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Historically the urban festival served as an occasion for affirming shared convictions and identities in the life of the city. Whether religious or civic in nature, these events provided tangible expressions of social, cultural, political, and religious cohesion, often reaffirming a particular shared ethos within diverse urban landscapes. Architecture has long served as a key aspect of this process exhibiting continuity in the flux of these representations through the parading of elaborate ceremonial floats, the construction of temporary buildings, the ‘dressing’ of existing urban space, the alternative occupations of the everyday, and the construction of new buildings and spaces which then become a part of the background fabric of the city. This book examines how festivals can be used as a lens to examine the relationship between city and citizen and questions whether this is fixed through time, or has been transformed as a response to changes in the modern urban condition. Architecture, Festival and the City looks at the multilayered nature of a diverse selection of festivals and the way they incorporate both orderly (authoritative) and disorderly (subversive) components. The aim is to reveal how the civic nature of urban space is utilised through festival to represent ideas of belonging and identity. Recent political and social gatherings also raise questions about the relationship of these events to ‘ritual’ and whether traditional practices can serve as meaningful references in the twenty-first century.
With contributions from provocative art and architectural historians, this book is a unique exposition of the temporary architecture erected for festivals and the role it has played in developing Western architectural and urban theory. Festival Architecture is arranged in historical periods – from Antiquity to the modern era – and divided between analyses of specific festivals, set in relation to contemporary architecture and urban design ideas and theories. Illustrated with a wealth of unusual and rarely-seen images from the European festival tradition, this is a fascinating outline of the history of festival architecture ideal for postgraduate architecture and urban design students.
This book explores how festivals and events affect urban places and public spaces, with a particular focus on their role in fostering inclusion. The ‘festivalisation’ of culture, politics and space in cities is often regarded as problematic, but this book examines the positive and negative ways that festivals affect cities by examining festive spaces as contested spaces. The book focuses on Western European cities, a particularly interesting context given the social and cultural pressures associated with high levels of in-migration and concerns over the commercialisation and privatisation of public spaces. The key themes of this book are the quest for more inclusive urban spaces and the contested geographies of festival spaces and places. Festivals are often used by municipal authorities to break down symbolic barriers that restrict who uses public spaces and what those spaces are used for. However, the rise of commercial festivals and ticketed events means that they are also responsible for imposing physical and financial obstacles that reduce the accessibility of city parks, streets and squares. Alongside addressing the contested effects of urban festivals on the character and inclusivity of public spaces, the book addresses more general themes including the role of festivals in culture-led regeneration. Several chapters analyse festivals and events as economic development tools, and the book also covers contested representations of festival cities and the ways related images and stories are used in place marketing. A range of cases from Western Europe are used to explore these issues, including chapters on some of the world’s most significant and contested festival cities: Venice, Edinburgh, London and Barcelona. The book covers a wide range of festivals, including those dedicated to music and the arts, but also events celebrating particular histories, identities and pastimes. A series of fascinating cases are discussed - from the Venice Biennale and Dublin Festival of History, to Rotterdam’s music festivals and craft beer festivals in Manchester. The diverse and innovative qualities of the book are also evident in the range of urban spaces covered: obvious examples of public spaces – such as parks, streets, squares and piazzas – are addressed, but the book includes chapters on enclosed public spaces (e.g., libraries) and urban blue spaces (waterways) too. This reflects the interpretation of public spaces as socio-material entities: they are produced informally through their use (including for festivals and events), as well as through their formal design and management.
The City on Display: Architecture Festivals and the Urban Commons reflects on the biennials, triennials, and other festivals of architecture and design that have been held over the last two decades, as they expand and transform in response to the exigencies of ‘planetary urbanisation’. Joel Robinson examines the development of these large-scale, international, and perennial exhibitions as they address such challenges as urban regeneration, heritage preservation, climate change, and the migration crisis. Homing in on examples of festivals in Venice, Rotterdam, Oslo, Tallinn, Sharjah, Seoul, Shenzhen, and Hong Kong, the author describes how they alter the public spaces that host them, either through civic boosterism and gentrification, on the one hand, or through a reassertion of the urban commons and the right to the city, on the other hand. He attempts to thematise the architecture festival's relationship with the city and interrogate its potential as a forum for global debate about the emergencies of the urban condition. This book will be beneficial for students and academics of architecture and urbanism, and especially those who have an interest in how the city gets exhibited at such festivals and even reimagined as something other than it currently is.
In no other place have changing ideologies and urban designs inscribed themselves on the city structure in such a way as in Berlin. This rich collection representing the most diverse urban areas and architectural styles will enable the reader to make a journey through history, from medieval Alt-Berlin to the present day. Five walks lead to the prominent architectural highlights of the city. The insertion of excursive notes provides a basis for analysis and offer critical commentaries.
Transnational Architecture and Urbanism combines urban planning, design, policy, and geography studies to offer place-based and project-oriented insight into relevant case studies of urban transformation in Europe, North America, Asia, and the Middle East. Since the 1990s, increasingly multinational modes of design have arisen, especially concerning prominent buildings and places. Traditional planning and design disciplines have proven to have limited comprehension of, and little grip on, such transformations. Public and scholarly discussions argue that these projects and transformations derive from socioeconomic, political, cultural trends or conditions of globalization. The author suggests that general urban theories are relevant as background, but of limited efficacy when dealing with such context-bound projects and policies. This book critically investigates emerging problematic issues such as the spectacularization of the urban environment, the decontextualization of design practice, and the global circulation of plans and projects. The book portends new conceptualizations, evidence-based explanations, and practical understanding for architects, planners, and policy makers to critically learn from practice, to cope with these transnational issues, and to put better planning in place.
Overcrowding, noise and air pollution, long commutes and lack of daylight can take a huge toll on the mental well-being of city-dwellers. With mental healthcare services under increasing pressure, could a better approach to urban design and planning provide a solution? The restrictions faced by city residents around the world during the COVID-19 pandemic has brought home just how much urban design can affect our mental health – and created an imperative to seize this opportunity. Restorative Cities explores a new way of designing cities, one which places mental health and wellness at the forefront. Establishing a blueprint for urban design for mental health, it examines a range of strategies – from sensory architecture to place-making for creativity and community – and brings a genuinely evidence-based approach that will appeal to designers and planners, health practitioners and researchers alike - and provide compelling insights for anyone who cares about how our surroundings affect us. Written by a psychiatrist and public health specialist, and an environmental psychologist with extensive experience of architectural practice, this much-needed work will prompt debate and inspire built environment students and professionals to think more about the positive potential of their designs for mental well-being.
Scaling the Smart City: The Design and Ethics of Urban Technology engages with the smart city as a problem of scale. It disentangles the smart city from its corporate and technocratic strong hold by presenting an accessible design framework that productively aligns philosophical thinking on technology with foundational technical understandings of urban technology and smart system design. Scaling the Smart City: The Design and Ethics of Urban Technology complements and mediates between critical social theory perspectives of the smart city and technically comprehensive case studies. It examines these case examples and critiques design prototypes by threading the overarching principles of the smart city through urban, spatial, and personal scales. The knowledge and know-how to design and create urban technologies and smart cities is steadily moving from a niche field to a core industry competency. Scaling the Smart City: The Design and Ethics of Urban Technology outlines a unique cross scalar design framework, developed to teach smart cities design to designers and engineers. It unpacks the "backbox" of smart city initiatives and demystifies physical computing system design concepts. The book's analysis of real-world case examples and design prototypes aims to demonstrate how design thinking and practice can better engage with the ethical implications of creating urban technologies and smart systems for society. It uses a clear, accessible, and instructive style of writing that synthesizes relevant scholarship and concepts to develop the reader's foundational understanding of the contemporary smart city paradigm. It also explores the ethical implications of urban technologies and smart city initiatives. This book is an invaluable resource for readers in the established fields and professions of design, architecture, urban design, and city planning as well as the emerging fields of urban technology and urban interaction design. - Connects theory and practice to extend understanding of urban technologies and smart cities - Leverages real-world case examples and design prototypes to explore critical philosophical and ethical questions around the implications of technology in the urban and built environment - Provides an accessible and illustrative guide to technical principles of urban sensing and sense making apparatus foundational to the design of urban technology and smart cities - Utilizes visual iconography and diagramming to illustrate urban technology concepts, configurations, sequences, interactivity, and technical systems
Urban Transformations through Exceptional Architecture focusses on the nexus between architecturally exceptional projects and the city. It addresses the following questions: How can the complexity of these projects be comprehended? What roles do the political contexts play in the commissioning of such projects and what audiences do these projects serve? How has the granting of professional recognition for architects changed and what will this change mean to measures of exceptionality in architectural design? What roles do the architectural competitions play in the process of commissioning the design of architecturally exceptional projects, and do design competitions as an urban planning tool grant high value designs? Architecturally exceptional projects are situated in physical urban fabrics. How can this situatedness be analysed and what different values does the urban design dimension of these projects add? By considering diverse aspects of architecturally exceptional projects, the chapters in this book utilise a variety of research methods. They bring into dialogue a range of themes regarding the architectural, urban design and political aspects of these projects. This volume illustrates that multidisciplinarity might well be the best strategy to balance the risks of over simplification and the challenges of complexity in analysing these exceptional projects and the city in its ever-transformative process. The chapters in this book were originally published as a special issue of the Journal of Urban Design.
Here, from Pulitzer Prize–winning critic Paul Goldberger, is the first full-fledged critical biography of Frank Gehry, undoubtedly the most famous architect of our time. Goldberger follows Gehry from his humble origins—the son of working-class Jewish immigrants in Toronto—to the heights of his extraordinary career. He explores Gehry’s relationship to Los Angeles, a city that welcomed outsider artists and profoundly shaped him in his formative years. He surveys the full range of his work, from the Bilbao Guggenheim to the Walt Disney Concert Hall in L.A. to the architect’s own home in Santa Monica, which galvanized his neighbors and astonished the world. He analyzes his carefully crafted persona, in which an amiable surface masks a driving ambition. And he discusses his use of technology, not just to change the way a building looks, but to revolutionize the very practice of the field. Comprehensive and incisive, Building Art is a sweeping view of a singular artist—and an essential story of architecture’s modern era.