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In this vivid new examination of a rogue architectural style, discover the roadside structures of California. Fresh discoveries and several pictorial essays explore how these buildings became synonymous with the West Coast and how the power of personal expression championed any architectural establishment with structures eccentric, innovative, ..
"The five architects - Bernard Maybeck, Irving Gill, the brothers Charles and Henry Greene, and R.M. Schindler - whose work and lives are presented here were seminal figures in American architecture. As Californians they were less influenced than their Eastern contemporaries by the European styles that prevailed in the United States during the first half of the twentieth century, and each of them devised an original style that has had a profound effect on younger generations of American architects."--The inside cover
In the early 1900s, the population of Southern California exploded, and the cities grew at such a rapid pace that builders could hardly keep up. Among those who settled in the area were ten architects looking to make their marks on the world. Claud Beelman, a man who never received a college degree, would go on to design the Elks Lodge in Los Angeles. Albert C. Martin, architect of Grauman's Million Dollar Theater, founded a company that is still going strong more than one hundred years later, and Julia Morgan, the first woman architect licensed in California, was hired by William Randolph Hearst to design the Examiner Building. Join author Antonio Gonzalez as he tells the stories of the people behind some of Southern California's most iconic buildings.
Many people think modernist architecture never flowered in California north of the San Fernando Valley. NorCalMod dispels that notion in a copiously illustrated history showcasing extraordinary examples of its proud contribution to the Bay Area and environs. As a style, modernist architecture was hotly debated in its day (why create modern structures where such distinctive Victorian and Arts and Crafts buildings already existed?) pulling heavyweights such as Frank Lloyd Wright, Lewis Mumford, and Walter Gropius into the fray. Ultimately, that existing "Bay Region Style" would remain the area's architectural hallmark, but not before hundreds of important modernist projects, many still standing yet unjustly neglected today, had been established. The remarkable photos in this book open our eyes to a long-lost chapter in the history of California architecture and make NorCalMod a volume to be enjoyed by those interested in California history and style as well as by architecture students and professionals.
In 1912, San Jose architect Frank Delos Wolfe, inspired by Frank Lloyd Wright, applied the architectural style of the Midwestern Prairie School to the California bungalow. The result was something unique to Northern California--an ornate and strikingly modern home that suited the California lifestyle and appealed to those who wanted something decidedly different.With more than 200 photographs, author Krista Van Laan presents a look at the work of Frank Wolfe focusing on the years 1912 through 1922. Set against the backdrop of the Santa Clara Valley during a period of economic and architectural growth, "Frank Delos Wolfe: California Prairie Architecture" tells the stories of these special buildings and their special owners and establishes Wolfe's place among American architects.
The style and mythology of Mid-Century Modern California architecture as seen through the expert lens of Marvin Rand Los Angeles photographer Marvin Rand created iconic images of some of the most celebrated architectural creations of his time, photographing buildings by the likes of Modernist masters Craig Ellwood, Louis Kahn, and Frank Lloyd Wright to capture the essence of their work - and, in doing so, played a critical role in shaping the Mid-Century California style now worshiped the world over. The discovery of Rand's archive has brought a treasure trove to life, and California Captured showcases it - and the period - as never before.
California Crazy & Beyond: Roadside Venacular Architecture is the most thorough documentation of this ususual architectural style, and a greatly enhanced, fully revised version of the classic book that first explored the movement."--BOOK JACKET.
The aura and romance of Old California lives on in this treasury of inviting homes. The California House presents the magic of the "golden state," that land of infinite promise and dreams, the most tangible expression of which can be found in the homes built by early California dreamers. Here domestic visions of tranquility and repose were inventively realized—in stucco or stone, wood and wrought iron, plaster, and glass and tile. Spanish Colonial Revival–style homes with elaborate wrought-iron window grilles, romantic, shadowy interiors, and lush courtyard gardens stand beside other particularly Californian architectural wonders such as the San Francisco Victorian Painted Lady, the Monterey Colonial, Eurekan Queen Anne, and the homey California Arts & Crafts. Including houses designed by luminaries George Washington Smith, Stanford White, Greene & Greene, and Reginald Johnson, this book will fascinate both the architecture aficionado and interior design enthusiasts, as well as the everyday lover of homes. Including, but going beyond, the much-adored Spanish style (in its many manifestations) and Mission Revival, the book features as well the Victorian of San Francisco's Painted Lady and Eureka's Queen Anne, Monterey Colonial, California Arts & Crafts, French Chateau, classic Colonial farm house, and more. All new color photography of 25 houses in California ranging in style from Spanish Colonial Revival, Mission, Victorian, Queen Anne, California Arts & Crafts, Monterey, French Chateau, Colonial Farm House. The book includes little known California work by well known architect Stanford White, known primarily for his East Coast work (designer of the original Penn Station with McKim, Mead & White, and original Madison Square Garden, and many others); as well as the Magdelena Zanone House (Queen Anne late Victorian style home in Eureka, CA); the Murphy House, San Francisco (Classic French Chateau); a Gothic Victorian 1860s home in Sonoma; Casa Amesti (Monterey style home); "El Cerrito" designed by Russel Ray and Winsor Soule and built in 1913 in Santa Barbara (an amalgam of Mission and Spanish Colonial Revival); the Frothingham House designed by George Washington Smith in 1922 (Spanish Colonial Rev.); Cuartro Ventos House by Reginald Johnson, 1929 in Santa Barbara; William Edwards House by Roland E. Coate, Sr. in San Marino, 1926; Robinson House by Greene and Greene in Pasadena, 1905; Sack House in Berkeley (California Arts & Crafts) Brune-Reutlinger House in San Francisco (classic Painted Lady Victorian); a colonial mid-19th cent farm house in Sonoma; "Mariposa," classic Spanish style in Montecito; The Marston House in San Diego (Arts & Crafts/Tudoresque); Rancho Los Alamos De Santa Elena in Los Alamos (Span. Col. Rev.); Pepper Hill Farm in Balard.
Frank Lloyd Wright's romanza-as he termed his California work-covers a span of more than fifty years and includes twenty-four finished edifices that are as varied and striking as the landscape itself.