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Fatehpur Sikri was founded in 1569 by the Mughal emperor Akbar, and served as the capital of the Mughal Empire from 1571 to 1585. Here the construction of a planned walled city took fifteen years to build a series of royal palaces, harem, courts, a mosque, private quarters and other utility buildings. It is one of the best-preserved collections of Mughal architecture in India. In Fatehpur Sikri, capital of the Mughal Empire for only ten years, the complex of monuments and temples, all in a uniform architectural style, includes one of the largest mosques in India, the Jama Masjid. Within it is the tomb of Salim Chisti; many believe that he makes our wishes come true! Lucy Peck goes into the architectural magnificence of the city giving us the history behind the forgotten or ghost city .
Entitled as it is, this is devoted to the study of the Architecture of Fatehpur Sikri, the township of Akbar, the Great, and its forms, techniques and concepts. The first chapter deals with Babur's Jal-Mahal which has been identified for the first time. The second chapter is on the formative process whereby a cosmopolitan style is formed by the assimilation of disparate building traditions, in respect of Mughal Architecture (which was, originally, a part of the paper for the XXVI International Congress of the History of Art, Washington D.C. 11-18 August 1986).The third chapter studies architecture of Fatehpur Sikri in respect of the sources and determinants of its forms; its town-planning; plan and design of its buildings; and façade and superstructure (in its original form, it was read in the International Symposium on Fatehpur Sikri held at the Harvard University Cambridge Massachusetts, U.S.A. on 17-19 October 1985).Such distinctive features of its architecture as 'khaprel' roof, 'chhappar' and 'ladāo' ceilings, 'tibārā' 'duchhattī' and 'jālī' have been studied in separate chapters, in full details, in order to elucidate their significance in the formation of this style. The Hiran-Mīnār and the Panch-Mahal, two representative buildings of Fatehpur Sikri, have similarly been studied in separate chapters, the former in respect of its Meaning and Purpose, and the latter in respect of its Architectural Derivation and Raison d'etre. The problem of 'nomenclature' of medieval monuments which has largely confused their history, has been discussed in the chapter on 'Todarmal's Bārahdarī', which too bears this misnomer a little too heavily, and attempt has been made to identify it architecturally. An introductory chapter on Masons'-Marks has also been given.Amazingly, there is nothing experimental, and Fatehpur Sikri's is a fully developed, 16th century A.D., Native Style of India, with minimal true-arched, true-vaulted and true-domed forms! It is, essentially, STONE-WORK, and even large ceilings have been built, in a wide variety with stone beams-and-slabs, stone ribs-and-panels and stone brackets-chhajjā -an h ols. Its art is a faithful reflection of Akbar's personality, in the right earnest, and his reign (1556-1605 A.D.), which is the most important phase of the Medieval period, cannot be historically comprehensive without study of Fatehpur Sikri.
Embodied Vision delves into a series of representations Fatehpur Sikri has been subjected to and concludes that its space is revealed more through perception than geometry.
Space, the most important aspect of architecture, finds an outstanding manifestation in the sixteenth century Royal Complex at Fatehpur Sikri. Spatial articulation, simple organization of building elements, singularity of construction materials and consequent technology, come together to create an outstanding building complex at the Sikri hilltop. These are the many facets to the greatness of Fatehpur Sikri's architecture. The middle of the sixteenth century highlighted the coming together of elements and architectural attributes with disparate generic backgrounds. Eclecticism was the celebrated spirit, and Renaissance in Europe had already set the mood for it. Transgressing physical borders, this eclecticism was to also become an important aspect of architectural style and expression of the Royal Complex at Sikri. Hence, if the spatial configuration remains undeniably the most remarkable aspect of this ensemble, its eclectic outlook is another feature of great marvel, expressed as greatly as anywhere else in the world, during this period. Many books have been written on Fatehpur Sikri with various thrust areas. This book attempts to focus on architecture where the setting is engaged deeply with site planning; where the spatial order is highly geometric but not typically Mughal; and where the layers of building process are explored for a medieval intent.
The architecture created in southern Asia under the patronage of the great Mughals (1526-1858) is one of the richest and most inventive of the Islamic area, including such world famous buildings as the Taj Mahal in Agra or the tomb of Humayun in Delhi, the palaces and mosques in Agra, Delhi, Fatehpur Sikri and Lahore. All buildings types are considered, not only the well known masterpieces but also country houses, hunting palaces, gardens, mausoleums, mosques, bath houses, bazaars and other public buildings. Many of these are still unknown even to specialists. The unique book, covering the whole range of Mughal architecture and including numerous new photographs and detailed plans presents the results of the author's extensive field work in India, Pakistan and Bangladesh as well as Iran and the central Asian region of the Soviet Union. The author's in-depth knowledge of the original sources provides the reader with invaluable background information.
Comprehensive Work On The Mughal Monuments Of Fatehpur Sikri