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Architecture and the Novel under the Italian Fascist Regime discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated “revolution” of the novel form (realism) and that of architecture (rationalism). The book is divided into seven chapters, which in turn analyze the interconnections between the novel and architecture in theory and in practice. The first six chapters cover debates on State art, on the novel and on architecture, as well as their historical development and their unfolding in key journals of the period. The last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes.
A new edition of this extensive visual analysis of horror tropes and their architectural analogues Horror in Architecture presents an unflinching look at how horror genre tropes manifest in the built environment. Spanning the realms of art, design, literature, and film, this newly revised and expanded edition compiles examples from all areas of popular culture to form a visual anthology of the architectural uncanny. Rooted in the Romantic and Gothic treatment of horror as a serious aesthetic category, Horror in Architecture establishes incisive links between contemporary horror media and its parallel traits found in various architectural designs. Through chapters dedicated to distorted and monstrous buildings, abandoned spaces, extremes of scale, and other structural peculiarities, and featuring new essays on insurgent natures, blobs, and architectural puppets, this volume brings together diverse architectural anomalies and shows how their unsettling effects deepen our fascination with the unreal. Intended for both horror fans and students of visual culture, Horror in Architecture turns a unique lens on the relationship between the human body and the artificial landscapes it inhabits. Extensively illustrated with photographs, film stills, and diagrams, this book retrieves horror from the cultural fringes and demonstrates how its attributes permeate the modern condition and the material world.
THE NEW YORK TIMES BESTSELLER! "A gripping page-turner...a riveting reminder of sacrifices made by history's most unlikely heroes." —Kristina McMorris, New York Times bestselling author of Sold on a Monday and The Ways We Hide An extraordinary book about a gifted architect who reluctantly begins a secret life of resistance, devising ingenious hiding places for Jews in World War II Paris. In 1942 Paris, architect Lucien Bernard accepts a commission that will bring him a great deal of money – and maybe get him killed. All he has to do is design a secret hiding place for a Jewish man, a space so invisible that even the most determined German officer won't find it while World War II rages on. He sorely needs the money, and outwitting the Nazis who have occupied his beloved city is a challenge he can't resist. Soon Lucien is hiding more souls and saving lives. But when one of his hideouts fails horribly, and the problem of where to conceal a Jew becomes much more personal, and he can no longer ignore what's at stake. Book clubs will pore over the questions Charles Belfoure raises about justice, resistance, and just how far we'll go to make things right. Also by Charles Belfoure: The Fallen Architect House of Thieves
Architecture and Modern Literature explores the representation and interpretation of architectural space in modern literature from the early nineteenth century to the present, with the aim of showing how literary production and architectural construction are related as cultural forms in the historical context of modernity. In addressing this subject, it also examines the larger questions of the relation between literature and architecture and the extent to which these two arts define one another in the social and philosophical contexts of modernity. Architecture and Modern Literature will serve as a foundational introduction to the emerging interdisciplinary study of architecture and literature. David Spurr addresses a broad range of material, including literary, critical, and philosophical works in English, French, and German, and proposes a new historical and theoretical overview of this area, in which modern forms of "meaning" in architecture and literature are related to the discourses of being, dwelling, and homelessness.
From the New York Times bestselling author of The Paris Architect! Charles Belfoure's next novel is a puzzling historical thriller about a man who must dig through the rubble of his past to construct a future worth living, grounded by Belfoure's experiences as a professional architect. Someone has to take the blame when the Britannia Theatre's balcony collapses. Over a dozen people are killed, and the fingers all point at the architect. The man should have known better, should have made it safer, should have done something. Douglas Layton knows the flaw wasn't in his design, but he can't fight a guilty verdict. When the architect is finally released from prison, he has no job, no family, nowhere to go. He needs to assume a new identity and rebuild his life. But the disgraced man soon finds himself digging up the past in a way he never anticipated. If the collapse wasn't an accident ... who caused it? And why? And what if they find out who he used to be? A chilling novel of architecture, intrigue, and identity, this historical thriller uncovers one man's quest to clear his name and correct the mistake that ruined his life. "A twisted mystery...Belfoure gets better and better"—Karen Bakshoian, Letterpress Books (Portland, ME) Also by Charles Belfoure: The Paris Architect House of Thieves
In recent years, a little-known research group named Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN. Beyond shedding new light on human rights violations and state crimes across the globe, Forensic Architecture has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing. In Forensic Architecture, Eyal Weizman, the group’s founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed. Included in this volume are case studies that traverse multiple scales and durations, ranging from the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere. Weizman’s Forensic Architecture, stunning and shocking in its critical narrative, powerful images, and daring investigations, presents a new form of public truth, technologically, architecturally, and aesthetically produced. Their practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy.
Architects Jesse Reiser and Nanako Umemoto have been generating some of the most provocative thinking in the field for nearly twenty years. With Atlas of Novel Tectonics, Reiser+Umemoto hone in on the many facets of architecture and illuminate their theories with great thought and simplicity. The Atlas is organized as an accumulation of short chapters that address the workings of matter and force, material science, the lessons of art and architectural history, and the influence of architecture on culture (and vice versa). Reiser+Umemoto see architectural design as a series of problem situations, and each chapter is an argument devoted to a specific condition or case. Influenced by a wide range of fields and phenomenaBrillat-Savarin's classic The Physiology of Taste is one of their primary modelsthe authors provide a cross-section of thinking and inspiration. The result is both an elucidation of the concepts that guide Reiser+Umemoto through their own design process and a series of meditations on topics that have formed their own sense as architects. Atlas of Novel Tectonics offers an entirely fresh perspective on subjects that are generally taken for granted, and does so with a welcome punch and energy.
The Victorian-era German cult novel, set in the mid-twentieth century, serves up a utopian vision of a future of glass architecture, as the protagonist, Swiss architect Edgar Krug, circumnavigates the globe by airship with his wife, constructing a wild variety of colored-glass buildings in various locales.
Citizens of No Place is a collection of short stories on architecture and urbanism, graphically represented using manga-style storyboards. Fiction is used as a strategy to unpack thoughts about architecture. Modeled as a proto-manifesto, it is a candid chronicle of a highly critical thought process in the tradition of paper architecture (especially that of architect John Hejduk and Bernard Tschumi's Manhattan Transcript). The short stories explore many architectural problems through the unique language of the graphic novel, helping usher the next generation of architectural theory and criticism.