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Architectural Gardens is a portfolio of lushly illustrated landscapes in California wine country--each project a lesson in the alchemy of garden design. Digging deeper than the typical monograph, each of the ten projects by Lucas and Lucas in Architectural Gardens includes a design narrative, detailed captions, site plan, top ten plant list, and design lessons that readers can apply to their own gardens. It also includes a roundup of the firm's favorite plants best suited to different types of properties (woodland settings, traditional estates, and country retreats, for example) and employed for different purposes (such as screening, drought tolerance, punch of color, fast growth).
The elements of garden architecture—paths, walls, gates, fences, terraces, sheds, lighting, furniture, waterworks, and art—together form the backbone of any well-designed garden. In this beautifully illustrated and accessible book, legendary landscape architect James van Sweden explains how to design and build a garden like a professional. He leads his readers on a tour through some of his most exquisitely designed gardens—in the country, in the city, in the suburbs, and by the shore. “When it comes to planning a comfortable and rewarding garden,” van Sweden writes in his Introduction, “the challenges that confront the owner of an estate or a weekend cottage are often substantially the same. The principles and techniques used for organizing a large site work equally well in a more modest setting.” Each case study highlights a particular architectural element, breaking it down into practical ideas that any gardener can apply to his or her own garden or yard. The book includes dozens of detailed schematic drawings that can be used to build many of the elements described by the author, along with an extensive, illustrated glossary. Architecture in the Garden is sure to inspire you with its many practical ideas on how to domesticate your landscape and design an outdoor space that suits your taste as well as your lifestyle.
The first major illustrated monograph in many years on the history of gardens, landscape design, and architecture, focusing on both the Western and Eastern traditions and their influences. Ambitious in scope and lavishly illustrated, this book surveys every period in garden design and landscape architecture, from classical antiquity and the medieval cloisters to the latest trends in modern design. Captured here are two millennia of garden history--the most comprehensive garden photo documentary ever undertaken by a single author. From the Roman gardens at Hadrian's villa to the modern work of landscape architects, historical and contemporary gardens are showcased with special attention to the relationship between gardens and houses. The informative text reveals the evolutions, transformations, influences, and trends that characterize these beautiful landscapes, putting into context their aesthetic appeal. Gardens are unique, reflecting the landscape, flora, and climate of their environments as well as the heritage, history, architectural styles, and influences of society. From the fountain gardens of Persia to the prairie-style gardens currently popular, from the Zen gardens of Buddhist temples to the Impressionist gardens in Giverny, the huge variety of gardens is a testament to our age-old desire to tame and refashion nature. This gorgeously photographed book will captivate travelers and garden admirers alike and inspire gardeners with ideas for design, horticulture, and use.
A collection of Hunt's essays, many previously unpublished, dealing with the ways in which men and women have given meaning to gardens and landscapes, especially with the ways in which gardens have represented the world of nature "picturesquely".
A call for landscape architects to leave the office and return to the garden. Addressing one of the most repressed subjects in landscape architecture, this book could only have been written by someone who is both an experienced gardener and a landscape architect. With Overgrown, Julian Raxworthy offers a watershed work in the tradition of Ian McHarg, Anne Whiston Spirn, Kevin Lynch, and J. B. Jackson. As a discipline, landscape architecture has distanced itself from gardening, and landscape architects take pains to distinguish themselves from gardeners or landscapers. Landscape architects tend to imagine gardens from the office, representing plants with drawings or other simulations, whereas gardeners work in the dirt, in real time, planting, pruning, and maintaining. In Overgrown, Raxworthy calls for the integration of landscape architecture and gardening. Each has something to offer the other: Landscape architecture can design beautiful spaces, and gardening can enhance and deepen the beauty of garden environments over time. Growth, says Raxworthy, is the medium of garden development; landscape architects should leave the office and go into the garden in order to know growth in an organic, nonsimulated way. Raxworthy proposes a new practice for working with plant material that he terms “the viridic” (after “the tectonic” in architecture), from the Latin word for green, with its associations of spring and growth. He builds his argument for the viridic through six generously illustrated case studies of gardens that range from “formal” to “informal” approaches—from a sixteenth-century French Renaissance water garden to a Scottish poet-scientist's “marginal” garden, barely differentiated from nature. Raxworthy argues that landscape architectural practice itself needs to be “gardened,” brought back into the field. He offers a “Manifesto for the Viridic” that casts designers and plants as vegetal partners in a renewed practice of landscape gardening.
Medici Gardens challenges the common assumption that such gardens as Trebbio, Cafaggiolo, Careggi, and Fiesole were the products of an established design practice whereby one client commissioned one architect or artist. The book suggests that in the case of the gardens in Florence garden making preceded its theoretical articulation.
Essays by Gerritjan Deunk.
A visually engaging introduction to landscape architectural design Landscape architectural design seeks to create environments that accommodate users' varying lifestyles and needs, incorporate cultural heritage, promote sustainability, and integrate functional requirements for optimal enjoyment. Foundations of Landscape Architecture introduces the foundational concepts needed to effectively integrate space and form in landscape design. With over five hundred hand-rendered and digital drawings, as well as photographs, Foundations of Landscape Architecture illustrates the importance of spatial language. It introduces concepts, typologies, and rudimentary principles of form and space. Including designs for projects such as parks, campuses, and memorials, this text provides the core concepts necessary for designers to shape functional landscapes. Additionally, chapters discuss organizational and spatial design structures based on orthogonal forms, angular forms, and circular forms. Helping students, professionals, and lifelong learners alike, Foundations of Landscape Arch-itecture delivers a concrete understanding of landscape architectural design to inspire one's imagination for countless types of projects.
Twenty-two essays that provide a forum for assessing the tenets, accomplishments and limits of modernism in landscape architecture and for formulating ideas about possible directions for the future of the discipline These twenty-two essays provide a rich forum for assessing the tenets, accomplishments, and limits of modernism in landscape architecture and for formulating ideas about possible directions for the future of the discipline. During the 1930s Garrett Eckbo, Dan Kiley, and JamesRose began to integrate modernist architectural ideas into their work and to design a landscape more in accord with the life and sensibilities of their time. Together with Thomas Church, whose gardens provided the setting for California living, they laid the foundations for a modern American landscape design. This first critical assessment of modem landscape architecture brings together seminal articles from the 1930s and 1940s by Eckbo, Kiley, Rose, Fletcher Steele, and Christopher Tunnard, and includes contributions by contemporary writers and designers such as Peirce Lewis, Catherine Howett, John Dixon Hunt, Peter Walker, and Martha Schwartz who examine the historical and cultural framework within which modern landscape designers have worked. There are also essays by Lance Neckar, Reuben Rainey, Gregg Bleam, Michael Laurie, and Marc Treib that discuss the designs and legacy of the Americans Tunnard, Eckbo, Church, Kiley, and Robert Irwin. Dorothée Imbert takes up Pierre-Emile Legrain and French modernist gardens of the 1920s, and Thorbjörn Andersson reviews experiments with stylized naturalism developed by Erik Glemme and others in the Stockholm park system.
Traces the history of the hotel, a French style of town house, and examines its influence on the development of modern architecture