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Sir Kenneth Clark wrote in the Architectural Review, that the first result of this book was "to dispose, once and for all, of the hedonist, or purely aesthetic, theory of Renaissance architecture, ' and this defines Wittkower's intention in a nutshell.
Explores the relationship between architectural history and the current practice of architecture. The authors draw on insights from anthropology, ancient history, theology, philosophy and the Holocaust. They also provide practical ideas which should help students build a more human world.
From cathedrals to star wars, Arnold Pacey looks at the interaction of technologies and society over the last thousand years and uses that survey to argue for a more humane form of future technological development. The second edition of The Maze of Ingenuity concentrates on Europe and North America and incorporates recent insights from the history and sociology of technology. A new series of chapters extends Pacey's discussion of the role of ideas and ideals in technology in the period since the industrial revolution. Contents The Cathedral Builders: European Technical Achievement between 1100 and 1280 • A Century of Invention: 1250-1350 • Mathematics and the Arts: 1450-1600 • The Practical Arts and the Scientific Revolution • Social Ideals in Technical Change: German Miners and English Puritans, 1450-1650 • The State and Technical Progress: 1660-1770 • Technology in the Industrial Revolution • Conflicting Ideals in Engineering: America and Britain, 1790-1870 • Institutionalizing Technical Ideals, 1820-1920 • Idealistic Trends in Twentieth-Century Technology
A theoretical history of anthropomorphism and proportion in modern architecture, this volume brings into focus the discourse around proportion with current problems of post-humanism in architecture alongside the new possibilities made available through digital technologies. The book examines how the body and its ordering has served as a central site of architectural discourse in recent decades, especially in attempts to reformulate architecture’s relationship to humanism, modernism and technology. Challenging some concepts and categories of architectural history and situates current debates within a broader cultural and technological context, Hight makes complex ideas easily accessible. Extensively illustrated and written without academic jargon for an informed but non-specialized architectural audience, this book elucidates the often obscure debates of avant-garde architectural discourse and design, while demonstrating how these debates have affected everyday places and concepts of architecture. As a result, it will appeal to professional architects, academics and students, combining as it does an insightful introduction to the fundamental issues of architectural history and theory over the past fifty years with entirely new formulations of what that history is and means.
The impact of early Italian Humanism on the development of Quattrocentro architecture has received much attention in recent years. Providing the foundation for the re-evaluation of architectural principles in the age of Humanism, Christine Smith focuses on the ways that works of architecture or architectural imagery became important vehicles for the expression of the Humanists' ethical, political, and cultural concerns. Smith looks at the writings of the Humanists and investigates what they believed was important in the "built environment. Since the Humanists' accounts of architecture responded to other literary texts, she analyzes in detail their relations with specific Classical, medieval, and contemporary sources. Although few early Renaissance authors evinced much interest in architectural style as we understand it today, the early Humanists frequently used architectural imagery in order to make moral discussion more vivid. In Humanist thought, buildings also served as evidence for the cultural status of their times and for the dignity of humanity. They were seen as historical documents useful for evaluating the past and for transmitting the desired image of the present to the future. Smith organizes the essays around three themes: the use of architecture in ethical discourse, the critical criteria with which the early Humanists did and did not approach architectural experience, and the development of architectural description as it relates to the Renaissance recovery of eloquence. She also gives special attention to the importance of sensory experience in early Renaissance epistemology, the problem of the Middle Ages, and the contribution of Byzantium to early Humanist culture.