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"A pioneering account of mid-Atlantic folk architecture and of the nineteenth-century transformation of traditional agriculture. . . . A major study of American vernacular architecture."--Dell Upton, University of California, Berkeley "Bernard L. Herman has provided us with a model study in the interdisciplinary interpretation of a common landscape."--Robert Blair St. George, Journal of American Folklore "An impressive study that adds an important dimension to our understanding of the built environment."--Clifford E. Clark Jr., American Historical Review "A wide range of reader expectations will be met by this book. Herman provides a focused community study as well as an interpretation of vernacular architecture in the Mid-Atlantic region."--John Michael Vlach, Journal of the Society of Architectural Historians "Scholars will be impressed by Herman's ability to marshal different kinds of evidence to buttress his contention that architecture reveals not just how people materially ordered their lives but helped 'to create and maintain order, to project images of self and community, and to control meaning in social discourse.'"--Choice The Author: Bernard L. Herman teaches at the University of Delaware, where is a professor of art history and senior research fellow at the Center for Historic Architecture and Design. Among his many publications are Everyday Architecture of the Mid-Atlantic: Looking at Buildings and Landscapes (co-author with Gabrielle M. Lanier) and Historical Architectural and the Study of American Culture (co-editor with Lu Ann De Cunzo).
Everyday Architecture of the Mid-Atlantic gives proof to the insights architecture offers into who we are culturally as a community, a region, and a nation.
This lively and authoritative volume makes clear that the quest for taste and manners in America has been essential to the serious pursuit of a democratic culture. Spanning the material world from mansions and silverware to etiquette books, city planning, and sentimental novels, Richard L. Bushman shows how a set of values originating in aristocratic court culture gradually permeated almost every stratum of American society and served to prevent the hardening of class consciousness. A work of immense and richly nuanced learning, The Refinement of America newly illuminates every facet of both our artifacts and our values.
This innovative study draws on anthropology, archaeology, art history, folklore, and history to illuminate the rich texture of a historic landscape and the complex process by which it changed over a ninety-year period between the American Revolution and the Civil War. Focusing on Franklin County in the upper Connecticut Valley of Massachusetts, a landscape that shares many characteristics with greater New England and with the rural North, Garrison describes the region's town plans, agricultural patterns, dwellings, barns, outbuildings, fences, and transportation networks--and how they changed. He demonstrates that the transformation of this rural landscape was a dynamic process, a complex interaction between tradition and innovation, driven by people's shifting expectations about material life. Garrison's carefully researched, narrative study begins with the lives of individual inhabitants and from them generates a larger picture. Who lived in Franklin County, what they thought and wrote about, what choices they made and what principles they lived by, what buildings and crops they raised and with what tools and methods, how they organized their homes, family life, farms, and workspaces, what they did with their leisure time, how they spent their money or manifested their social status--these are the topics of his investigation. His study provides insight into the changing values that accompanied the transition from an agrarian to an industrial society and raises questions about the nature of tradition and the character of American -folklife.- The Author: J. Ritchie Garrison is associate director of the Museum Studies Program and assistant professor of history at the University of Delaware.
Incorporating more than 3,000 illustrations, Kornwolf's work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities - their rivalries and frictions, their outlooks and attitudes - as they extended their hold on the land.
How did a mid-eighteenth-century group, the so-called Pennsylvania Germans, build their cultural identity in the face of ethnic stereotyping, nostalgic ideals, and the views imposed by outside contemporaries? Numerous forces create a group's identity, including the views of outsiders, insiders, and the shaping pressure of religious beliefs, but to understand the process better, we must look to clues from material culture. Cynthia Falk explores the relationship between ethnicity and the buildings, personal belongings, and other cultural artifacts of early Pennsylvania German immigrants and their descendants. Such material culture has been the basis of stereotyping Pennsylvania Germans almost since their arrival. Falk warns us against the typical scholarly overemphasis on Pennsylvania Germans' assimilation into an English way of life. Rather, she demonstrates that more than anything, socioeconomic status and religious affiliation influenced the character of the material culture of Pennsylvania Germans. Her work also shows how early Pennsylvania Germans defined their own identities.
"Drawn from two conferences of the Vernacular Architecture Forum--one held in Charleston in 1994, and the other in Ottawa in 1995"--Back cover.
"By analyzing what she describes as richly detailed archaeological site biographies, De Cunzo reconstructs how Delaware's farming people actively created their identities and shaped their interactions at home, at work, at church, and in the marketplace as they began to confront industrial capitalism. Informed by a contextual, interpretive perspective, this valuable work reveals the complex interrelationships among environment, technology, economy, social order, and cultural praxis that defined the "cultures of agriculture" in Delaware during the last three centuries."--Jacket.
This book relates the story of a small Newfoundland community, as told through its buildings. From the addition of a kitchen to the construction of a new house, the way people build and change their homes says a great deal about their histories and daily lives, and the author’s insights on the stories told in the architecture of the Codroy Valley are sure to encourage readers to look at their own communities in a new way.