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This is a complete guide book to monuments at Aihole, a site with the rich architecture of the early western Chalukyas. Aihole “The Cradle of Indian Architecture” once known as Aryapura is considered to be the first settlement of the Chalukyas. The present Aihole is popular for remains of Early Western Chalukyas. This village is rich with monuments of varied Architecture and is scattered all over the village. The major attraction here are the temples in the "Central Site of Monuments" an enclosure housing remains of earliest temples. There are also other temples and caves found around the central site.
This is a complete guide book to monuments at Aihole, a site with the rich architecture of the early western Chalukyas. Aihole "The Cradle of Indian Architecture" once known as Aryapura is considered to be the first settlement of the Chalukyas. The present Aihole is popular for remains of Early Western Chalukyas. This village is rich with monuments of varied Architecture and is scattered all over the village. The major attraction here are the temples in the "Central Site of Monuments" an enclosure housing remains of earliest temples. There are also other temples and caves found around the central site.
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
Art Shrines Of Ancient India Deals With The Art Treasures Of Selected Archaeological Sites In The Various State.5 Of India. The Sites Dealt With Are: Sarnath, Sanchi, Kanchipuram, Mamallapuram Cmahabalipuram) , Temples Of Chamba, Aihole, Badami, Pattadakkal, Elephanta, Euora, Ajanta,Nalanda, Konarak, Halebid, Belur, Khajuraho, Suchindram, Mandu, Madurai, Chittor And Mount Abu. Profusely Illustrated, The Book Peeps In~O The Historical And Mythological Past Of Each Site And Evaluates The Artistic Contri- Butions Of The Various Ruling Dynasties: The Mauryas, The Sungas, The Guptas, The Pallavas, The Chalukyas, The Rashtrakutas, Thepalas, The Senas,. The Gangas, The Cholas, The Hoysalas, The Chandellas, The Pandyas And The Nayaks. The Book Also Deals With The Siva-Sakti Theme And Homage To The Sun In The Art Of Ancient India And Indicates How These Are Depicted In The Various Temples Of I!Ldia. This Book Will Be An Invaluable Guide To All Tourists, Especially Foreigners And Non- Resident Indians, Who Want To Savour, In A Short Time, The Rich Artistic Heritage Displayed In The Famous Temples And Archaeological Sites In India.
CultureShock! India helps you understand this country that has more than 4,000 separate communities and where over 300 different languages are spoken. Learn to navigate your way through Indian society, and appreciate the traditions and values that bind the people together despite their differences. Peppered with personal anecdotes, this book gives practical advice to avoid cultural misunderstandings as well as tips to facilitate your move to the country, including information on how to find a suitable home, how to get around, what schools and facilities are available for your family and what to expect from the work environment. Complete with delightful chapters on food, entertaining, leisure activities and festivals. About the Series CultureShock! is a comprehensive, dynamic and indispensable guide for travellers looking to truly understand the countries they are visiting, as well as expatriates settling into a new assignment in a foreign land. Each title explains the customs, traditions, social and business etiquette in a lively and informative style. CultureShock! Authors, all of whom have experienced the joys and pitfalls of cultural adaptation, provide warm and informative advice to those who seek to integrate seamlessly into diverse cultures. The books have a friendly and honest writing style and are full of personal experiences, practical advise and useful information
A Single-Volume Study Of Ancient Indian History Delineating The Various Facets, Both Political And Cultural, And Incorporating The Fruits Of Recent Researches That Have Abundantly Appeared Since 1950, Has Not Been Attempted Before. Author Has Tried To Maintain A Delicate Balance Between Political History And Social, Economic And Cultural History Of Ancient India.The Book Covers The Pre-Historic India, The Vedic Age, The Post-Vedic Civilization, North India In The Sixth Century B.C. It Also Explains New Religious Movements And Their Socio-Economic Background, Maurya Age, Political Disintegration And Foreign Invasions. The Gupta Empire, The Prominence Of North Under Harshavardhana And Its Eclipse, Bengal Under The Palas And The Senas, Dynasties Of North India, Arabs And Turks In India, Indias Intercourse With The Outside World, Have Been Discussed In Depth.History Of Deccan And South India, Hitherto Not Given Due Weightage And Culture And Civilization Of Ancient India In All Its Variegated Hues, Have Received Due Attention. Some New Topics Like Espionage, Slavery, Guilds, Urbanisation, Feudalism And Science And Technology In Ancient India, Have Been Incorporated To Make The Book As Uptodate As Possible. Apart From Meeting The Requirements Of Undergraduate And Postgraduate Students Of Indian Universities, The Book Will Serve As A Useful Guide To Candidates For Civil Service Examination (Both Preliminary And Main).
Rodeo researcher and writer Reba Perry Blakely discusses Indian history in the State of Washington, especially the Treaty of Walla Walla. She also attempts to interest the National Cowboy Hall of Fame in financing a book on the subject that she proposes to write and talks about her own family history.
The roots between the Hindu religion and the wider culture are deep and uniquely complex. No study of either ancient or contemporary Indian culture can be undertaken without a clear understanding of Hindu visual arts and their sources in religious belief and practice. Defining what is meant by religion - no such term exists in Sanskrit - and what is understood by Hindu ideals of beauty, Heather Elgood provides the best synthesis and critical study of recent scholarship on the topic. In addition, this book offers critical background information for anyone interested in the social and anthropological roots of artistic creativity, as well as the rites, practices and beliefs of the hundreds of millions of Hindus in the world today.
Ellora is one of the great cave temple sites of India, with thirty-four major Buddhist, Hindu, and Jain monuments of the late sixth to tenth centuries A. D. This book describes the Buddhist caves at Ellora and places them in the context of Buddhist art and iconography. Ellora's twelve Buddhist cave temples, dating from the early seventh to the early eighth centuries, preserve an unparalleled one-hundred-year sequence of architectural and iconographical development. They reveal the evolution of a Buddhist mandala at sites in other regions often considered "peripheral" to the heartland of Buddhism in eastern India. At Ellora, the mandala, ordinarily conceived as a two-dimensional diagram used to focus meditation, is unfolded into the three-dimensional program of the cave temples themselves, enabling devotees to walk through the mandala during worship. The mandala's development at Ellora is explained and its significance is considered for the evolution of Buddhist art and iconography elsewhere in India.