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"Introduction. 9. . Labor Archives and Collections in the United States. 12. . Labor Holdings at the Schlesinger Library, Radcliffe College. 18. . Labor Material in the Collections of the Museum of American Textile History. 27. . Labor History Sources at the University of Massachusetts at Amherst. 33. . The Connecticut Labor Archives. 41. . Sources for Business and Labor History in the Bridgeport Public Library. 46. . Labor History Resources at New York University. 50. 1.). The Tamiment Institute/ Ben Josephson Library. . 2.). The Robert F. Wagner Labor Archives. . . Labor Archives in the University at Albany, State University of New York. 61. . Sources on Labor History in the Martin P. Catherwood Library. 67. . Sources on Labor History at the Rockefeller Archive Center. 75. . Labor History Resources at the Rutgers University Libraries. 83. . Labor Collections at the Urban Archives Center, Temple University Libraries. 87. . Labor Archives at Indiana University of Pennsylvania. 93. . Historical Collections and Labor Archives, Penn State University. 97. . The UE/Labor Archives, University of Pittsburgh. 102. . Labor History Sources in the Manuscript Division of the Library of Congress. 105. . Labor History Sources in the National Archives. 114. . Labor and Social History Records at the Catholic University of America Nelson Lichtenstein. 121. . The Joseph A. Beirne Memorial Archives. 125. . Labor Union History and Archives: The University of Maryland at College Park Libraries. 129. . The George Meany Memorial Archives. 133. . West Virginia Labor Sources at the West Virginia and Regional History Collection. 140. . The Southern Labor Archives. 146. . Labor History Resources at the Ohio Historical Society. 155. . The Debs Collection at Indiana State University. 161. . The Archives of Labor History and Urban Affairs, Walter P. Reuther Library, Wayne State University. 167. . The Labadie Collection in the University of Michigan Library. 177. . Labor History Manuscripts in the Chicago Historical Society. 185. . The Ozarks Labor Union Archives at Southwest Missouri State University. 190. . Labor History Resources in the University of Iowa Libraries, the State Historical Society of Iowa/Iowa City, and the Herbert Hoover Presidential Library. 195. . Sources for the Study of the Labor Movement at the State Historical Society of Wisconsin. 203. . The Immigration History Research Center as a Source for Labor History Research. 212. . Labor Collections in the Western Historical Collections, at the University of Colorado, Boulder. 219. . Labor Resources at the Nevada State Library and Archives. 224. . The Texas Labor Archives. 229. . Sources on Labor History at the Southern California Library for Social Studies and Research. 235. . The Urban Archives Center at California State University, Northridge. 240. . The Labor Archives and Research Center at San Francisco State University. 248. . Index. 257.
How digital networks and services bring the issues of archives out of the realm of institutions and into the lives of everyday users Archives have become a nexus in the wake of the digital turn. Electronic files, search engines, video sites, and media player libraries make the concepts of “archival” and “retrieval” practically synonymous with the experience of interconnected computing. Archives today are the center of much attention but few agendas. Can archives inform the redistribution of power and resources when the concept of the public library as an institution makes knowledge and culture accessible to all members of society regardless of social or economic status? This book sets out to show that archives need our active support and continuing engagement. This volume offers three distinct perspectives on the present status of archives that are at once in disagreement and solidarity with each other, from contributors whose backgrounds cut across the theory–practice divide. Is the increasing digital storage of knowledge pushing us toward a turning point in its democratization? Can archives fulfill their paradoxical potential as utopian sites in which the analog and the digital, the past and future, and remembrance and forgetting commingle? Is there a downside to the present-day impulse toward total preservation?
What ever happened to labor's fight for a shorter workweek?
How the archive evolved to include new technologies, practices, and media, and how it became the apparatus through which we map the everyday. In Archive Everything, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries. Archives today offer a multiplicity of viewing platforms to replay the past, capture the present, and map our presence. Giannachi uses archaeological practices to explore all the layers of the archive, analyzing Lynn Hershman Leeson's !Women Art Revolution project, a digital archive of feminist artists. She considers the archive as a memory laboratory, with case studies that include visitors' encounters with archival materials in the Jewish Museum in Berlin. She discusses the importance of participatory archiving, examining the “multimedia roadshow” Digital Diaspora Family Reunion as an example. She explores the use of the archive in works that express the relationship between ourselves and our environment, citing Andy Warhol and Ant Farm, among others. And she looks at the transmission of the archive through the body in performance, bioart, and database artworks, closing with a detailed analysis of Lynn Hershman Leeson's Infinity Engine.
Genealogists and other historical researchers have valued the first two editions of this work, often referred to as the genealogist's bible."" The new edition continues that tradition. Intended as a handbook and a guide to selecting, locating, and using appropriate primary and secondary resources, The Source also functions as an instructional tool for novice genealogists and a refresher course for experienced researchers. More than 30 experts in this field--genealogists, historians, librarians, and archivists--prepared the 20 signed chapters, which are well written, easy to read, and include many helpful hints for getting the most out of whatever information is acquired. Each chapter ends with an extensive bibliography and is further enriched by tables, black-and-white illustrations, and examples of documents. Eight appendixes include the expected contact information for groups and institutions that persons studying genealogy and history need to find. ""
An examination of how nonprofessional archivists, especially media fans, practice cultural preservation on the Internet and how “digital cultural memory” differs radically from print-era archiving. The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives. De Kosnik explains that media users today regard all of mass culture as an archive, from which they can redeploy content for their own creations. Hence, “remix culture” and fan fiction are core genres of digital cultural production. De Kosnik explores, among other things, the anticanonical archiving styles of Internet preservationists; the volunteer labor of online archiving; how fan archives serve women and queer users as cultural resources; archivists' efforts to attract racially and sexually diverse content; and how digital archives adhere to the logics of performance more than the logics of print. She also considers the similarities and differences among free culture, free software, and fan communities, and uses digital humanities tools to quantify and visualize the size, user base, and rate of growth of several online fan archives.
“A pioneering study” of how two languages have coexisted in the Jewish state, with “a wealth of information” on Yiddish newspapers, theater, and more (AJS Review). Yiddish in Israel: A History challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Rachel Rojanski tells the compelling unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew. Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language’s varying fortune through the years was shaped by social and political developments, as well as the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel’s early years between Yiddish writers and activists and Israel’s leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the twenty-first century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.