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An almost forgotten art, the Ventilation block has a long history as a traditional building module in tropical regions. It provides climatic comfort, protection and architectonic a continuous application of modules.
Based on documentation originating in the environmental sciences, history of science, philosophy and art, Architecture of Nature explores the materiality and the effects of the forces at play in the history of the earth through the architect's modes of seeing and techniques of representation. This book presents the research work developed for the past eight years in the Advanced Research graduate studio "Architecture of Nature/ Nature of Architecture," created and directed by Diana Agrest at the Irwin S. Chanin School of Architecture of the Cooper Union. Architecture of Nature departs from the traditional approach to nature as a referent for architecture and reframes it as its object of study. The complex processes of generation and transformations of extreme natural phenomena such as glaciers, volcanoes, permafrost, and clouds are explored through unique drawings and models, confronting a scale of space and time that expands and transcends the established boundaries of the architectural discipline.
A provocative case for historical ambiguity in architecture by one of the field's leading theorists Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times"—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment. Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis.
For more than thirty years, British photographer Simon Phipps has been documenting the rebuilding of Britain after the Second World War through the work of architects. His archive documents Britain?s post-war modernism and new brutalism in architecture and recognizes the architects? enormous contribution to the transformation of the political and social landscape of the country in the aftermath of WW II. Significant building on a mass scale was realized and new building techniques were pioneered alongside innovative layouts, resulting in buildings of outstanding quality, displaying radical new forms. The construction ranged from public and private housing, to schools and universities, churches, museums, galleries, commercial and, ultimately, entire new towns.0This new book features around 200 of Simon Phipps?s photographs of some 160 buildings in all parts of England completed between the 1950s until the 1980s. They create a confrontation of buildings and architectural fragments, evoking a distinct atmosphere of brutalism. The essays and a conversation with architect Kate Macintosh contextualize brutalism in architecture from a British perspective.00Exhibition: Museum im Bellpark Kriens, Switzerland (26.08.-05.11.2017).
"Architecture and design records are exciting resources for historical research and vital for documenting and maintaining the built environment. Yet their temporal nature often makes them difficult to preserve, and managing collections of these records can be a challenge. In addition to addressing preservation issues, this resource helps archivists, curators, librarians and researchers understand how to assess the value of architectural records" -- Publisher's description.
This idea book for custom-designed housing presents unique design concepts that satisfy a wide range of needs, sites, and cost levels and combine personal expression with architectural achievement.
Examines the influence of twentieth-century avant-garde movements on the contemporary architectural landscape through the work of “disruptors” such as Frank Gehry, Rem Koolhaas, and Zaha Hadid. With an irregular format designed by celebrated graphic designer Abbott Miller of Pentagram. In Architecture Unbound, noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian architecture. Explorations emerged in the 1970s, and built projects surfaced in the 1980s, taking digital form in the 1990s, with large-scale projects finally landing on the far side of the millennium. Architecture Unbound traces all of these developments and influences, presenting an authoritative and illuminating history not only of the sources of contemporary currents in architecture but also of the twentieth-century avant-garde and the twenty-first-century digital revolution in form-making, and profiling the most influential practitioners and their most notable projects, including Frank Gehry’s Guggenheim Bilbao and Walt Disney Concert Hall, Zaha Hadid’s Guangzhou Opera House, Daniel Libeskind’s master plan for the World Trade Center, Rem Koolhaas’s CCTV Tower, and Herzog and de Meuron’s Bird’s Nest Olympic Stadium in Beijing.