under the influence of Hellenism. He shows how, for ancient Israelites, the story was really about how humans achieved ethical discernment. He argues further that Adam was not made from dust and that Eve was not made from Adam’s rib. His study unsettles much of what has been taken for granted about the story for more than two millennia—and has far-reaching implications for both literary and theological interpreters. “Classical Hebrew in the hands of Ziony Zevit is like a cello in the hands of a master cellist. He knows all the hidden subtleties of the instrument, and he makes you hear them in this rendition of the profoundly simple story of Adam, Eve, the Serpent, and their Creator in the Garden of Eden. Zevit brings a great deal of other biblical learning to bear in a surprisingly light-hearted book.”―Jack Miles, author of God: A Biography
"A delightful exercise in inverted perspective." — Fantasy Literature. Charming modern fantasy, recounted with whimsical humor, relates a stalwart knight's encounter with a benevolent dragon who transports lonely and unwanted individuals to a utopia of abundance and harmony.