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The Archive in Motion explores the current proliferation of the concept of the archive. The concept has expanded into areas beyond the classical archive, to art, philosophy, and new textual and media practices. Simultaneously, these new practices both resist and transform the archival impulse, perhaps creating what one could call a new anarchival condition. Archival concepts and practices have been transformed under the impact of the radical changes in writing and recording technologies that have taken place over the last 150 years, and particularly with the introduction of digital technologies. Film, video, television, sound recording, computers, the Internet and new mobile media seem to have instigated a general storage mania and a proliferation of both public and private archival practices. These technologies not only challenge traditional notions of the permanence and stability of the archival document, but they also introduce a wide range of new questions concerning exactly what it means to store information for future use. This collection of essays by the acclaimed international scholars and curators, Alexander Galloway (New York University), Wolfgang Ernst (Humboldt University), Knut Ove Eliassen (Norwegian University of Science and Technology), Susanne Østby Sæther (Fotogalleriet, Oslo), Trond Lundemo (University of Stockholm), Terje Rasmussen and Kjetil Jakobsen (both University of Oslo), is essential reading for anyone interested in the future of archives and the diversity of archival practices and reflections today. The preface is written by the National Librarian of Norway Vigdis Moe Skarstein and the introduction by the editor Eivind Røssaak(The National Library of Norway).
This collection offers a set of essays that discuss the new technology of memory from a variety of perspectives that explicitly investigate their impact on the very concept of the social.
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"Motion Graphics explores the process of animated graphic design. From the stunning broadcast of Pittard Sullivan, the cutting-edge cool of work from The Attik to the bold, independent film-title designs of BUREAU, this book presents the individuals and designs creating work that is among the best motion graphic design for television and film." -book jacket.
In the first book of its kind, Gary Solomon, a.k.a. The Movie Doctor*, supplies a list of healing stories culled from movies that shows readers how others have coped--and healed--from problems such as addictions, abuse, bigotry, and physical illnesses.
More than 4,000 photographs in series and stopped action of horses, cats, lions, deer, kangaroos, etc. Indispensable for animal artists. Classic of 19th-century photography. "Impressive and valuable collection." — Scientific American.