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Architecture for the Poor describes Hassan Fathy's plan for building the village of New Gourna, near Luxor, Egypt, without the use of more modern and expensive materials such as steel and concrete. Using mud bricks, the native technique that Fathy learned in Nubia, and such traditional Egyptian architectural designs as enclosed courtyards and vaulted roofing, Fathy worked with the villagers to tailor his designs to their needs. He taught them how to work with the bricks, supervised the erection of the buildings, and encouraged the revival of such ancient crafts as claustra (lattice designs in the mudwork) to adorn the buildings.
Egyptian architect Hassan Fathy's reputation for a modern & humane architecture has grown to cult status. Architects worldwide are recognizing that his revival of ancient mud-brick building techniques has begun to revolutionize modern thinking, not just in Egypt & in the 3rd World, but throughout the developed world -- where sustainability, energy conserv'n. & the responsible use of natural resources have all become vital concerns. Fathy's buildings are found all over the world. Steele's research in Cairo & in Greece uncovered many previously undocumented projects. New material -- photos, plans & Fathy's gouaches -- is included, along with a comprehensive illustrated chronology of his work.
Hassan Fathy is Egypt's best-known 20th-century architect. He was also a man of contradictions. He came from a wealthy background and had a western-style training. Yet he embraced traditional, vernacular forms, techniques, and materials and throughout his career promoted their use as part of a campaign to improve the conditions of Egypt's rural poor. Earth & Utopia chronicles this lifelong commitment through personal interviews conducted by the author, photographs, and drawings from the Hassan Fathy archives, and Fathy's own writings on the subject, many of which are published for the first time. This beautiful, fascinating, and scholarly book will be essential reading for students, academics, and general readers interested in Fathy, and the development of Arab and vernacular architecture, earth construction, architecture for the poor, and sustainability.
Illustrated with more than 175 photos and renderings, this book shows how the spaces we inhabit, from our public streets to our homes, can transform us. An award-winning architect identifies the fundamental design forms that have evoked a spiritual response throughout time, and relates these patterns to the elemental patterns of human awareness. Each chapter offers exercises and practical suggestions.
This fully illustrated volume represents the most comprehensive examination yet of the life and work of the great Egyptian architect Hassan Fathy (1900-89), and the regional and international significance of his contribution to the lived environment. Generously illustrated with archival and color photographs and the architect's own distinctive and beautifully decorated gouache plans and elevations, many never previously published.
Using salvaged lumber and bricks, discarded tires, hay and waste cardboard bales, concrete rubble, colored bottles, and old license plates, they create inexpensive buildings in a style Mockbee describes as "contemporary modernism grounded in Southern culture."".
Socially engaged architecture is a broad and emerging architectural genre that promises to redefine architecture from a market-driven profession to a mix of social business, altruism, and activism that intends to eradicate poverty, resolve social exclusion, and construct an egalitarian global society. The Routledge Companion to Architecture and Social Engagement offers a critical enquiry of socially engaged architecture’s current context characterized by socio-economic inequity, climate change, war, increasing global poverty, microfinance, the evolving notion of professionalism, the changing conception of public, and finally the growing academic interest in re-visioning the social role of architecture. Organized around case studies from the United States, Brazil, Venezuela, the United Kingdom, South Africa, Rwanda, Burkina Faso, Nigeria, Nepal, Pakistan, Iran, Thailand, Germany, Australia, Taiwan, and Japan the book documents the most important recent developments in the field. By examining diverse working methods and philosophies of socially engaged architecture, the handbook shows how socially engaged architecture is entangled in the global politics of poverty, reconstruction of the public sphere, changing role of the state, charity, and neoliberal urbanism. The book presents debates around the issue of whether architecture actually empowers the participators and alleviates socio-economic exclusion or if it instead indirectly sustains an exploitive capitalism. Bringing together a range of theories and case studies, this companion offers a platform to facilitate future lines of inquiry in education, research, and practice.
This masterful history of the monumental architecture of Alexandria, as well as of the rest of Egypt, encompasses an entire millennium—from the city’s founding by Alexander the Great in 331 B.C. to the years just after the Islamic conquest of A.D. 642. Long considered lost beyond recall, the architecture of ancient Alexandria has until now remained mysterious. But here Judith McKenzie shows that it is indeed possible to reconstruct the city and many of its buildings by means of meticulous exploration of archaeological remains, written sources, and an array of other fragmentary evidence. The book approaches its subject at the macro- and the micro-level: from city-planning, building types, and designs to architectural style. It addresses the interaction between the imported Greek and native Egyptian traditions; the relations between the architecture of Alexandria and the other cities and towns of Egypt as well as the wider Mediterranean world; and Alexandria’s previously unrecognized role as a major source of architectural innovation and artistic influence. Lavishly illustrated with new plans of the city in the Ptolemaic, Roman, and Byzantine periods; reconstruction drawings; and photographs, the book brings to life the ancient city and uncovers the true extent of its architectural legacy in the Mediterranean world.
From 1978 to 1993, the renowned Soviet "paper architects" Alexander Brodsky and Ilya Utkin created an incredible collection of elaborate etchings depicting outlandish, often impossible, buildings and cityscapes. Funny, cerebral, and deeply human, their obsessively detailed work layers elements borrowed from Egyptian tombs, Ledoux's visionary architecture, Le Corbusier's urban master plans, and other historical precedents in etchings of breathtaking complexity and beauty. Back by popular demand following the sold-out original 1991 edition and 2003 reprint, Brodsky & Utkin presents the sum of the architects' collaborative prints and adds new material, including an updated preface by the artists' gallery representative, Ron Feldman, a new introductory essay by architect Aleksandr Mergold, visual documentation of the duo's installation work, and rare personal photographs.