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This book looks at the relationship between culture and power expressed in architectural forms employed by the British in India. These buildings reflect the choices made by the British in their politics as imperial rulers.
A place of astonishing contrasts, India is home to some of the world’s most ancient architectures as well as some of its most modern. It was the focus of some of the most important works created by Le Corbusier and Louis Kahn, among other lesser-known masters, and it is regarded by many as one of the key sites of mid-twentieth century architectural design. As Peter Scriver and Amit Srivastava show in this book, however, India’s history of modern architecture began long before the nation’s independence as a modern state in 1947. Going back to the nineteenth century, Scriver and Srivastava look at the beginnings of modernism in colonial India and the ways that public works and patronage fostered new design practices that directly challenged the social order and values invested in the building traditions of the past. They then trace how India’s architecture embodies the dramatic shifts in Indian society and culture during the last century. Making sense of a broad range of sources, from private papers and photographic collections to the extensive records of the Indian Public Works Department, they provide the most rounded account of modern architecture in India that has yet been available.
This book provides an understanding of the very roots of what constitutes the Indian context by examining its notions of time, space and existence. the study unravels the inherent virtues of traditional Indian architecture and interprets them as universal dictums, relevant to reinstate in contemporary times.
The buildings erected in the Deccan region of India belonged to a number of pre-Mughal kingdoms that reigned in the Deccan from the middle of the 14th century onwards [to the 18th century]. The monuments testify to a culture where local and imported ideas, vernacular and pan-Islamic traditions fused and re-interpreted, to create a majestic architectural heritage with exceptional buildings on the edge of the Islamic world. Many are still standing - yet outside this region of peninsular India, they remain largely unknown.General publications on Indian Islamic architecture usually devote a single chapter to the Deccan. Even specialist monographs can only cover a portion of the region, due to the sheer number of sites. While it is impossible to encompass the full breadth of the subject in a single volume, this book aims to embrace the visual diversity of the Deccan without sacrificing the rigour of academic study. Structures of historical or architectural significance are placed in their context, as the authors discuss building typologies, civic facilities and ornamental techniques, from plaster and carved stone to glazed tiles and mural painting. A chapter is dedicated to each principal Deccan site, interweaving the rise and fall of these cities with a pictorial journey through their ruins, and each building is accompanied by an overhead plan view.
Take a journey through Indian architecture from the dawn of civilization to the present with this colorful, attractive survey. The architecture of India reflects both the cultural diversity of the subcontinent and its rich political and historical inheritance. In this guide, the various strands of this rich architectural history, from the dawn of civilization to modern times, are beautifully presented in word and picture. Readers are taken on a fascinating tour of Indus Valley civilization, early Vedic traditions, Hindu, Jain, Mughal, regional, colonial and post-independence architectural styles. Themes such as water architecture and the architecture of science also figure prominently, giving many westerners their first glimpse of these styles. The informative text, complemented by 400 photographs, watercolors, maps and plans, provide compelling evidence of India's influence on building design throughout history.
This book presents a comprehensive overview of the historical and cultural linkages between India and Iran in terms of art and architectural traditions and their commonality and diversity. It addresses themes such as early connections between Iran, India and Central Asia; study of the Qutb Complex in Delhi; the great immigration of Turks from Asia to Anatolia; the collaboration of Indian and Persian painters; design, ornamentation techniques and regional dynamics; women and public spaces in Shahjahanabad and Isfahan; the noble-architects of emperor Shah Jahan's reign; development of Kashmir’s Islamic religious architecture in the medieval period; role of Nur Jahan and her Persian roots in the evolution of the Mughal Garden; synthesis of Indo-Iranian architecture; and confluence of Indo-Persian food culture to showcase the richness of art, architecture, and sociocultural and political exchanges between the two countries. Bringing together a wide array of perspectives, it delves into the roots of connection between India and Iran over centuries to understand its influence and impact on the artistic and cultural genealogy and the shared past of two of the oldest civilizations and regional powers of the world. With its archival sources, this book will be useful to scholars and researchers of medieval history, Indian history, international relations, Central Asian history, Islamic studies, Iranian history, art and architecture, heritage studies, cultural studies, regional studies, and South Asian studies as well as those interested in the study of sociocultural and religious exchanges.
This book takes the reader through the centuries and gives a rich insight into India's heritage and architecture. For years the preserve of scholars, this is a presentation of the myrad forms, school and styles of architecture in an informative yet reader-friendly manner focusing on aspects of Indian aesthetics, principles of engineering, history and philosophies, replete with brilliant visuals and illuminating perspectives.
This book explores conceptions of Indian architecture and how the historical buildings of the subcontinent have been conceived and described. Investigating the design philosophies of architects and styles of analysis by architectural historians, the book explores how systems of design and ideas about aesthetics have governed both the construction of buildings in India and their subsequent interpretation. How did the political directives of the British colonial period shape the manner in which pioneer archaeologists wrote the histories of India's buildings? How might such accounts conflict with indigenous ones, or with historical aesthetics? How might paintings of buildings by British and Indian artists suggest different ways of understanding their subjects? In what ways must we revise our conceptions of space and time to understand the narrative art which adorns India's most ancient monuments? These are among the questions addressed by the contributors to the volume.
This book is an attempt to evaluate the role of architecture of foreign masters of modern architecture in India in shaping the post independence Indian architecture. It is an effort to understand the reasons of origin of modern architecture, factors responsible for its development and its architectural vocabulary both in world and in India. It further strives to gather the existing studies that have already been done and also intends to contribute to the present body of knowledge by identifying and defining architectural vocabulary of modern architecture of foreign modernist masters' works in India and also statistically analyse its influence on post independence Indian architecture that native architects exhibited in public domain. It is a maiden attempt to analyse the influence statistically at such an exhaustive level, which has never been done before. The book elaborates how the architecture of modern India embodied and reflected the dramatic shifts of Indian society and culture. It throws light on Indian architectural modernity journey that began at the turn of the 20th century, fostered new design practices that directly challenged the social order and values invested in the building traditions of the past. It is an effort to fill in the gaps in the course of development of modernism in India and also an in depth analysis of the way Indian architects were influenced by the works of foreign masters of modern architecture in India. This critical representation of India's post independence modern architecture is an essential reading for all students and scholars of architecture, as well as all those interested in the story of development of modernism in India.
Through lucid visual analysis, accompanied by drawings, this book will allow readers to appreciate the concepts underlying designs that at first sight often seem bewilderingly intricate. The book will be divided into six parts that cover the history and development of the design and architecture of Indian temples.