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The abbey's extensive archives, now scattered in English and USlibraries, are for the first time properly listed. Dr Thomson discusseshow the collection was formed, maintained and used.
In Jennifer Summit’s account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey’s famous library, and 1631, when the great antiquarian Sir Robert Cotton died, Memory’s Library revises the history of the modern library by focusing on its origins in medieval and early modern England. Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by redefining the cultural place, function, and identity of libraries. By establishing the intellectual dynamism of English libraries during this crucial period of their development, Memory’s Library demonstrates how much current discussions about the future of libraries can gain by reexamining their past.
Definitive history of the Abbey of Bury St Edmunds during a crucial period in its history. St Edmund's Abbey was one of the most highly privileged and wealthiest religious houses in medieval England, one closely involved with the central government; its history is an integral part of English history. This book (the first of two volumes) offers a magisterial and comprehensive account of the Abbey during the thirteenth century, based primarily on evidence in the abbey's records [over 40 registers survive]. The careers of the abbots, beginning withthe great Samson, provide the chronological structure; separate chapters study various aspects of their rule, such as their relations with the convent, the abbey's internal and external administration and its relations with itstenants and neighbours, with the king and the central government. Chapters are also devoted to the monks' religious, cultural and intellectual life, to their writings, book collection and archives. Appendices focus on the mid-thirteenth century accounts which give a unique and detailed picture of the organisation and economy of St Edmunds' estates in West Suffolk, and on the abbey's watermills and windmills. Dr ANTONIA GRANSDEN is former Reader atthe University of Nottingham.
This is the first English translation for forty years of a medieval classic, offering vivid and unique insight into the life of a great monastery in late twelfth-century England. The translation brilliantly communicates the interest and immediacy of Jocelin's narrative, and the annotation is particularly clear and helpful.
St Edmund's Abbey was one of the most highly privileged and wealthiest religious houses in medieval England, one closely involved with the central government; its history is an integral part of English history. This book, the second of two volumes, offers a magisterial and comprehensive account of the Abbey during the latter part of the thirteenth century, based primarily on evidence in the abbey's records (over 40 registers survive). It begins with an account of the two abbots of this period, Simon of Luton and John of Northwold, who showed outstanding ability in steering the abbey through difficult times, including conflict with the Friars Minor in the town, straitened financialcircumstances (partly caused by oppressive taxation from king and pope), and domestic issues. This is followed by consideration of such matters as the abbey's mint, its economy, religious, intellectual and cultural life, and the abbey's architecture -- especially the charnel chapel constructed by John, which survives to this day. The monks' dietary regime (with examples of actual recipes from the time) is examined in a detailed appendix. Dr Antonia Gransden is former Reader at the University of Nottingham.
Responses to the impact of the Norman Conquest examined through the wealth of evidence provided by the important abbey of Bury St Edmunds. Bury St Edmunds is noteworthy in so many ways: in preserving the cult and memory of the last East Anglian king, in the richness of its archives, and not least in its role as a mediator of medical texts and studies. All these aspects, and more, are amply illustrated in this collection, by specialists in their fields. The balance of the whole work, and the care taken to place the individual topics in context, has resulted in a satisfying whole, which placesAbbot Baldwin and his abbey squarely in the forefront of eleventh-century politics and society. Professor Ann Williams. The abbey of Bury St Edmunds, by 1100, was an international centre of learning, outstanding for its culting of St Edmund, England's patron saint, who was known through France and Italy as a miracle worker principally, but also as a survivor, who had resisted the Vikings and the invading king Swein and gained strength after 1066. Here we journey into the concerns of his community as it negotiated survival in the Anglo-Norman empire, examining, on the one hand, the roles of leading monks, such as the French physician-abbot Baldwin, and, on the other, the part played by ordinary women of the vill. The abbey of Bury provides an exceptionally rich archive, including annals, historical texts, wills, charters, and medical recipes. The chapters in this volume, written by leading experts, present differing perspectives on Bury's responses to conquest; reflecting the interests of the monks, they cover literature, music, medicine, palaeography, and the history of the region in its European context. DrTom Licence is Senior Lecturer in Medieval History and Director of the Centre of East Anglian Studies at the University of East Anglia. Contributors: Debbie Banham, David Bates, Eric Fernie, Sarah Foot, Michael Gullick, Tom Licence, Henry Parkes, Véronique Thouroude, Elizabeth van Houts, Thomas Waldman, Teresa Webber
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The subject is an extraordinary 12th-century carved walrus-ivory cross that came into the collection of The Metropolitan Museum of Art's Cloisters collection in 1963 and is today the centerpiece of the collection. The authors explore its construction, imagery and inscriptions, the context for its exceptional style and iconography, its theological setting and use in the liturgy, and its place in English Romanesque art. Includes numerous color and black and white photos taken especially for the book. Annotation copyright by Book News, Inc., Portland, OR