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Here Comes the Sun looks at how social reformers, planners and architects in the early twentieth century tried to remake the city in the image of a sunlit, ordered utopia. While much has been written about architectural modernism, Worpole concentrates less on buildings and more on the planning of the spaces in-between – the parks, public squares, open-air museums, promenades, public pools and other public leisure facilities. Life in the open was of particular concern to early urban planners and reformers, with their dreams of release from the confines of overcrowded, unsanitary slums. Picturing youthful working-class bodies made healthy by exercise and tanned by the sun, they imagined an escape route from cities. Worpole demonstrates how open-air public spaces became sought-after commissions for many early modernist architects in the early 1900s, resulting in the transformation of the European cityscape. "...a fascinating account of the political idealism that informed urban planning for the first two-thirds of the twentieth-century...full of insights into how public space influences a sense of belonging and ownership."—The Guardian "This is one of those books you stroke lovingly. Open it, and there is page after page of beautiful photographs...this book combines history, society, politics, environment and place in a well-written and emotive text. The strength of the book is the way it crosses these traditional boundaries and disciplines."—Town and Country Planning "Drawing on architectural theories, philosophy, literature and even film-making, Worpole's book is wide-ranging and erudite and should be of interest to the layperson as well as to the urban planner. It is also elegantly written and complemented by a mixture of black and white and colour photographs to provide a visual emphasis to the points he raises."—N16 Magazine
A House in the Sun describes a number of experiments in solar house heating in the 1940s and 1950s. It shows how resource limitations were seen as an opportunity for design to attain new relevance for social and cultural transformations.
An updated guide to designing buildings that heat with the sun, cool with the wind, and light with the sky. This fully updated Third Edition covers principles of designing buildings that use the sun for heating, wind for cooling, and daylight for natural lighting. Using hundreds of illustrations, this book offers practical strategies that give the designer the tools they need to make energy efficient buildings. Hundreds of illustrations and practical strategies give the designer the tools they need to make energy efficient buildings. Organized to quickly guide the designer in making buildings respond to the sun, wind and light.
A look at desert architecture and interiors and the ways people live in arid environments. In a time when living in harmony with the natural environment is a fundamental concern, the book shows how desert living reflects this philosophy, from adobe structures to innovative contemporary houses.
Two stars of contemporary architecture explore the unique handling of light and heat in the architecture of Burkina Faso Across the African continent, but especially in the sub-Saharan regions, the light has a particularly stark quality, which becomes most apparent in relation to older buildings. Before electricity, architecture was required to make use of the sun as a light source within a building, while also protecting its inhabitants from the heat. This resulted in vernacular architecture that features very few or small openings, which consequently render the inside of a building near pitch black, while the outside is illuminated by sunshine that bears down mercilessly. On the initiative of the lighting technology company Zumtobel Group, photographer Iwan Baan (born 1975) and architect Francis Kéré (born 1965) set out to capture how the sun's natural light cycle shapes vernacular architecture in Burkina Faso with little to no artificial light sources. They traveled to three exemplary locations: communal compounds in Gando; the main mosque of Bobo Dioulasso; and the terraced houses in Dano. Baan's pictures are accompanied by architectural sketches by Francis Kéré, who himself grew up in this light environment and whose architecture is inspired by it. The stunning photographs are printed using a special technique, to give a sense of being immersed in the very light conditions documented here.
Architectural Science and the Sun synthesizes physics, climate, program, and perception to provide a foundation in the principles of architectural science related to the sun: solar geometry, solar analysis and design techniques, passive design principles, and daylighting. Part analytical handbook, part inspiration source for schematic design, the content comprises a critical component of effective sustainable design. Beyond the purely technical aspects of these topics, Architectural Science and the Sun begins with the premise that great architecture goes beyond energy performance and the visual-aesthetic to engage all of the senses. Given that the stimuli to which our senses respond are physical phenomena such as light, heat, and sound, the designer must manipulate these parameters through the craft of building form and technology to create the desired qualitative experience. This book is designed to help the reader develop that skill.
Sun Valley "style" has emerged out of the melding of the extraordinarily beautiful scenery of the area, a love of outdoor living and recreation, and the unavoidable influence of the chic movie stars and millionaires who call it home. Sun Valley Architecture and Interiors exemplifies a blend of simple elegance and a refreshingly unpretentious spirit that permeates this Idaho paradise--and that spirit has profound effect on the lives and homes of its people.
Sun and Moon must leave their earthly home after Sun invites the Sea to visit.
Modern hygienic urbanism originated in the airy boulevards, public parks, and sewer system that transformed the Parisian cityscape in the mid-nineteenth century. Yet these well-known developments in public health built on a previous moment of anxiety about the hygiene of modern city dwellers. Amid fears of national decline that accompanied the collapse of the Napoleonic Empire, efforts to modernize Paris between 1800 and 1850 focused not on grand and comprehensive structural reforms, but rather on improving the bodily and mental fitness of the individual citizen. These forgotten efforts to renew and reform the physical and moral health of the urban subject found expression in the built environment of the city—in the gymnasiums, swimming pools, and green spaces of private and public institutions, from the pedagogical to the recreational. Sun-Young Park reveals how these anxieties about health and social order, which manifested in emerging ideals of the body, created a uniquely spatial and urban experience of modernity in the postrevolutionary capital, one profoundly impacted by hygiene, mobility, productivity, leisure, spectacle, and technology.