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The book brings a new approach to see the art history of Hong Kong as a historical mediator and offers alternative perspective to discern the current hype of archive research and archival art practices, which informs the commitment in the constant production of socio-political meanings through arts. The book addresses the current social-political crises of Hong Kong by connecting art, memory, history, and political participation together through the site of archive and contextualises in both local and global perspectives, it also focuses on the artist archive, namely Ha Bik Chuen Archive, and archival art practices of contemporary Hong Kong, particularly in the social and political unrests, however, it ripples resonance and reflection not only in the local context but also to the region. The book is intended to the readers who are interested in both representational and interpretational nature of art and searching for alternatives means to perceive histories.
We've all been told to "follow our dreams", but what happens when those dreams aren't working out? Part personal memoir, part self-help, Follow Your Detour will inspire you to embrace the unexpected, let go of your pain and fears, and find the courage to create your own path.
Livvy Flynn is a big deal - she's a New York Times-bestselling author whose YA fiction has sold all over the world. She's rich, she's famous, she's gorgeous, and she's full of herself. When she's invited to an A-list writer's conference, she decides to accept so she can have some time to herself. She's on a tight deadline for her next book, and she has no intention of socializing with the other industry people at the conference. And then she hits the detour. Before she knows it, her brand new car is wrecked, she's hurt, and she's tied to a bed in a nondescript shack in the middle of nowhere. A woman and her apparently manic daughter have kidnapped her. And they have no intention of letting her go.
The extraordinary life and death-defying work of one of the most important and pioneering performance artists in contemporary art. When Marina Abramović Dies examines the extraordinary life and death-defying work of one of the most pioneering artists of her generation—and one who is still at the forefront of contemporary art today. This intimate, critical biography chronicles Abramović's formative and until now undocumented years in Yugoslavia, and tells the story of her partnership with the German artist Ulay—one of the twentieth century's great examples of the fusion of artistic and private life. In one of many long-durational performances in the renewed solo career that followed, Abramović famously lived in a New York gallery for twelve days without eating or speaking, nourished only by prolonged eye contact with audience members. It was here, in 2002, that author James Westcott first encountered her, beginning an exceptionally close relation between biographer and subject. When Marina Abramović Dies draws on Westcott's personal observations of Abramović, his unprecedented access to her archive, and hundreds of hours of interviews he conducted with the artist and the people closest to her. The result is a unique and vivid portrait of the charismatic self-proclaimed “grandmother of performance art.”
Entangled Performance Histories is the first book-length study that applies the concept of "entangled histories" as a new paradigm in the field of theater and performance historiography. "Entangled histories" denotes the interconnectedness of multiple histories that cannot be addressed within national frameworks. The concept refers to interconnected pasts, in which historical processes of contact and exchange between performance cultures affected all involved. Presenting case studies from across the world—spanning Africa, the Arab-speaking world, Asia, the Americas and Europe—the book’s contributors systematically expand, exemplify and examine the concept of "entangled histories," thus introducing various innovative concepts, theories and methodologies for investigating reciprocally consequential processes of interweaving performance cultures from the past. Bringing together examples of entanglements in theater and performance histories from a broad variety of geographical and historical backgrounds, the book’s contributions build together a broad basis for a possible and necessary paradigmatic shift in the field of theater and performance historiography. Ideal for researchers and students of history, theater, performance, drama and dance, this volume opens novel perspectives on the possibilities and challenges of investigating the entangled histories of theater and performance cultures on a global scale.
Martin Dusinberre follows the Yamashiro-maru steamship across Asian and Pacific waters in an innovative history of Japan's engagement with the outside world in the late-nineteenth century. This compelling in-depth analysis reconstructs the lives of some of the thousands of male and female migrants who left Japan for work in Hawai'i, Southeast Asia and Australia. These stories bring together transpacific historiographies of settler colonialism, labour history and resource extraction in new ways. Drawing on an unconventional and deeply material archive, from gravestones to government files, paintings to song, and from digitized records to the very earth itself, Dusinberre addresses key questions of method and authorial positionality in the writing of global history. This engaging investigation into archival practice asks, what is the global archive, where is it cited, and who are 'we' as we cite it? This title is also available as Open Access.
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A groundbreaking collection that studies noise not merely as a sonic phenomenon but as an essential component of all communication and information systems.