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Cutting-edge examples of the use of optical illusion in design—from trompe l’oeil to anamorphosis—to solve various challenges, be they space or budget related, or that act as aesthetic features in architecture and the fields that rub elbows with it: art, design, and furniture. This magical volume presents the startling world of illusion in design as employed by today’s architects, interior designers, furniture designers, and others at work bending the appearance of reality for purposes of aesthetics or practicality or fun. From a faux bookcase that masks a room or Prohibition-style bar, to the mind-boggling Escher-like effects achieved by Casa Ceramica, whose optical illusion of a floor dips into valleys and rises into mounds (but is in reality flat), the book is a revelation and an inspiration. It offers to us the possibility that nearly anything can be done, if it can be imagined—even in our own homes. The authors look at residences across the globe, as well as spaces beyond the home, that utilize a myriad of surprising techniques. Included are projects by conceptual designers such as Studio Malka and Vector Architects, as well as established practitioners such as Ferguson and Shamamian, G. P. Schafer, Peter Pennoyer, Redd/Kaihoi, and others, and all will surprise and engage the inspired viewer who will see that nearly anything can be done, if it can be imagined.
The world of media production is in a state of rapid transformation. In this age of the Internet, interactivity and digital broadcasting, do traditional standards of quality apply or must we identify and implement new criteria? This profile of the work of the Cambridge University Moving Image Studio (CUMIS), presents a strong argument that new developments in digital media are absolutely dependent on an understanding of traditional excellence. The book stands alone in placing equal emphasis on theoretical and practical aspects of its subject matter and avoids jargon so as to be easily understood by the general reader as well as the specialist. Chapters discuss: * animation * navigable architectural environments * moving image narrativity * questions of truth and representation * virtuality/reality * synthetic imaging * interactivity This broad analysis of current research, teaching and media production contains essential information for all those working or studying in the areas of multimedia, architecture, film and television. The book is designed as a core text for the Cambridge University 1 year MPhil Degree in Architecture and the Moving Image.
With this book you can enter a realm of dazzlingly deceptive designs that offer wonderful opportunities for imaginative and inventive coloring. You'll find a host of ingeniously contrived constructions, strange, interlocking shapes and mind-boggling arrangements that defy reality and challenge the imagination to grasp their form and structure. Optical illusions are always fun to look at; coloring these masterly mind-bending illusions will add an extra dimension of enjoyment and foster a new appreciation of mysterious pictorial puzzles that make us wonder if seeing is truly believing.
Beware, the designs herein may boggle your mind and confound your eyes. Does the cube go in or out, is the line straight or curved? You'll have fun deciding while coloring them at the same time. 32 designs.
"Boundary, sequence, illusion: Ian MacDonald architect presents selected projects, accompanied by analysis and commentary, from the work of the firm Ian Macdonald Architect, and several essays by scholars across the disciplines that reflect upon the work and its theoretical, historical, and social context."--
Film production is a highly creative and collaborative industry, full of multi-skilled artists and craftsmen. The fast-moving pace of technology makes it hard to keep abreast of current practices in production design. However, the ethos and skills behind filmmaking remain the same. In The Art of Illusion, renowned Art Director Terry Ackland-Snow shares his passion and knowledge of traditional film design from over fifty years of industry experience, using real-life case studies from some of the UK's most iconic films, including Batman, Labyrinth, the James Bond franchise and The Deep. Featuring over 100 original sketches, as well as rare behind-the-scenes photographs, storyboards and artwork, this book is exquisitely illustrated throughout, demonstrating the skills and techniques of film design with stunning intricacy. This is an essential guide for anyone aspiring to a career in production design, and will be of great value to all movie enthusiasts who are interested in the art of creating a film set. Superbly illustrated with 238 illustrations featuring over 100 original sketches, as well as rare behind-the scenes photographs.
Discover how artists have been tricking the human eye for centuries in this gorgeous and wide-ranging exploration of the art of illusion. This spellbinding look at the history and development of illusionistic art reveals wide-ranging techniques that have piqued the public's fascination with this medium. Beautifully reproduced, the images featured in the book includes centuries-old work such as the scenery at the Teatro Olimpico in Vicenza, Italy, and the ceiling frescos at the Würzburg Residence in Germany, that showcase processes such as trompe l'oeil and anamorphosis. It also features work from the 20th and 21st centuries, including René Magritte's classic Surrealist works; M.C. Escher's magical and mathematically precise drawings; the seemingly undulating paintings of Bridget Riley; the manipulated photography of Andreas Gursky; Duane Hanson's eerily lifelike sculptures; JR's larger-than-life portrait photographs; and Georges Rousse's mind-bending constructions. The book also has examples of amazing street art including subway graffiti and a sidewalk painting that makes pedestrians think twice. This extraordinary and informative guide to all kinds of artistic trickery will satisfy scholars as well as everyday fans.
This volume explores illusionism as a much larger phenomenon than optical illusion, magic shows, or special effects, as a vital part of how we perceive, process, and shape the world in which we live. Considering different cultural practices characterized by illusionism, this book suggests a new approach to illusion via media theory. Each of the chapters analyses a specific kind of illusionistic practice and the concept of illusionism it entails in a given context, including philosophy, perception and cognitive theory, performance magic, occultism, optics, physiology, early cinema, cartomancy, spiritualism, architecture, shamanic rituals, and theoretical physics, to show the diversity of shapes that illusionism and illusions can take. The book provides detailed analyses of illusions within performance and ritual magic, philosophy, art history and psychology as well as a first approach to the study of illusions outside of these established fields. It aims to find ways of identifying and analysing a wider range of illusions in the humanities. This multidisciplinary and comprehensive volume will appeal to scholars and students with an interest in media and culture, theatre and performance, philosophy, sociology, politics and religion. This publication was supported by the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie of the Bauhaus-Universität Weimar with funds from the German Federal Ministry of Education and Research. IKKM Books Volume 47 An overview of the whole series can be found at www.ikkm-weimar.de/schriften Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-Share Alike 4.0 license https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003188278-8/vanishing-lady-railway-illusions-movement-1-katharina-rein?context=ubx&refId=fe124e6e-8290-43e9-9d48-753bad162c50 Chapter 9 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003188278-13/talking-rocks-illusory-sounds-projections-otherworld-julia-shpinitskaya-riitta-rainio?context=ubx&refId=3aa829a8-8c0b-4103-870a-6fe5a4393e71
A leading American architectural critic examines Americans' peculiar passion for synthetic environments, such as shopping malls and Disneyworld, and charges today's architecture with being dehumanized and functionally out of tune with the environment.